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Peter Larkey compares David Mamet's THE HEIST to Frank Oz's THE SCORE

Hey folks, Harry here with Peter Larkey's comparison reviews of THE HEIST vs. THE SCORE. The first is coming May 4th from David Mamet and THE SCORE comes out later in the year from Frank Oz. There are of course the obvious surface-level similarities between the two... but only Peter Larkey knows how close the films really are. Read and learn how the styles of Oz and Mamet play out... after seeing both...

Dear Harry,


The Heist vs. The Score


Not since Deep Impact and Armageddon have I noticed two films produced by different studios that had such obviously similar plots as do The Heist and The Score. Both of which are very good films albeit in slightly differing ways despite the fact that they are both movies about a major theft executed by a master thief on the verge of retiring for good. Gene Hackman's character Joe in The Heist because he accidentally let his face be video taped in a semi botched robbery and The Score's Robert De Niro/Nick Wells who is essentially tired of his life of crime and wants to spend more time with the woman he loves Diane/Angela Bassett and go legit. Though retirement for either of them quickly becomes an impossibility as Gene Hackman's character is essentially blackmailed or coerced into pulling off one more heist while De Niro's character is more or less talked into a final big score that will set him, his girlfriend and his partner up for life. His partner in this case being a being a very bloated and from what I hear often pant less Marlon Brando/Maximillian Beard who basically looked and acted his way through the film as if he was going to drop dead at any moment. His counterpart Bergman in The Heist brutally played by Danny De Vito is a much more ruthless and insidious benefactor since he basically threatens Joe into getting him to do what he wants and obviously cares very little for him. While Brando's tactics in The Score are a lot more subtle and involve a great deal more guilt since they seem to have a lot of history together and share a more personal bond than their counterparts in The Heist do.


All of which works to both film's benefit because each character in each film is rather unique in spite of the plot similarities and therefore need different things to motivate them. Which is why De Niro has a long time love who he essentially wants to quit the biz for thus his ultimate drive or motivation to perform one last score and go out with a bang as it were. While Hackman on the other hand has to be forced into pulling off one last job because he already has a wife and a pretty good living outside of his criminal dealings. Although that kind of gets fucked up by Jimmy, the seriously short tempered nephew of De Vito's character who Hackman is forced to bring along on the job. Very nicely played by Sam Rockwell who is always a pleasure to see in just about all his films and really added a lot of energy and tension to the story. Even though his character was a complete asshole and whose complete lack of control only succeeded in making a bad situation worse time and time again for all involved. Yet his actions helped propel the story since you just knew from the very moment you met him he was going to fuck things up for himself or more importantly for Hackman's character in one way or another.


Just as Edward Norton's character Jackie Teller fucked things up for De Niro in The Score by being impatient and reckless with himself and those around him at a time when everyone had to hit their respective marks perfectly. Although I have to admit for the first half of the film I was still wondering if Norton's character was an undercover cop or truly just a greedy stupid bastard because of his seemingly underhanded behavior and general smarminess. Regardless both characters in both films were a joy to behold as they are both extremely talented young actors and helped smooth out some of the very minor rough spots of their respective films. With Norton scoring slightly higher praise for his rendition of a semi retarded janitor named Brian at the Canadian customs house he and De Niro are trying to rob, making for some of the funniest scenes in the film and helping lighten the tone from time to time. Not that it necessarily needed it but The Score is slightly darker in some ways than The Heist or at least there was a lot less going on plot wise. Since The Score seemed to focus a lot more on the 3 principle characters which truthfully got a little boring at times but I enjoyed both films nonetheless.


Still I have to admit that I enjoyed The Heist slightly more than The Score simply because I felt the actors were on better par with each other and I liked that the film was a little more busy than The Score and had more interesting characters in general. I also really can't think of any scenes that needed to be cut or re worked while I unfortunately can think of quite a few scenes in The Score that could possibly be shortened or even removed altogether, like the public park exchange of security codes and some of the stuff with De Niro's hacker/informant character which seemed a little redundant at times. Although what I viewed and reviewed was a test screening after all and one of the first ones to be held publicly so there are bound to be changes before the film is eventually released sometime this summer. While from what I understand The Heist will be released a lot sooner since it scored better with test audiences and needs a lot less work before the final product is finished and ready for public viewing. Either way both films are definitely worth watching and probably 5 times better than most films made today and should both be seen even if only for comparison value.




As always if you have any questions or comments about anything that was just written about, or you have something to add yourself. Please feel to send an email to peter_larkey@hotmail.comand someone will get back to you as soon as possible-THANKS!


Sincerely,

Peter Larkey

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