
Greetings, all. Ambush Bug here with another AICN HORROR: ZOMBIES & SHARKS column. Hope everyone is having a great holiday weekend! Though I stuffed myself like one of Norman Bates’ birds, I still made time to bring forth another batch of horror reviews! And here they are!
(Click title to go directly to the feature)
Retro-review: BLOOD & LACE (1971)
Retro-review: GHOST STORY (1981)
HANS CRIPPLETON: TALK TO THE HANS (2014)
NIGHTMARE CODE (2014)
STAR LEAF (2015)
THE BADGER GAME (2014)
8 Films To Die For: RE-KILL (2015)
SUBMERGED (2015)
A CHRISTMAS HORROR STORY (2015)
GOODNIGHT MOMMY (2015)
And finally…Light’s Out Radio Play: THE BATTLE OF THE MAGICIANS!


BLOOD & LACE (1971)
Directed by Philip S. GilbertWritten by Gil Lasky
Starring Melody Patterson, Gloria Grahame, Milton Selzer, Len Lesser, Vic Tayback, Terri Messina, Ronald Taft, Dennis Christopher, Peter Armstrong, Maggie Corey, Mary Strawberry, Louise Sherrill, Joe Durkin
Retro-reviewed by Ambush Bug
Interesting that HALLOWEEN is so often referred to as the first slasher film. Some will say BLACK CHRISTMAS was. While others bring up Bava’s BAY OF BLOOD. But not many would mention BLOOD & LACE, though they should as it predates both of those films (BAY OF BLOOD was released two months after, though released in the same year) and uses a lot of the slasher tropes that are indicative of the subgenre.

The film veers from that convention after this sequence, following a troubled young woman Ellie Masters (played by Melody Patterson) sent to a home for wayward youth after her parents were murdered in the opening sequence. Who killed them is the not-so-mysterious mystery of the film, but that’s not the only horrible secret this film has in its docket. In order to stay open, the group home (lead by Ms. Deere – Gloria Grahame and skeezy handyman Tom – longtime character actor Len Lesser) is hiding kids that seem to have been killed due to the abuse the horrible caregivers unleash on them; stacking them up in the meat locker and carting them out and putting them in beds in the infirmary when the social worker visits in order to do a headcount. Ellie proves to be too much of a pistol for the group home workers to deal with and they plan on doing away with her as well. But don’t worry, she has a horrifically creepy cop Calvin (Vic Tayback) to protect her, who not only wants to protect Ellie, but he also would like the marry the troubled girl who is thirty years his younger.

This BluRay release is low on special features; an alternative opening which simply flashes the alternative title THE BLOOD SECRET and a trailer. There’s also a new commentary by film historian Richard Harland Smith. But anyone interested in the history of the slasher film should check out this twisted little trendsetter. Though the acting is stiff from some of the younger actors (which includes a super young Dennis Christopher), Tayback, Lesser, and Grahame are all a lot of fun here. Plus one could make a drinking game out of how many times Ellie’s mother’s whorish ways are mentioned. BLOOD & LACE isn’t really something to shout about on its own, but given the time it was made and the level of sleaze it’s willing to descend into, it’s definitely a fun watch.


GHOST STORY (1981)
Directed by John IrvinWritten by Lawrence D. Cohen, Peter Straub (novel)
Starring Craig Wasson, Alice Krige, Fred Astaire, Melvyn Douglas, Douglas Fairbanks Jr., John Houseman, Patricia Neal, Jacqueline Brookes, Miguel Fernandes, Lance Holcomb, Mark Chamberlin, Tim Choate, Kurt Johnson, Ken Olin, Brad Sullivan
Retro-reviewed by Ambush Bug
I get the feeling of equal parts griminess and undeniable charm when I think of the movie GHOST STORY that I’m going to try to get to the bottom of in this review. Either way, the film is a pretty fantastic tribute to the art of telling a scary story, as well as a spotlight on some pretty fantastic actors.



Still, the performances by the elderly cast are fantastic to see and Wasson and Kirge are great too. Though abundant in monster makeup jump scares, the story just didn’t scare me and ended up creeping me out more because of the preference to perversely ook you out rather than cause real nighttime terrors. This Bluray edition includes a new commentary from director John Irvin, new interviews with author Peter Straub, actress Alice Krige, screenwriter Lawrence D. Cohen, producer Burt Weissbourd and matte photographer Bill Taylor, photo gallery, and trailers.

HANS CRIPPLETON (2014)
Directed by Jimmy Lee CombsWritten by Kevon Ward
Starring Kevon Ward, Andy Hankins, Heath C. Heine, Irene Leonard, Jimmy Lee Combs, R.J. Wagner, Brad Wagner, Ryan Manley-Rohrer, Dakota Moore, Stefan Knowles, Perry B. Anthony, Krista Psykome Silvers Nelson, Bria Law, Lyle DeRose, Scott Croushore, Jeff Cavazos, Kevin D Wilson, Brian Coleman, Libby Ward, Emma Moody, Nate Patrick Siebert, Maggie Bevard, Brandan Rader, Cassandra Valdes, Matt Powell, Michael Lakota Dillon
Find out more about this film on Facebook here
Reviewed by Ambush Bug
HANS CRIPPLETON: TALK TO THE HANS is a fun idea for a short film stretched uncomfortably to the length of a feature film. The joke is that Hans is a freakish hillbilly who travels to Halloween haunts and gains some kind of notoriety because of it. Had this film been about that, I think this would have been a much more successful film. But the film has higher ambitions than just a rise to greatness story and basically has Hans fall and then redeem himself; a story that is worth telling, but I don’t know if the character Kevon Ward is playing is deep enough to have us care that much about all of that.


Crippleton’s the little hand made me laugh a couple of times and he does pull off the creep very well. It’s just not enough to make a movie about.

NIGHTMARE CODE (2014)
Directed by Mark NetterWritten by Mark Netter & M.J. Rotondi (story & screenplay)
Starring Andrew J. West Mei Melancon Googy Gress Ivan Shaw Nicholas Guest Caitlyn Folley Bret Roberts Tonya Kay Albert Thakur Regi Huc Jamie Parker Paul Yen Wes Whitehead Jamie Van Dyke Steve Bralver Erika Schickel Isabella Cuda Jamie Wollrab Steve Rizzo
Find out more about this film here and on Facebook here
Reviewed by Ambush Bug
While the technology on display is sophisticated, the story is somewhat simple and predictable in NIGHTMARE CODE.
Brett (Andrew J. West) has been called in to work out the kinks in a computer program that needs to be passed yesterday. The previous computer programmer, Cotton, went nuts, went on a killing spree in the office, and then blew his brains out. While most think that this is just another case of a mentally unstable person cracking under pressure, there are others who think something more sinister is afoot. The program is supposed to be able to make predictions in behavior by reading subtle facial and posture cues which can help aid in catching a criminal before he commits a crime, but almost immediately, as Brett begins working on the program, he starts realizing that the program is capable of not just behavior predictions, but may also incite evil behavior in those it targets.

Not exactly found footage, NIGHTMARE CODE is comprised of security camera and computer camera POVs, so those adamantly against this derivation of first person POV will most likely have issue with the film. Still, the perspective this film chooses to take is distanced and gives the film a more immediate sense of danger, which is intensified in the latter scenes when the shit really hits the fan. NIGHTMARE CODE is a moralistic tale asking the age old Goldblum-ism “Just because we can, doesn’t mean we should.” It has some really cool ideas and while it is not the most sensational of films, it still tosses around concepts and tech that really is scary, mainly because it seems like the tech involved is just around the corner.

STAR LEAF (2015)
Directed by Richard CranorWritten by Richard Cranor & Hugh Berry
Starring Julian Gavilanes, Shelby Truax, Tyler Trerise, Richard Cranor, Russell Hodgkinson, Svetlana Soutirina, Kevin Jolly, Aleena Ober, Kiki Yeung
Find out more about this film here and on Facebook here
Reviewed by Ambush Bug
I just want to go on record and say I really don’t like stoner movies. Most stoner films go for the easy laugh or worse than that, they simply mention something about marijuana and stoners start laughing as if it’s the funniest thing ever. Relying simply on the feeling you get when you are high, stoner films usually leave me cold because simply stating something just isn’t funny or entertaining to me.

I have to give it up to this film for its positive intentions and messages it conveys. It really does seem to want to say something about the damaging effects of marijuana and how it is something people hide behind in order to cope with real life problems. Most of this comes from James who seems to be smart enough to see what is happening to his friend and wants to do something about it. At the same time, though, the film tries to have it both ways by celebrating the high the star leaf gives the trio. Sure it all ends up sideways with weird aliens haunting them in the woods, but the attempt to make the trip seem intergalactic and cool contradicts the anti-drug message it tries to sport.

This is kind of a harmless film. Thematically, it wants it both ways, but it kind of lacks the fangs to really make the threat feel palpable. But it actually is kind of a sweet film—decently acted, albeit rather blandly directed. There’s a BLAIR WITCH moment where the actor talks down to a camera, and it doesn’t make it any better that the actor acknowledges it’s a BLAIR WITCH moment—it’s still lame. Still, after seeing so many horror films out there with intentions less noble, it’s nice to see a film with an actual message that doesn’t feel preachy and actually seems to really want to say something positive about PTSD.

THE BADGER GAME (2014)
Directed by Joshua Wagner, Thomas ZambeckWritten by Joshua Wagner, Thomas Zambeck
Starring Augie Duke, Patrick Cronen, Jillian Leigh, Sam Boxleitner, Sasha Higgins, Marc Siciliani, Josh Eichenbaum, Aria London
Find out more about this film here and on Facebook here
Reviewed by Ambush Bug
While technically this is more of a revenge/action/black humor film rather than a straight up horror film, it does feature a guy strapped to a chair and tortured for almost the entire film. And since that’s been a mainstay in modern horror, I’ll let it slide and deem THE BADGER GAME fit for AICN HORROR coverage.

What makes this film as entertaining and watchable as it is are the performances by the talented up and coming actors and the comedy of errors that ensue guaranteeing this heist is flawed from the start. All of the actors are pretty darn talented in their own right here with Augie Duke as Alex and her friend Shelly, played by Jillian Leigh, leading the pack as both likable and flawed characters. Seeing Alex become blinded by her broken heart and how that begins to overturn this plan of hers is fascinating to see unfold. With Shelly, Leigh plays an innocent women tempted by darker urges and does so deftly. Patrick Cronen is another standout at a not so typical beefcake who in some ways is the savviest of the crew calling this caper a bust before it gets started by chauvinistically pointing out that women think with their feelings rather than their heads and because of that, they won’t go through with it without his involvement. Surprisingly, this turns out to be just the case as tempers and feelings boil with Liam strapped in the chair.

So while this is a film about a man tortured in a chair for about an hour and a half, I’d shy away from dubbing it “torture porn.” Reminiscent of the flawed heist films we saw a resurgence in after RESERVOIR DOGS and through the 90’s, THE BADGER GAME is a fun time following a bunch of would be kidnapper screw up over and over again with deadly, yet humorous results.

RE-KILL (2015)
aka DEAD AHEAD, THE LAST DAYDirected by Valeri Milev
Written by Michael Hurst
Starring Bruce Payne, Scott Adkins, Daniella Alonso, Layke Anderson, Roger R. Cross, Rocky Marshall, Jillian Batherson, Mike Mayhall, Angelena Swords, Rob Boltin, Kanesha Washington, Dean J. West, Ian Casselberry, Yo Santhaveesuk, Lindsay Clift, Dimiter Doichinov, Raicho Vasilev, Owen Davis, Jesse Garcia, Claire Garrett, Randall Kamm, Ashton Leigh
Find out more about this film here and on Facebook here
Reviewed by Ambush Bug
Some fun details makes RE-KILL slightly more watchable than your typical zombie flick.

In RE-KILL, the Outbreak News Channel covers all things zombie apocalypse 24 hours a day, every day. Its #1 show is called RE-KILL, a COPS style show that follows around military squads as they root out and destroy zombies. The world is trying to move on and the outbreak is supposed to be contained, but as one soldier puts it, all it takes is one bite to start the whole thing over again. Now the world is trying to repopulate and heal from the horrific outbreak. We find this out not only from the RE-KILL programming, but also the commercials that play every fifteen minutes or so that look back on personal experiences during the outbreak, and advertise for therapeutic and pharmaceutical needs to cope with the plague and encourage people to procreate to repopulate the world.

It’s too bad the fun put into the commercials didn’t seep over into the main story of a military group venturing into a quarantined Manhattan against hordes of zombies. While there are some decent scenes of gore and zombie terror, it just seems so unoriginal and tired. RE-KILL isn’t a bad zombie movie. If it had dropped ten years ago, maybe it would have felt a bit fresher. As is, it’s just too much like things we’ve seen before.
UNNATURAL
THE WICKED WITHIN
BASTARD
LUMBERJACK MAN

SUBMERGED (2015)
aka THE SPACE BETWEENDirected by Steven C. Miller
Written by Scott Milam
Starring Rosa Salazar, Talulah Riley, Jonathan Bennett, Tim Daly, Cody Christian, Mario Van Peebles, Samuel C. Hunt, Willa Ford, Denzel Whitaker, Sam Daly, Giles Matthey, Mario Perez
Find out more about this film on Facebook here
Reviewed by Ambush Bug
The strongest parts of SUBMERGED pays homage to the old Hitchcockian single locale thrillers of old. A group of young good-lookings wake up trapped in a sealed limousine at the bottom of a body of water. Opening with these scenario, you are immediately asking questions like “How did these guys get here?”, “Who are they?” and “How do they get the hell out of this?” All will be answered in Steven C. Miller’s new thriller.

The film is not entirely set inside the car and I think that’s the only thing that bothered me about this film. I think that it would have been stronger had this been more in the car and less outside of it telling the tale of how this group of kids ended up in there. Sure some flashbacks are necessary, but I think a stronger script could have made this a really awesome locked room mystery. The cramped locale is what makes this film unique. I just wish there was more time spent there.

The tension conveyed in SUBMERGED is good as Miller’s attention to how he moves the camera can elicit a feeling of unease and thrill for the viewer. More of a crime thriller than a straight up horror film, the claustrophobia and terror of being trapped underwater are communicated well in this film. So while the cast might bog the film down at times and I think that it was a mistake to have so much outside of the limo, if you appreciate a strong directorial eye, you’re going to find something to appreciate here.

A CHRISTMAS HORROR STORY (2015)
Directed by Grant Harvey, Steven Hoban, Brett SullivanWritten by James Kee, Sarah Larsen, Jason Filiatrault, Doug Taylor, Pascal Trottier
Starring William Shatner, George Buza, Percy Hynes White, Oluniké Adeliyi, Rob Archer, Jeff Clarke, Jessica Clement, Corinne Conley, Robert Coughler, Zoé De Grand Maison, Amy Forsyth, Glen Gaston, Ken Hall, Adrian Holmes, Shannon Kook, Debra McCabe, Paige Moyles, Michelle Nolden, Alex Ozerov, Alan C. Peterson, Joe Silvaggio
Reviewed by Ambush Bug

A CHRISTMAS HORROR STORY is tied together as it takes place on one specific night, which is the anniversary of a pair of murders of some high school kids at a local school. Each of the four storylines cuts back and forth to one another as the story goes on, but all still occupy the same universe. I don’t want to give too much of each story away, but it’s all tied together by a radio DJ played by William Shatner who joyously gets drunker and drunker as the night goes on. Shatner is not too over the top here, and actually does a great job selling his role as the jolly soul who loves Christmas despite all of the evil things going on in the city.

One of the stories that seems a bit out of place from the rest is about Santa Claus fighting a horde of zombie elves at the North Pole. This story offers up some of the most dramatic and exciting moments, but it feels out of whack with the rest of the more reality-grounded film. This inconsistency is rectified by the end, and while it is an outlier, seeing Santa go nuts and beat the shit out of rabid elves and the Krampus itself is pretty amazing.

The fourth story is most like the other Krampus movie coming out in about a month about an ungrateful family visiting their relatives in order to get a handout. The family is made up of a bunch of real shits, and the actors are quite convincing in their roles. This one does a decent job with the Krampus myth and has some nice gory scenes as well as a pretty impressive full body Krampus suit.

That said, I laughed and jumped quite a bit at A CHRISTMAS HORROR STORY. It’s a fantastic celebration of everything gruesome and festive all mixed together into one grab bag of gory goodies. Well acted and directed, this is a strong film and worth seeking out, though it’s tough that it came out so early and will most likely miss its market as it would be a ghoulishly great film to watch during the holiday season.


GOODNIGHT MOMMY (2015)
aka ICH SHE ICH SHEDirected by Severin Fiala & Veronika Franz
Written by Severin Fiala & Veronika Franz
Starring Susanne Wuest, Lukas Schwarz, Elias Schwarz, Hans Escher, Elfriede Schatz, Karl Purker, Georg Deliovsky, Christian Steindl, Christian Schatz, Erwin Schmalzbauer
Find out more about this film here and on Facebook here
Reviewed by Ambush Bug
In horror, more times than not, the goal is to lure the viewer or reader in and then attack them when their guard is down with horrifying images that often challenge ones perception of what is right or wrong, up or down, inside or out. The whole concept of tension is to lure the viewer in by having them trust the film, only to pull the rug out from under them and give them a thrill. From the very beginning; with the dream like setting and the playful behavior of twins Lucas and Elias (played by real life twins Lucas and Elias Schwarz), I just didn’t trust this film. It gave me an ooky feeling from the get go. Blame Serling or O’Henry or M. Night Shamalayan or whoever, but the surreal landscape and cold look of every scene in GOODNIGHT MOMMY made me proceed with caution. Because of that, I feel GOODNIGHT MOMMY is going to be another one of those polarizing films. The type of film that some folks love for the weirdness of it all and the type some folks will call stoopid because they were able to see through the mist and call the bluff of this film early on. As a person who appreciates the road traveled rather much more than the arrival at a destination, I felt this is one of the better horror films you’re going to see this year.


Now on top of the twin stuff (which is weird enough), there is an abundance of surreal landscapes, silent action and imagery, hissing cockroaches, flames, sickly cats, and weird masks. Even if twins don’t freak you out, it’s more than likely that something from the list I just threw out there will. This is a film designed to unease from frame one until the last and I found it to be successful in doing so pretty much the entire time. The simplistic and cold way this film is presented doesn’t capture these imagery in a shocking fashion, which makes it all the more disconcerting that a dead cat floating in kerosene can be presented in the same cold manner as a beautiful green field and both have such an other worldly and serene presentation that it all feels like some kind of twisted dream you can’t get out of.

I was able to pin down where this film was going early on and I’m sure savvy filmgoers will be able to do so as well. That said, this awareness of what was happening in the story didn’t take away from GOODNIGHT MOMMY being so damn effective in conveying a sense of uneasy dream with the threat of a dark nightmare looming just in the periphery. GOODNIGHT MOMMY is much more than just the hook and the twist. It’s about mood and playing with the way we perceive what is real and what is not supposed to be. Flipping expectations and what we know is right and wrong on it’s head, GOODNIGHT MOMMY is a film that will not be forgotten once seen.
And finally…here’s another old and spooky tale from the olden days before cell phones, cable television, and sushi restaurants on every other corner. Here’s a tale of dueling magic from the old radio series LIGHT’S OUT called THE BATTLE OF THE MAGICIANS! Enjoy!
See ya next week, folks!
Ambush Bug is Mark L. Miller, original @$$Hole/wordslinger/writer of wrongs/reviewer/interviewer/editor of AICN COMICS for over 13 years & AICN HORROR for 4. Follow Ambush Bug on the Twitters @Mark_L_Miller.
Look for our bi-weekly rambling about random horror films on Poptards and Ain’t It Cool on AICN HORROR’s CANNIBAL HORRORCAST Podcast every other Thursday!