I was fortunate to be able to revisit BLADE RUNNER (‘THE FINAL CUT’ version) on the big screen back in early February. Happenstantially, on the night of my birthday. What better time to re-experience a film which has so deeply impacted me over the years? A film which, until its current cycle of re-issue, was not an easy one to find in theaters - and was relegated to the occasional cable transmit and its admittedly stunning Blu-ray release?
I found it to play wonderfully well, even after all these years. As many times as I’ve seen it, I’m still discovering nuance of both setting, presentation, and performance. The atmosphere this film weaves through theatrical viewing remains unlike any other I can recall in my movie going experience.
BR's trend of theatrical availability is continuing into a forthcoming UK re-release via the awesome folks over at BFI. BLADE RUNNER: THE FINAL CUT, easily the most well-considered and fully formed version of the movie, will hit screens there beginning April 3 - and he’s a lovely new trailer promoting its coming.
UK screening information can be found HERE.
This film is definitely not everyone’s ‘cup of tea’ - opinions on the picture seem to be hugely divided. I truly love BR, but I can see and understand negative perspectives of the film. However, it does work for me - wonderfully, powerfully, smartly so. I’m open minded, although quite apprehensive, regarding what its now-percolating sequel may have in store for us. I do think there’s more story to be told in the universe helmer Ridley Scott instigated back in 1982, although I’ve yet to be convinced such story should be told, or needs to be told. But I’m willing to at least consider what they’re up to, despite my initial reticence.
One thing is for certain, though. Whether one loves it, hates it, is frustrated by it, or is wholly indifferent to it, BLADE RUNNER is a cinematic experience like few others. Consider catching it theatrically if a US or UK screening is nearby. It’s a unique opportunity to experience the film the way it was designed to be experienced, and through a wholly different energy than any home video presentations you’re likely to find.
Maybe your perspective on the picture will change one way or the other. Or, maybe you’ll simply have a unique opportunity to revisit a film which has endured - and even flourished - over the decades, despite the chilly reception which greeted it upon its initial release.
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Glen Oliver
“Merrick”
