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Greetings, all. Ambush Bug here with another AICN HORROR: ZOMBIES & SHARKS column. Let’s dive right in, shall we?
On with the horror reviews!
(Click title to go directly to the feature)
Retro-review: TERROR CREATURES FROM THE GRAVE (1965)
Retro-review: THE SENTINEL (1977)
Retro-review: TURKEY SHOOT (1982)
Retro-review: CAPTIVES (1988)
Retro-review: LISA (1990)
Short Cuts: Clive Barker’s THE FORBIDDEN (1978)
NIGHTMARE CODE (2014)
PAY THE GHOST (2015)
THE VISIT (2015)
Advance Review: GERMAN ANGST (2015)
And finally… Adam Stephen Kelly’s DONE IN!
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TERROR CREATURES FROM THE GRAVE (1965)
aka CEMETARY OF THE LIVING DEAD, COFFIN OF TERROR, 5 GRAVES FOR A MEDIUM, TOMBS OF HORRORDirected by Massimo Pupillo (as Ralph Zucker)
Written by Ruth Carter & Cesare Mancini (adaptation), Romano Migliorini & Roberto Natale (screenplay & story), Edgar Allan Poe (story)
Starring Walter Brandi, Mirella Maravidi, Barbara Steele, Alfredo Rizzo, Riccardo Garrone, Luciano Pigozzi, Tilde Till, Ennio Balbo
Retro-reviewed by Ambush Bug
The release of NIGHTMARE CASTLE on BluRay (reviewed here) from Severin Films also featured a pair of lost films: CASTLE OF BLOOD ( reviewed here) and the subject of this review, TERROR CREATURES FROM THE GRAVE. This trio of films is by far one of the coolest collections I’ve waded through all year, mostly because they are filled with cool ideas and also that I had never seen them before. All three Italian gothic films feature the danger-filled radiance of Barbara Steele and are inspired by the works of Edgar Allan Poe. Also, all three are frikkin’ awesome.
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As with the films on this disc, the horrific imagery in this lost film feels like it may have inspired modern masters of horror, specifically Sam Raimi’s EVIL DEAD, as an audio recording of the dead father seems to stir the spirits of the dark castle. There is also a scene where a frightened girl is tormented by the trees as she flees the mansion. I don’t want to say Raimi ripped off these scenes, but they simply reminded me of elements from his film. But the amazing imagery doesn’t stop there. Among the doctor’s trophies is a collection of hands from the victims of the plague, which twitch and flex later in the film. Beating hearts in jars and all sorts of bumps and boils also add to the icky ambience of the dismal castle once cursed with the plague. The collection of imagery makes this a film that is both creepy for its dark atmosphere but palpably makes your skin crawl from the symptoms of plague on display.
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I’m seriously impressed at this trio of films, and I hope Severin continues to unearth these lost gems from horror’s past. All three films were fantastically produced, capably acted, and most importantly, filled with ghoulishly imaginative scenes of terror and suspense. I highly recommend anyone who wants to experience horror’s roots to seek out this disc.
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THE SENTINEL (1977)
Directed by Michael WinnerWritten by Jeffrey Konvitz (novel), Michael Winner(screenplay)
Starring Cristina Raines, Chris Sarandon, Ava Gardner, John Carradine, Martin Balsam, José Ferrer, Arthur Kennedy, Burgess Meredith, Sylvia Miles, Deborah Raffin, Eli Wallach, Christopher Walken, Jerry Orbach, Beverly D'Angelo, Hank Garrett, Robert Gerringer, Nana Visitor, Tom Berenger, William Hickey, Gary Allen, Tresa Hughes, Kate Harrington, Jane Hoffman, Elaine Shore, Sam Gray, Jeff Goldblum, Zane Lasky, Fred Stuthman, Lucie Lancaster
Retro-reviewed by Ambush Bug
I remember being freaked out by this film as a kid, but aside from John Carradine in old age makeup and white eyes, I didn’t remember one detail about this film when I plopped this new BluRay rerelease into the player. Turns out, that uneasy feeling still permeates from this film as my horror socks were knocked clean off by the absolute weirdness and undeniable diabolical mix of religion and horror of THE SENTINEL
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There is so much to love in this film. First and foremost is how it incorporates religious iconography and tradition in ways that definitely highlight how odd and often scary it can be. Much of this film revolves around the church, but this isn’t the welcome place folks congregate for solace. This church and its people are frightening and mysterious, filled with secrets and foggy intentions. At the same time, this film takes bible verses literally and gives form to heavenly and hellish aspects in an ominous light. The tone of this film is deathly serious and dire, which gave me a feeling of utter dread as to how far into the blackness this film would go.
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While this film does seem to take a rather exploitative approach towards the misshapen actors playing these demons from Hell, highlighting these actors’ real deformities and calling them demons is definitely something I don’t condone or support, but director Michael Winner does have guts to do this in such a blatant and ugly way. Much like FREAKS and, later, Alejandro Jodorowsky’s films using deformed actors from circuses to populate their scarefests, Winner uses these poor souls in an effectively creepy fashion. Mixing effects by the legendary Dick Smith with these real life circus freaks makes for a level of oddity that some may not be able to take.
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While there are similarities to ROSEMARY’S BABY, I absolutely loved this film and am so glad the Shout Factory dusted it off and made it look prettier and more horrific than it has ever been in this BluRay release. Light on supplemental material, this film is a fantastic lost gem that I feel really holds up as a creepy and often grotesque classic. Highly recommended.
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TURKEY SHOOT (1982)
aka ESCAPE 2000, BLOOD CAMP THATCHER, SLAUGHTER GAMEDirected by Brian Trenchard-Smith
Written by Jon George (screenplay), Neill D. Hicks (screenplay as Neill Hicks), George Schenck, Robert Williams & David Lawrence (story)
Starring Steve Railsback, Olivia Hussey, Michael Craig, Carmen Duncan, Noel Ferrier, Lynda Stoner, Roger Ward, Michael Petrovitch, Gus Mercurio, John Ley, Bill Young, Steve Rackman, John Godden, Oriana Panozzo
Retro-reviewed by Ambush Bug
Let’s take a trip into the future…all the way to the year 1995! It’s a place where if you’re not in full support of the utopian order of things, you’re shackled and shipped off to reeducation camps run by sadists and the rich. While the film is a 1984 knockoff, the Australian-made TURKEY SHOOT combines genres in a fun and action-packed manner that you can’t help but cheer for.
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This film is chock full of tropes from all sorts of movie subgenres. TURKEY SHOOT is a prison flick with the obligatory drive into the prison, shower scenes, and attempted breakout, but it’s not just a prison film--it’s a look into the future commenting on the increasingly oppressive hand of the government on the lives of normal folk. While the technology is not necessarily futuristic, the futurism mostly involves the way government becomes a major decisive factor in every aspect of our lives and how scary that can be. But there are also elements of horror, as TURKEY SHOOT evokes the worst in humanity by incorporating the story of one of my favorite action horror premises: THE MOST DANGEROUS GAME. The manhunt scenes, while brief, are fun as the hunted incorporate their wits to survive in the harsh conditions of the island and the beasts that inhabit it. There’s even a man-monster recruited to spice things up that feels a bit out of place, but still makes the film all the more fun.
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TURKEY SHOOT is not a good movie by a long shot, but it is a whole lot of fun. Steve Railsback is not your typical hero, but he gets the job done as the stubborn prisoner who won’t quit. I’ll watch Olivia Hussey watching paint dry, as the actress is gorgeous and has a unique quality of aristocracy mixed with grit about her. Criss-crossing genres with reckless abandon, there’s tons of fun to be had with TURKEY SHOOT.
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CAPTIVES (1988)
aka MAMA’S HOMEDirected by Gary P. Cohen
Written by Gary P. Cohen
Starring Jackie Neill, Art Neill, Lisa Cohen, Linda Herman, Neil Cerbone, Zach Cohen, Barry P. Cohen, Denise LeDonne
Find out more about this film here!
Retro-reviewed by Ambush Bug
Part of the combo pack released from Camp Motion Pictures, CAPTIVES is the three dollar rendition of the already cheaply made LAST HOUSE ON THE LEFT. While I found THE BASEMENT to be somewhat charming in its simplicity and low fi charm (check out my review here), it was a chore to get through this mess of a movie.
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I don’t mind low fi movies, but there has to be a point when you’re watching your low budget movie and realize that things just aren’t going well. This film was made when recording equipment was made available to the masses so there is a charm in someone with very little talent or technique picking up a camera and attempting to make a masterpiece. Still, this was a chore to get through and while there is a compelling story in this film somewhere, the acting is absolutely amateur and everything from sound to directing is just hard to witness. The main problem is that to make it even halfway tolerable, there should have been a huge edit of about 45 minutes from this movie as it trudges along at a pace so ponderous, I felt the need for a Clockwork Orange style mechanism to maintain consciousness. CAPTIVES is definitely not a film I would recommend to even the most die hard of DIY horror fans. If anything, it’s a film to watch to see how not to make a film. Though I’m not expecting much from the rest of the films in this collection, here’s hoping they’re at least a little better than this craptacular attempt at cinema.
Sorry couldn’t find a trailer for this one.
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LISA (1990)
aka THE CANDLELIGHT KILLERDirected by Gary Sherman
Written by Gary Sherman, Karen Clark
Starring Staci Keanan, Cheryl Ladd, D.W. Moffett, Tanya Fenmore, Jeffrey Tambor, Edan Gross, Julie Cobb, Michael Ayr, Lisa Moncure, Tom Dugan, Frankie Thorn, John Hawker, Drew Pillsbury, Elizabeth Gracen, Dennis Bowen
Retro-reviewed by Ambush Bug
From the director of perverse gems DEAD & BURIED and POLTERGEIST III, Gary Sherman gets ultra pervy, yet tells a subtly nuanced tale of the tempestuous nature of budding sexuality in LISA. While there is definitely an uber-creepy vibe to this tale, there’s a lot of surprisingly great attention to character here that you don’t often find in this type of thriller.
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While in many ways this is your typical 90s LA thriller often found in heavy rotation on Cinemax and Showtime with a screeching saxophone score and filled with sex and violence, usually of a rather tame nature, LISA is different because of the depth of the performances by Keanan and her onscreen mother Ladd. This relationship is not only played well, but fleshed out in a way that is uncomfortably believable. Lisa very much emulates her mother and sees herself as her equal, thinking she doesn’t need to grow up a little in order to have relationships. At the same time, the single mother plight Katherine shows is not only common, but believable. The bulk of this relationship makes a typical stalker flick much more worthy of investment, and when mother and daughter are placed in peril, I found myself pulled in more so than I would have expected upon placing this disc in my player.
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Don’t believe me? Check it out!
LISA is not a scare a minute, nor is it gory in any way, but it is a nicely crafted thriller with some strong performances throughout. I loved the fully developed mother/daughter relationship, and the thought put into the film which shouldn’t be as depthy as it is. The film takes some risks involving teenage feelings, and impulses that are quite ballsy for its time and even might be considered risqué in this day and age. Consider LISA firmly set in the “better than I thought it would be” category.
I couldn’t find the trailer for this, but I did stumble upon Siskel & Ebert’s review of the film, which I found to be equally, if not more, interesting.
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THE FORBIDDEN (1978)
Directed by Clive BarkerWritten by Clive Barker
Starring Peter Atkins, Clive Barker, Doug Bradley, Phil Rimmer, Lyn Darnell, Julia Blake
Retro-reviewed by Ambush Bug
Short films can be indicative of raw talent, honing its craft. Then again, it can also often be a lot of pretentious shit. Especially short experimental films that choose to linger on odd visuals and abstract imagery rather than tell a cohesive tale. I can appreciate film as art and understand that narrative is not always the most important thing, but personally, I prefer something that tells a story. Clive Barker’s second early short film definitely skews more towards experimental, but there are enough clues in the loose story going on that hint at some of his more interesting tales and films to come to hold my interest.
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While the story is very abstract, this can very much be the initial nugget of the story of Frank Cotton from HELLRAISER and witnessing Barker play around with these ideas does make for a fascinating view. Then again, there are scenes that linger on way too long. While the scene where the main character (played by future Pinhead Doug Bradley) gets his skin peeled off slowly is rather grueling to watch, while retaining its entertainment. I could have done without scene after scene of Barker himself dancing around naked with a full erection. Many scenes repeat themselves over and over. I’m sure Barker had a point to this, but at the same time, it would make for a much more interesting film had it been about ten minutes leaner. That said, seeing the seed from which HELLRAISER grew is pretty fascinating, so if you’re a Barker die hard, you’re going to have to check this one out.
Below is an interview with Mr. Barker talking about the two short films SALOME and THE FORBIDDEN which is also included in this disk.
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NIGHTMARE CODE (2014)
Directed by Mark NetterWritten by Mark Netter & M.J. Rotondi (story & screenplay)
Starring Andrew J. West Mei Melancon Googy Gress Ivan Shaw Nicholas Guest Caitlyn Folley Bret Roberts Tonya Kay Albert Thakur Regi Huc Jamie Parker Paul Yen Wes Whitehead Jamie Van Dyke Steve Bralver Erika Schickel Isabella Cuda Jamie Wollrab Steve Rizzo
Find out more about this film here and on Facebook here
Reviewed by Ambush Bug
While the technology on display is sophisticated, the story is somewhat simple and predictable in NIGHTMARE CODE.
Brett (Andrew J. West) has been called in to work out the kinks in a computer program that needs to be passed yesterday. The previous computer programmer, Cotton, went nuts, went on a killing spree in the office, and then blew his brains out. While most think that this is just another case of a mentally unstable person cracking under pressure, there are others who think something more sinister is afoot. The program is supposed to be able to make predictions in behavior by reading subtle facial and posture cues which can help aid in catching a criminal before he commits a crime, but almost immediately, as Brett begins working on the program, he starts realizing that the program is capable of not just behavior predictions, but may also incite evil behavior in those it targets.
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Not exactly found footage, NIGHTMARE CODE is comprised of security camera and computer camera POVs, So those adamantly against this derivation of first person POV will most likely have issue with the film. Still, the perspective this film chooses to take is distanced and gives the film a more immediate sense of danger, which is intensified in the latter scenes when the shit really hits the fan. NIGHTMARE CODE is a moralistic tale asking the age old Goldblum-ism “Just because we can, doesn’t mean we should.” It has some really cool ideas and while it is not the most sensational of films, it still tosses around concepts and tech that really is scary, mainly because it seems like the tech involved is just around the corner.
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PAY THE GHOST (2015)
Directed by Uli EdelWritten by Tim Lebbon (novel), Dan Kay (screenplay)
Starring Nicolas Cage, Sarah Wayne Callies, Veronica Ferres, Lauren Beatty, Kalie Hunter, Jack Fulton, Lyriq Bent, Susannah Hoffmann, Janet Lo, Caroline Gillis, Rosalba Martinni, Jamillah Ross, Leah Madison Jung, Matteo Ghazni, Iain Becking, Erin Boyes, Maxwell McCabe-Lokos, Juan Carlos Velis
Find out more about this film on Facebook here
Reviewed by Ambush Bug
While far, far, far from a great film, I have to give it to Nic Cage for having the balls to return to the world of pagan witchcraft after…well…you know…
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How can one critique the thespian Nicholas Cage? I mean, what happened here? Cage started out as an actor who picked interesting roles and gave inspired performances. Where did it all go wrong? Whatever happened and whenever it did, I hope one day Cage can go back to his quirky roots and start playing performances I care about, because PAY THE GHOST is definitely not the film that does it. Cage sleepwalks through this film and plays everything straight and boring. No quippy one liners. No Interesting quirks. Nothing. We don’t even get any of that Mel Gibson RANSOM-esque rage. Instead Cage simply needles a police officer for most of the film to find his son. This is definitely a film done for a paycheck, because there’s not an ounce of passion on Cage’s part.
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Say what you will about the THE WICKER MAN remake, but at least Cage gave a performance that has gone down in history as being one of the most classically bad performances. Maybe Cage realizes that when it comes to witches (as if he didn’t prove it with SEASON OF THE WITCH), he really has nothing more to give acting-wise. PAY THE GHOST certainly seems to have been done for the paycheck.
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THE VISIT (2015)
Directed by M. Night ShyamalanWritten by M. Night Shyamalan
Starring Olivia DeJonge, Ed Oxenbould, Deanna Dunagan, Peter McRobbie, Kathryn Hahn, Celia Keenan-Bolger, Samuel Stricklen, Patch Darragh, Jorge Cordova
Find out more about this film here and on Facebook here
Reviewed by Ambush Bug
I’ve often talked about this phobia with friends and associates, but old people scare the shit out of me. Maybe it has something to do with the fear of my own mortality or some deep-seated trauma from my youth, but I just get creeped the hell out by oldies. M. Night Shyamalan’s latest attempt to regain the faith moviegoers one had with him is THE VISIT, which is a step in the right direction, though it will definitely feel like a desperate attempt to cash in on the fading found footage subgenre by a director in need of a hit by the filmmaker’s critics.
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Save for some establishing shots of nature that suggest a little more skill than the teen director should have and more than a few instances where the camera falls or is dropped in the exact specific place to capture some kind of action, Shyamalan at least makes a capable found footage film that feels somewhat authentic. The fact that a lot of the actors involved are played by actors we’ve all seen before in other films kills the mystique of the believability that this is footage found, but this being a major release, I guess that is an inevitability.
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One thing that is prevalent in Shyamalan’s films is the cyclical and somewhat poetic way problems are dealt with. Done decently in SIGNS with the dying woman’s premonition for Mel Gibson which come back to factor in to the film in the end and rather clunkily in LADY IN THE WATER, here there is a serendipitous nature in which the weaknesses of both children in the film factor into how things pan out in the climax. While it’s done with some finesse here, it still is quite blatant when these weaknesses are introduced that there will be a scene later where the kids will have to deal with these phobias and sure enough, during the climax, factors fall into place where both kids have to deal with their fears in order to survive.
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I also laughed quite a bit at this film, as its gallows humor really does hit the mark more often than not. So while the kids may not talk or act like real life kids, the scares in THE VISIT often work, and Mr. Shyamalan delivers something not as effective as his first three films, but possibly slightly more effective than THE VILLAGE (which I found to have some merit, though that is not a popular opinion). If you’re creeped out by getting older and all of the problems that have to do with it and aren’t yet tired of first person POV-filmed horror, THE VISIT isn’t great, but it’s potent enough to deliver more thrills than I expected.
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GERMAN ANGST (2015)
Directed by Jorg Buttgereit, Michal Kosakowski and Andreas MarschallWritten by Jörg Buttgereit (FINAL GIRL), Goran Mimica & Michal Kosakowski (MAKE A WISH), & Andreas Marschall (ALRAUNE)
Starring Lola Gave, Axel Holst, Michael Zenner, & Mucki the Guinea Pig in FINAL GIRL, Andreas Pape, Matthan Harris, Annika Strauss, Denis Lyons, Martina Schöne-Radunski, Daniel Faust, Lucy Lane, Grzegorz Sala in MAKE A WISH, & Milton Welsh, Kristina Kostiv, Désirée Giorgetti, Rüdiger Kuhlbrodt, Daniel Gärtner, Katja Bienert, Magdalena Ritter, Moon Suk, Ludo Vici, Daniel Westrick in ALRAUNE!
Find out more about this film here and on Facebook here
Reviewed by Ambush Bug
The draw here with this anthology is definitely NECROMANTIK director Jorg Buttfereit. I remember dropping my jaw in awe at the grisly and gory lengths the director went to tell his story of man and woman on corpse love in the Nineties. Returning to the screen after a long hiatus, my interest was piqued to the Nth degree knowing this new anthology had him in it. That said, this trilogy of short films, all roughly a half hour in length, turned out to be one of the most shocking and gut-churningly disturbing films I’ve seen in a long time. So while Buttgereit may be the big name here the rest of the guys, Michal Kosakowski and Andreas Marschall, prove to be not so shabby as well.
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This trilogy of terror is definitely something fans of intense horror should not miss. It’s not for the squeamish or the easily offended, but if you like gore and don’t mind situations that will make you squirm, GERMAN ANGST is the type of anthology you’ll die for. It serves as a testament to the talented directors involved, and here’s hoping that this ushers in a new renaissance in extreme horror from these talented and twisted filmmakers.
Bevvare mein fruend, zere are tittens in ze trailer below! NSFW!
And finally…let’s end this with a somber, deviously patient, and wickedly clever little soliloquy that I reviewed a while back and is finally made available online for free! This short is called DONE IN and it’s by Adam Stephen Kelly. Check it out!
See ya next week, folks!
Ambush Bug is Mark L. Miller, original @$$Hole/wordslinger/writer of wrongs/reviewer/interviewer/editor of AICN COMICS for over 13 years & AICN HORROR for 4. Follow Ambush Bug on the Twitters @Mark_L_Miller.
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