
Greetings, all. Ambush Bug here with another AICN HORROR: ZOMBIES & SHARKS column.
Before we get to the films and my horrific views on them, below is a teaser trailer for the new animated series KILLOGY from Life of Agony’s Alan Robert which features real life stars Marky Ramone from the Ramones, HEROES’ Brea Grant, THE SOPRANOS’ Frank Vincent, and the Misfits’ Doyle Wolfgang Von Frankenstein! I loved the comic book and now it’s an animated series! Plus check out the end credits for a little shout out to me! I’ll let you know when and where to find this one, but check out the teaser below to whet your whistle!
On with the horror reviews!
(Click title to go directly to the feature)
Retro-review: MAD MAX (1979)
Retro-review: FROM A WHISPER TO A SCREAM (1987)
Retro-review: GHOULIES II (1987)
Short Cuts Short Film Review: TICKLE (2015)
FRANKENSTEIN’S HUNGRY DEAD (2013)
DARKSIDE WITCHES (2014)
APPARITION (2014)
HORSEHEAD (2014)
Advance Review: THE BLACK TAPE (2014)
Advance Review: SUN CHOKE (2015)
And finally…Cherry Glazerr & Michael Gallagher’s “Tiptoe Through the Tulips!”

MAD MAX (1979)
aka INTERCEPTORDirected by George Miller
Written by George Miller, James McCausland, Byron Kennedy
Starring Mel Gibson, Joanne Samuel, Hugh Keays-Byrne, Steve Bisley, Tim Burns, Roger Ward, David Bracks, Bertrand Cadart, David Cameron, Robina Chaffey, Stephen Clark, Mathew Constantine, Jerry Day, Howard Eynon, Max Fairchild, Reg Evans, John Farndale, Sheila Florance, Nic Gazzana, Hunter Gibb, Vincent Gil, Andrew Gilmore, Jonathan Hardy, Brendan Heath, Paul Johnstone, Nick Lathouris, John Ley, Steve Millichamp, George Novak, Geoff Parry, Lulu Pinkus, Billy Tisdall,
Retro-reviewed by Ambush Bug
Seeing the absolute bat-shittitude of the MAD MAX: FURY ROAD trailer has me more excited about its release than probably any other film this summer, so going back to the beginning felt like something I should do as it had been quite a few years since I’ve experienced George Miller and Mel Gibson’s first adventure with Max Rockatansky and the roaring road. But sometimes, going back to the beginning isn’t all it’s cracked up to be.

While the world of MAD MAX isn’t set in the wasteland that is the setting for THE ROAD WARRIOR, THUNDERDOME, and the new FURY ROAD, it’s on the brink of it and in many thematic ways, Max represents the last glimmering hope of civilization before it slides into the abyss that is the centerpiece of all subsequent films. In MAD MAX, there are green grassy hills, thick forests, and wildlife that isn’t scraping to survive. While the dank landscape seems to surround these areas and is closing in fast, Mel Gibson plays Max as wary, but still rather hopeful with his frizzy-haired wife and often absent toddler wrapped in his arms. When Max loses his family, it’s the stage set for the rest of the series, but while I feel this origin story was necessary, if you’re looking for the slam-bang action of the other films, this one only has scant traces of it.

But George Miller constructs a highly flawed narrative here as for the first half of the film, you really don’t know whose story this is. It’s Max’s partner Goose (Steve Bisley) who gets the most compelling story. Yes, Max is a nice contradiction being the strong silent type trying to reel Goose in when he charges towards the outlaws recklessly when the law fails to contain their chaos, but for the first forty or so minutes, he is the emotion of the film. Goose is the active lead, making bad decisions, but at least making decisions. It’s not until Goose is defeated by the outlaws that Max is pushed to action and we finally realize that (despite the fact that his name is in the title) he is the central figure in this film. I wanted to see a Goose redemption arc, rising from the ashes and realizing that impulsiveness is not always the best way to go. But that’s not a theme explored here, and it’s not the way this movie went despite the misdirection in the first 40 minutes.

Rough acting, long lulls in action, and a murky narrative focus are glistening signs that Miller was onto something big, but the first time filmmaker wasn’t quite there yet. Seeing the mammoth potential FURY ROAD seems to possess, MAD MAX is interesting in that it shows Miller is on his way to becoming one of the most influential filmmakers of my life (BABE being one of my all time faves, I’m not ashamed to admit) with all of the rough edges and first time mistakes of any budding filmmaker.

FROM A WHISPER TO A SCREAM (1987)
aka THE OFFSPRINGDirected by Jeff Burr
Written by C. Courtney Joyner, Darin Scott, Jeff Burr, Mike Malone (additional story material)
Starring Vincent Price, Clu Gulager, Terry Kiser, Harry Caesar, Rosalind Cash, Cameron Mitchell, Susan Tyrrell, Martine Beswick, Ron Brooks, Miriam Byrd-Nethery, Didi Lanier, Thomas Nowell, Ashli Bare, Terence Knox, Megan McFarland, Angelo Rossitto, Gordon Paddison, C. Jay Cox, Leon Edwards, Lawrence Tierney, Tim Wingard, Richard W. Cox, Bob Hannah, Katherine Kaden, Gene Witham, Tommy Burcher, Barney Burman, Sergio Aguirre, Jahary Bennett,
Retro-reviewed by Ambush Bug
FROM A WHISPER TO A SCREAM (also known as THE OFFSPRING) feels like a bridge of sorts between the old school anthologies like TALES FROM THE DARKSIDE and the like and the all star anthologies of the 80s like CREEPSHOW and the TALES FROM THE CRYPT series.





As I said before, FROM A WHISPER TO A SCREAM feels like a bridge film between the rather tame horrors seen in Hammer films and the more gore-heavy films we got in the 80s and 90s. It’s fantastic to see old school actors like Price, Mitchell, and Gulager in action, though the stories really don’t give them much to do to show off their talents. Drenched in gore and uncomfortable situations, FROM A WHISPER TO A SCREAM has its moments, but it pales in comparison to other anthologies like TALES FROM THE DARKSIDE, CREEPSHOW, and TWILIGHT ZONE which were made around the same time. This Bluray contains behind the scenes documentaries focusing on the arduous effort it took to make this film and interviews with people being relatively kind to the film. The film is an oddity and most likely a must for collectors, but it just feels like a hybrid between two eras of horror that doesn’t quite work.
Warning: This trailer contains whispers, screams, and a boob or two! NSFW!


GHOULIES II (1987)
Directed by Albert BandWritten by Charlie Dolan (story), Dennis Paoli & Luca Bercovici (screenplay)
Starring Damon Martin, Royal Dano, Phil Fondacaro, J. Downing, Kerry Remsen, Dale Wyatt, Jon Pennell, Sasha Jenson, Starr Andreeff, William Butler, Donnie Jeffcoat, Christopher Burton, Mickey Knox, Romano Puppo, Ames Morton, Michael Deak, Anthony Dawson, Donald Hodson, Carrie Janisse, & Hal Rayle as the voice of all of the Ghoulies!
Retro-reviewed by Ambush Bug
The original GHOULIES (reviewed here) was watchable because it had so many laughable moments that represented the most ridiculous aspects of the 80s--break dancing, rock video smoke machines, midgets in medieval garb, bad puppetry, bad hairstyles and even worse clothing. GHOULIES II doesn’t really have any of that.

But besides the little beasties on the ends of puppeteer hands, GHOULIES II has very little to do with the original. This one opens with a priest who attempts to destroy the little monsters by throwing them into a vat of toxic waste that just seems to be lying around for priests to throw monsters into. The priest instead takes the toxic plunge, and the Ghoulies make their way into a nearby circus van that happens by the building. Once back at the circus, which is being bought out by an asshole businessman who has no respect for the tradition of the circus, the Ghoulies run amok killing freaks, circus performers, and the crowd without compunction.

And while the Ghoulies themselves are spunky and troublesome in an after midnight-fed Gremlins sort of way, their limited mobility and corny play is really hard to watch. A late in the game giant Ghoulie reveal ups the fun ante a bit as he goes around eating Ghoulies, but despite a nice looking costume, the whole thing comes off as unfunny when it’s supposed to be funny and painful when it tries to be serious.

But it’s GHOULIES, a knockoff of GREMLINS, and at least this sequel doesn’t repeat itself much in terms of story. The puppets are ridiculously puppet-y and the rest of it is pretty bad. For the completists out there who want every little monster movie ever made (I’m sure there’s someone out there for this niche of geek), I guess this one is for you. Personally, I’ll just watch GREMLINS again for the real deal.


TICKLE (2014)
Directed by Corey NormanWritten by Haley Norman
Starring Casey Turner, Andrew Lyndaker, Sean Carmichael, Dennis J. Healy as Tick Tack!
Reviewed by Ambush Bug
This short by Corey and Haley Norman has already won a ton of awards at festivals and screened at all kinds of movie marathons around the country and after seeing TICKLE, the adoration is well deserved.

Of course, this scares the shit out of the little kid, though it doesn’t stop him from sleeping with his feet uncovered. But while the little boy falls asleep, so does the babysitter, and she doesn’t cover her feet either. The end result is horrific and bloody and the stuff of childhood nightmares.
Simply filmed and lacking any explanation of who or what Tick Tack is, TICKLE is gory and scary fun. It would definitely make for a fun feature as the creature is definitely memorable, despite his childish motivation to cut off your feets. If you have a chance to catch TICKLE at some festival, you should do so as it only runs 11 minutes long and is packed with scary goodness. It’s too bad more films like this can’t be seen by the masses. Only Disney seems to put shorts in front of their features anymore. I could definitely see this added to the beginning to INSIDIOUS 3 or CONJURING 2 just to rev up the crowd.
But unfortunately, these days the only place to find these shorts are on YouTube and when TICKLE is made public, I’ll definitely post the link at the bottom of my AICN HORROR column for all to enjoy!
Tickle Trailer (2014) from Bonfire Films on Vimeo.

FRANKENSTEIN’S HUNGRY DEAD (2013)
aka DR. FRANKENSTEIN’S WAX MUSEUM OF THE HUNGRY DEADDirected by Richard Griffin
Written by Seth Chitwood, Richard Griffin
Starring Aurora Grabill, Sean Carufel, Jesse Dufault, Ryan Hanley, Aaron Peaslee, Johnny Sederquist, Mary Paolino, Shannon Hartman , Patrick Keeffe, Beatriz Lopez , Jamie Lyn Bagley, Andre Boudreau, Christopher L. Ferreira, and Michael Thurber as Dr. Frankenstein!
Reviewed by Ambush Bug
A while back I reviewed another film by Richard Griffin (THE SINS OF DRACULA, reviewed here) and to be honest, while there was some old school charm to the film, it didn’t really tingle my spine. Griffin brings back some of the cast from THE SINS OF DRACULA for FRANKENSTEIN’S HUNGRY DEAD, which I found to be a better viewing experience.

Say what you will about the production values and the acting, you’ve gotta love Griffin’s gift for coming up with names for his films that feel like they’ve been ripped from the Halls of Hammer during its heyday. Originally titled DR. FRANKENSTEIN’S WAX MUSEUM OF THE HUNGRY DEAD, just the title alone put a grin on my face as it really does attest to the filmmaker’s love for old school horror.

While I’m not a fan of CG blood and gore added in after the fact, FRANKENSTEIN’S HUNGRY DEAD at least has fun with it, as does Michael Thurber as the mad doctor. There were a few moments in this film that had me laughing, like when the kids stumble into a room occupied by Hitler, but most of the attempts at humor plunk out on the floor ineffectually. There’s a real respect for the genre, though, with Griffin’s films that cannot be denied, so I hope that the filmmaker learns from his mistakes and continues to improve his craft. FRANKENSTEIN’S HUNGRY DEAD is better than SINS OF DRACULA, but there’s still a lot of room for improvement.

DARKSIDE WITCHES (2014)
aka DARKSIDE: BLOOD’S WITCHES, DARKSIDE THE MOVIEDirected by Gerard Diefenthal
Written by Gerard Diefenthal
Starring Barbara Bouchet, Eleonora Albrecht, Simona Cappia, Mirela David, Alessandro Demcenko, Marco Di Stefano, Gerard Diefenthal, Laura Glavan, Pino Michienzi, Giuditta Niccoli, Angelica Novak, Anna Orso, Adele Perna, Lorenzo Renzi
Find out more about this film here
Reviewed by Ambush Bug
Man, this one was weird.


The story really drags, with a ton of biblical discourse and overly serious dialog spouting from the faces of the entire cast, and in the end things get massive and epic, though I honestly had no idea what was going on by then. But with some pretty inventive imagery and some worthwhile ideas, DARKSIDE WITCHES is a mess of a movie that comes off as surprisingly watchable due to its moments of gratuity and senselessness.

APPARITION (2014)
aka REMORSEDirected by Quinn Saunders
Written by Pete Cafaro, Andrew Kayros
Starring Jody Quigley, Katrina Law, Lili Bordán, Pete Postiglione, Airen DeLaMater, Thomas Roy, Margo Trovei, Megan Rose, Rebeka Choudhury, Dave Droxler, Joseph Forsstrom, Jarett Armstrong, Tom Settefrati
Find out more about this film here and on Facebook here
Reviewed by Ambush Bug
Morose to the point of tedium, APPARITION tries to be a poignant and touching supernatural thriller, but ends up lacking enough spook and acting power to pull it off.

Honestly, I think if this film had another lead actor I might have bought into it more. There’s something about the navel-gazing schlubbery that actor Jody Quigley exudes from every pore as Doug that makes me utterly unsympathetic for him. He mopes through this movie like Charlie Brown on downers with his head sunken and his lip pouting for so long that it’s beyond annoying. His haircut is the most horrifying thing in the movie as it at times looks like he’s the twin of Lloyd Christmas and other times just looks like that short haircut old ladies get when their hair doesn’t grow anymore. His performance killed this movie for me as I wanted to punch this doughy man-boy in the face at how boringly inactive and loser-ly he comes across as throughout the film.

This film is too tame for the horror hounds and too morose for romantics, so I don’t really know what kind of audience APPARITION would work for. With bland casting and a plot that inches along slower than molasses, watching it is more work than I would expect regular readers of this column would want to put into it. APPARITION picks up some momentum at the end, but by that time, I was checked out and just didn’t care anymore. The film is a capable one that looks decent and tries really hard to hit on a deep and dramatic level, but it’s just too much of an all around downer to be entertaining.

HORSEHEAD (2014)
aka FIEVRE (FEVER)Directed by Romain Basset
Written by Romain Basset, Karim Chériguène
Starring Lilly-Fleur Pointeaux, Catriona MacColl, Murray Head, Gala Besson, Fu'ad Aït Aattou, Vernon Dobtcheff, Philippe Nahon, Joe Sheridan, Paul Bandey, Shane Woodward, Nathan Willcocks, & Emmanuel Bonami as Horsehead!
Find out more about this film here and on Facebook here
Reviewed by Ambush Bug
Bad dreams and horror films have been linked together all the way back to THE CABINET OF DR. CALIGARI, and while A NIGHTMARE ON ELM STREET kind of cornered the market on night terrors for a while, there’s always room for another horror film centering on things that go bump in your brain while sleeping.

Anyone interested in the power of dreams who has been either woken up by a profound image or ripped from a particularly fascinating dream will be interested in this imaginative and vividly made study of what goes on when we sleep. The nightmarish and surreal imagery at play in HORSEHEAD is breathtaking to witness. From gothic atmosphere to twisted Freudian sex, the film really does run the gamut in regards to the horrors one can experience inside the dream realm in our heads when the mind is often most honest and free of the shackles and responsibilities of reality and consequence. Jessica’s mind goes to some awful and perverse places here; the most horrific of all is space shared with a horse-headed demigod wielding a scepter. Writer/director Romain Basset fills this film with imagery that walks the border between the beautiful and the horrific, filming the scenes of dream with colorful lighting, atmospheric backdrops, twisted images, and soft and harsh focus—just like a dream itself, shifting from one extreme to another.

The young lead actress playing Jessica (Lilly-Fleur Pointeaux) is a fantastic find—a fresh-faced beauty with a lot of talent--but she is but one of the talented cast assembled here for HORSEHEAD. Well acted, gorgeously and nightmarishly executed, and excellently realized, HORSEHEAD offers a look at dreams like few other films have before. I highly recommend this gothic descent into terrifying nightmare.

THE BLACK TAPE (2014)
Directed by Ramone MenonWritten by Ramone Menon
Starring Elina Madison, Allen Marsh, Oto Brezina, Melanie Thompson, Parker Coppins, Viktoria Paje, Bryan Mordechai Jackson, Cassi Ellis, Douglas Olsson, Glen Ratcliffe
Find out more about this film here and on Facebook here
Reviewed by Ambush Bug
I got a chance to check out this twisted little semi-found footager early, as it is set to be released in October of this year.

What I liked about THE BLACK TAPE is the fact that it isn’t really a found footage film. Though it is amateurishly made and rudely edited, this is a home movie of a killer. Yes, there is shaky, hand-held cam work, but for the most part, this is a film telling a story. It’s a confession tape that only shows its hand at the very end, but because it is so crudely done, it really does feel pretty authentic, which in turn makes it all the more effective.

There are a few inconsistencies here. The killer seems to be acting alone, but there are some scenes which suggest there are two people involved as one person is holding a camera while another is doing the killing. If this were actual evidence, I would say the tape doesn’t tell the whole story but what the killer wanted us to see. Since this is a movie, it feels more like a blunder, but again, the amateur way it is put together gives it an authentic feel. It may seem like I’m giving this film more credit than it is worth, but there are some twists and turns that only the savvy will pick up on and the story is rather complex in the way this plays out. This leads me to believe that the folks behind THE BLACK TAPE knew what they were doing in making things kind of murky and misleading as to the identity of the killer/killers. THE BLACK TAPE does unnerve and it takes found footage to another level, which is essential because if I have to watch another run of the mill, by the numbers found footage film I’m likely to gouge my eyes out.

SUN CHOKE (2015)
Directed by Ben CrescimanWritten by Ben Cresciman
Starring Sarah Hagan, Barbara Crampton, Sara Malakul Lane, Evan Jones, Joe Nieves, William Nicol, Annie Read
Reviewed by Ambush Bug
Last year, my favorite horror film of the year was PROXY, a complex tale of madness by inches from various points of view. So to say that SUN CHOKE reminded me of PROXY, to me, is the ultimate compliment for the film as it gave me the same feelings of dread, fascination, and complete unease that PROXY did one year ago.

When done well, psychological horror can hit you harder than a million gallons of blood and gore. This is the case with SUN CHOKE which from the beginning had me by the throat and never let go. Seeing Crampton’s Irma put an electrified dog collar on Janie and force her to do Yoga to calm her nerves is absolutely riveting. Janie’s thinly sliced sanity chipping away at the slightest breeze is entrancing as well. Crampton is electric here and proves that this beautiful actress may have some of her best performances in front of her—she certainly commands every scene she is in here.

Director/writer Ben Cresciman tells an intimate tale of madness here. The film is soft and fragile one minute—pointed and harsh the next. It’ a film that defies expectations and is as dangerous as it is beautiful. Unfolding like an origami flower made of sandpaper, SUN CHOKE pulls you in and squeezes relentlessly until the twisted ending that will leave creases in your brain that will be impossible to smooth out.
And finally…say what you will about the INSIDIOUS films, but Tiny Tim’s song “Tiptoe Through the Tulips” remains one of the creepiest songs ever made. Below is a new version of the song by Cherry Glazerr and a video directed by Michael Gallagher which is inspired by the INSIDIOUS films. INSIDIOUS 3 scares audiences nationwide on June 3rd!
See ya next week, folks!


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Look for our bi-weekly rambling about random horror films on Poptards and Ain’t It Cool on AICN HORROR’s CANNIBAL HORRORCAST Podcast every other Thursday!