
Greetings, all. Ambush Bug here with another AICN HORROR: ZOMBIES & SHARKS column. Happy Halloween! Rounding out the final week of October, I have another nice batch of horror for you all to sink your teeth into. So after checking out these reviews, howzabout you all let me know what Halloween movies you plan on watching this festive holiday evening?
On with the horror reviews!
(Click title to go directly to the feature)
The Boo Tube: IN SEARCH OF ANCIENT MYSTERIES (1973)
Retro-review: SQUIRM (1976)
Retro-review: NIGHTBREED: THE DIRECTOR’S CUT (1990)
AFTER SCHOOL MASSACRE (2014)
SOULMATE (2013)
GRACE: THE POSSESSION (2014)
BENEATH (2014)
MOEBIUS (2014)
LFO (2013)
DELIVER US FROM EVIL (2014)
CHILD OF GOD (2013)
And finally…CTHULHU’S PIZZA KITCHEN!


IN SEARCH OF ANCIENT MYSTERIES (1973)
Directed by Fred WarshofskyWritten by Fred Warshofsky
Starring Rod Serling, Josef Blumrich, Duncan A. Lunan, Art Ford, Dr. Sidney Fox, Dr. Leslie Orgel, Dr. Fernando Cabieses
Retro-reviewed by Ambush Bug

IN SEARCH OF ANCIENT MYSTERIES explores various theories that aliens have walked among us and have been influential parts of our culture since the dawn of man, looking at ancient structures that defy explanation and required technology not indicative of that available at the time to construct. Across the world ancient structures such as Stonehenge, the pyramids of the Inca and Aztecs, and Nordic ruins are all hypothesized to be landmarks made by creatures not of this earth. The film is made up of interviews with a bevy of bespectacled scientific types in their labs supporting the theories of alien intervention in the past, all narrated by the monotone yet charming voice of Serling.

Still, if you are a fan of ANCIENT ALIENS and shows of that kind, you’re going to want to have this film in your collection. While it might be brief and dry at points, there is an awful lot of fun conspiracy and alien hypotheses being tossed out there in ANCIENT MYSTERIES. The film, made for TV, serves as a precursor to the deeper delvings into the dark unknowns in the IN SEARCH OF series, shows how this fascination with the otherworldly isn’t just a current phenomenon.

SQUIRM (1976)
Directed by Jeff LiebermanWritten by Jeff Lieberman
Starring Don Scardino, Patricia Pearcy, R.A. Dow, Jean Sullivan, Peter MacLean, Fran Higgins, William Newman, Carl Dagenhart
Retro-reviewed by Ambush Bug
Back when I was a kid, I wanted desperately to go to the late night drive in movies (this was the early eighties when there were a few of these national treasures around still, though their numbers were ever-decreasing). I would love to look through the newspapers and cut out the cool posters for films like MOTEL HELL, CHILDREN SHOULDN’T PLAY WITH DEAD THINGS, and THE INCREDIBLE MELTING MAN, giving them to my mom and dad in hopes that they would take me. Alas, like Ralphie and his Red Rider BB Gun I was denied with the mantra that I wasn’t old enough. Ironically, a short while later during the rise of video stores, I was able to watch whatever the hell I wanted, proving an inconsistency in my parent’s logic and that they were just not interested in going to the movies, but were totally fine with me watching it. One such film I snipped from the paper and pleaded to see was SQUIRM. The poster on the left stuck with me and I having often gone nightcrawling with my brother, collecting worms for upcoming fishing trips, I had a familiarity with the slimy critters and thought a film where they run amok and eat people was about the coolest idea ever!

The premise is a simple one. A giant hurricane rocks the coast of Georgia and some downed power lines excite and infuriate a few bushels of blood worms to the point that they attack an entire town. While a pair of would be investigators doof around trying to solve a missing persons case that the philandering sheriff has no interest in, the worms keep massing until they spill out of every crevice and cranny to attack a small Georgian town. The central drama encircles a young Southern belle by the name of Geri (Patricia Pearcy) who is the apple in the eye of the dim-witted worm farmer Roger (R.A. Dow) but dates that no-good city boy Mick (HE KNOWS YOU’RE ALONE actor and THE INCREDIBLE BURT WONDERSTONE director Don Scardino). As the two men battle it out for Geri’s affections, flesh eating worms are crawling ever slowly towards them.

But still, SQUIRM delivers some really great gross out effects and tons and tons of worms which I still can’t really understand how they did it. They literally fill an entire house with worms here (though most of them are obviously plastic) to the point where people are engulfed in giant worm waves. Director Jeff Lieberman intersperses cool close-ups of the bloodworms with their extended teeth and slimy alien faces to up the creep ante quite a bit. Alternating between these close-ups of real worms and the piles and piles of fakes really does the job in making it all skin-crawlingly effective.

BluRay features include a new interview with Jeff Lieberman, as well as an audio commentary track by the writer/director of the film, plus there are some interviews with effects man Bill Milling describing how he made all of those worms work as well as an interview with our ginger hero Don Scardino. Lieberman also takes viewers on a tour of the locations where the film was made. SQUIRM is a fantastic bad movie worth digging up and given this treatment by the Shout Factory, it’s the best this film has ever looked.

NIGHTBREED: Director’s Cut (1990)
CLIVE BARKER’S NIGHTBREED, NIGHTBREED: THE CABAL CUTDirected by Clive Barker
Written by Clive Barker (based on the novel CABAL)
Starring Craig Sheffer, David Cronenberg, Anne Bobby, Charles Haid, Hugh Quarshie, Hugh Ross, Doug Bradley, Catherine Chevalier, Malcolm Smith, Bob Sessions, Oliver Parker, Debora Weston, Nicholas Vince, Simon Bamford, Kim Robertson, Nina Robertson, Christine McCorkindale, Tony Bluto, Vincent Keene, Bernard Henry, Richard Van Spall, David Young
Retro-reviewed by Ambush Bug
When I first saw NIGHTBREED, I recognized its flaws, but I also reveled in its expansive and endearing themes, majestic presentation of sets and makeups, and quirky performances. For me, as I saw it in theaters (during its all too brief theatrical run), I felt like NIGHTBREED had the potential to be the STAR WARS of horror and to this day, I still think that it had the potential to be.

And having seen it, I have to say in every way possible, this new version makes my appreciation for Barker’s vision and the film itself even stronger. While I can’t account for all of the additional footage, I will go into detail of the stuff I noticed upon viewing. There’s more at the beginning in regards to Boone (Craig Scheffer) and Lori’s relationship, including a really unique love scene and a really bad extended scene of Lori (Anne Bobby) up on stage. The song Lori sings is so terrible, but still it has a goofy 80s charm that can’t be denied. The love scene is actually really well choreographed, where the bodies kind of echo and merge with one another that makes this scene ooze both in eroticism as well as monstrosity. These two scenes seem to be the bulk of the additions to the original footage and don’t really add much to the narrative.

That said, there are a lot of the same problems at play here that occurred in the original. While Barker definitely has a mind that knows no bounds, this film really does have a shot on a stage quality and while Midian is expansive in scope, it still reads as a small scale play set to me, as do a lot of other parts of this film. Things feel really flat throughout, and while the climax is much easier to follow, the ending is still both ambiguous and convoluted as to what happens to all of these characters Barker spent so much time establishing. It felt almost like Barker was saving the good stuff for a sequel he was hoping to make but unfortunately never was made, and everything here is just the precursor to all that.

This new BluRay comes with a pair of behind the scenes featurettes looking back at the making of the film through the eyes of the cast as well as one focusing on the tons of practical effects at play throughout the entire film. There’s also a pretty awesome intro with Mark Alan Miller and Clive Barker telling the tale of how this version of the film came to be. On top of that, this film has never looked better. The dark scenes of the monsters are clearer and the sound is amazing. The way it looks, this is really a whole brand new film.

AFTER SCHOOL MASSACRE (2014)
aka TEACHER’S DAY, BLOOD SCHOOLDirected by Jared Lee Masters
Written by Jared Lee Masters
Starring Lindsay Lamb, Steve Crest, Nikole Howell, Mindy Robinson, Dawna Lee Heising, Yasmine Soofi, Courtney Rood, Lonnie Alcide Gardner, Danika Galindo, Simone Wasserman, Andrew Phillips, Julia Faye West, Kelly De Vries, Art Roberts, Sunny Vachher
Find out more about this film here
Reviewed by Ambush Bug

And that’s a shame, because aside from the rather hokey motivation for this teacher turned mass murderer, there are some great moments of gleefully gory and carnage-laden scenes such as one scene where the killer, lacking anything else to kill his intended victim with, pulls up a mailbox and bashes his victim in the head with it, then of course skewers her with the pole. Moments like this had me out of my chair laughing at how outrageous it was.

There’s quite a bit of self poking fun going on in AFTER SCHOOL MASSACRE in regards to the amount of education the students seem to lack and also some rather pointed stabs at the stupidity of pop culture with the ridiculous theme song, “Fruit on My Belly”. Writer/director Jared Lee Masters fills this one with hot babes in peril (something he also did with his previous film SLINK which I rather enjoyed when I reviewed it here). The film itself views like a modern homage to those old sleepover slashers like SLUMBER PARTY MASSACRE and films of their ilk and serves as a worthy, yet rather rudimentary tribute. Still, there’s a really cool opening credits sequence and a lot of brutal gore to enjoy. AFTER SCHOOL MASSACRE isn’t going to change the face of horror, but it does do slumber party horror with a wink, a nod, and a slash to fans who like low fi horror.

SOULMATE (2013)
Directed by Axelle CarolynWritten by Axelle Carolyn
Starring Anna Walton, Tom Wisdom, Tanya Myers, Nick Brimble, Emma Cleasby, Guy Armitage, Rebecca Kiser
Reviewed by Ambush Bug
If you somehow stumbled into this column and prefer horror to be heavy on the romantical nature, then I think I have the film for you. SOULMATE isn’t really going to impress those who like their horror on the more hardcore side, but those who prefer their scares on the low end of the spectrum and immediately think of GHOST instead of THE HAUNTING are going to want to check this film out. That said, being the type of horror fan who prefers some scares with his ghost stories, this one fell short of greatness for me.


Things do get much less lovey-dovey by the end, but by that time, SOULMATE kind of lost me. I think this is just a matter that this film proved to be a bit too tame for my taste in ghost stories. But if you’re looking for a film that won’t scare you too much, this might be the type of film you’re looking for. Aside from the opening suicide, there’s very little gore, but SOULMATE is well acted and soaks in the Welsh countryside very well.

GRACE: THE POSSESSION (2014)
aka GRACEDirected by Jeff Chan
Written by Jeff Chan, Chris Pare, Peter Huang
Starring Alexia Fast, Joel David Moore, Lin Shaye, Alan Dale, Alexis Knapp, Brett Dier, Madeleine Arthur, Clarke Peters
Find out more about this film on Facebook here
Reviewed by Ambush Bug
Sometimes a little nip here and a tiny tuck there is all it takes for something to feel new. To a point, that’s the case with GRACE: THE POSSESSION, the latest in the upsurge in possession and exorcism flicks that appear to be the new black these days.

And that’s pretty much GRACE: THE POSSESSION in a nutshell. By the numbers, it tells what has become the typical possession story told and retold a million times since THE EXORCIST…except for one thing: the entire film is filmed in first person POV. And I don’t mean found footage, although some might mistake this film for one. The gimmick of GRACE: THE POSSESSION is that we see everything through the eyes of the possessed, so while found footagers try their hardest to find ways to justify keeping the cameras rolling, this one simply tells the tale as if you the viewer were seeing it with your own eyes. So there’s no shaky cams or flashing battery signs, just some very elaborate camera tricks to make you think and feel as if you’re the one growling, spitting, being tied to the bedposts and being compelled by screaming priests. And that was enough for me to make this film unique enough to earn my respect as it offers the same old story from a different perspective.

Don’t expect anything new to be offered in terms of story and you might just be as impressed with GRACE: THE POSSESSION as I was. Alexia Fast does a fine job in the lead role playing to the viewers’ sympathies, and it features smaller parts by GRANDMA’S BOY’s Joel David Moore as a young priest, Lin Shaye doing her best impression of Carrie’s mom here as the grandmother, and LOST’s Alan Dale playing the stone-faced head priest. But the real highlight is the way writer/director Jeff Chan works his movie magic by transporting us into this possessed mind. It’s a fun ride from a fresh perspective—like sitting in the same rollercoaster you’ve ridden in before, only in a different seat.

BENEATH (2013)
Directed by Ben KetaiWritten by Patrick Doody, Chris Valenziano
Starring Lauren Gores, Joey Kern, Jeff Fahey, Brent Briscoe, Kurt Caceres, Eric Etebari, Jason Masek, Kelly Noonan, Rene Rivera, David Shackelford, Mark L. Young
Reviewed by Ambush Bug
Much like THE ADDICTED above, BENEATH attempts to be a couple of things in one movie, and while THE ADDICTED wasn’t completely successful at achieving that multi-faceted goal, BENEATH is able to be more than one specific type of film with much greater success.

While BENEATH is abundant in the cliché department, the strength lies in the actors involved. Fahey is always fantastic, and despite the fact that he’s got Danny Glover’s retirement luck, he still brings an authentic grit to the role like few others can. Lauren Gores is a new face for me, but she is great here too, shying away from being a screaming clichéd woman and exuding enough toughness, yet still showing that this trip is terrifying her and she is completely out of her element. Kern, who was amazing in SASQUATCH GANG as the shirtless idiot named Shirts, offers up a strong performance and exudes a lot of Matthew McConaughey charm as the noble hero of the bunch, and Briscoe is always fun to watch mosey around with his Southern drawl and downhome disposition. All of these character actors do a fantastic job of basically making a cave-in movie feel real and original, though we’ve seen this kind of “trapped in the rubble” type film before.

BENEATH (not to be confused with the excellent monster fish film of the same name by Larry Fessenden, reviewed here) reminded me most of THE SHINING, believe it or not. Not to set it up against one of the great horror films of all time, but the film, with its dark corridors and unpredictable imagery, keeps you guessing as to what is real and what is not. Filled with intense action, horrific moments, and a strong cast, BENEATH is a film that will definitely make you gasp for air.

MOEBIUS (2013)
Directed by Ki-duk KimWritten by Ki-duk Kim
Starring Jae-hyeon Jo, Eun-woo Lee, Young-ju Seo
Reviewed by Ambush Bug

Following the tragic cycle of violence occurring in one completely fucked up family, MOEBIUS is a film without dialog, suggesting that though the events that unfold here may be set in a foreign land to American viewers, the message it conveys in the actions reach beyond geographical and cultural borders. The story involves incest, patricide, matricide, rape, castration, domestic abuse, infidelity, and a myriad of other sins and crimes. Saying who does what to who would be venturing too much into spoiler territory, but just that laundry list of misdeeds should prepare you what you will encounter in this film.

MOEBIUS is not for the squeamish. I winced quite a few times in this film because unlike the Hollywood violence where one slash to the throat immediately kills and then there’s a cut to the next scene, this film lingers and accentuates every blow, conveying how much damage a strike from a loved one can really do. This film is a powerful piece of cinema, highlighting the ugliness in human beings and how one act causes ripples that can grow into tidal waves if left unnoticed or unaddressed. MOEBIUS is sophisticated and impactful cinema, speaking volumes with nary a phrase uttered from beginning to end.

LFO (2013)
Directed by Antonio TublénWritten by Antonio Tublén
Starring Patrik Karlson, Izabella Jo Tschig, Per Löfberg, Ahnna Rasch
Find out more about this film here and on Facebook here
Reviewed by Ambush Bug
Full of quirk and dark comedy, LFO is a modern day tale of mad science as a lonely man attempts to reach out to others in his own crazy and off kilter way.


Full of glorious electro moog music throughout, LFO is not going to be for everyone. The pace of the film is rather slow and people not really taken in by this mad scientist’s quirk are going to find this film quite difficult to sit through. But I was completely taken by the flat and monotone performance by Patrik as Robert and his descent into the depths of villainy.

DELIVER US FROM EVIL (2014)
aka BEWARE THE NIGHTDirected by Scott Derrickson
Written by Scott Derrickson & Paul Harris Boardman (screenplay), Ralph Sarchie & Lisa Collier Cool (based on the book by)
Starring Eric Bana, Édgar Ramírez, Olivia Munn, Chris Coy, Dorian Missick, Sean Harris, Joel McHale, Mike Houston, Lulu Wilson, Olivia Horton, Scott Johnsen, Daniel Sauli, Antoinette LaVecchia, Aidan Gemme, Jenna Gavigan
Find out more about this film here and on Facebook here
Reviewed by Ambush Bug
This year’s big budget exorcism flick didn’t really spin the heads of moviegoers, and I must admit I missed it in theaters myself. But while DELIVER US FROM EVIL tries its best to differentiate itself from other demon possessed films, it just can’t shed the trappings all possession flicks seem to fall into.

The cop drama meets the paranormal aspect of this film is the coolest part of it all. Seeing tough guy cops with their pistols drawn battling it out with drooling and biting man-demons is something you don’t often see in horror, which tends to be more intimate when it comes to possession flicks. Staging this possession over a broader scale definitely makes this all feel original and new, and director Scott Derrickson is capable of making the film seem like a genuine cop drama as well as inject the scenes that go bump in the night. Too often in these genre mishmashes only one aspect is strong with the other aspect seemingly jammed into there seemingly as an afterthought. Here, the film feels like a genuine police procedural even without the scratching demon people.

There’s a lot of good character work here as well, as Bana and Ramirez do a great job at making their roles defy the clichés often associated with cops and priests. Bana is always fun to watch as he has that tough guy demeanor, but when his eyes go wide, he really is able to emote fear, and if a tough guy like that feels fear it must be something scary. Ramirez is a new face to me, but is really great as the wizened priest who guides Bana through the darkness. There’s a bit of a hokey Gandalf /Obi Wan vibe to him, a sort of mysticism that kind of makes his role rather goofy, and Ramirez doesn’t help with the dramatic and cartoony poses he takes against the evil, but still, he makes the role fun and different.

DELIVER US FROM EVIL is not a bad film. It has its share of jump scares, some quality gore shots, some gutsy action, and a cast that seems to be giving it their all. It’s too bad exorcism clichés abound in the latter moments. Unfortunately, the film falls just short of awesome because of the ending. Still, it delivers up until the end.

CHILD OF GOD (2013)
Directed by James FrancoWritten by James Franco & Vince Jolivette (screenplay), based on the novel by Cormac McCarthy
Starring Scott Haze, Tim Blake Nelson, Jim Parrack, Nina Ljeti, Brian Lally, James Franco
Find out more about this film on Facebook here
Reviewed by Ambush Bug
Much hubbub was murmured in the talkbacks regarding what qualifies as a horror film and what doesn’t. Seems people feel more compelled to talk about whether or not the film fits to their standards of horror than about the film itself, which is too bad because you’re missing out on some good films if you’re so stingy with your qualifications. I mention this because, at first, when I popped CHILD OF GOD into my magic movie player, I wondered if this film was a horror film or not. I did that for most of the film until the climax, which comes somewhat out of the blue, but in my opinion, definitely qualifies this film to show up in this column for review.


Those looking for THIS IS THE END James Franco or even FREAKS AND GEEKS Franco will be left in the dust here. This is a dark film, and Franco really does a great job of soaking in the Tennessee wilderness and this madman running amok in it. This is an intimate portrayal of a misunderstood and chaotic man set against insurmountable odds. It’s a metaphor of a movie that could be likened to the evolution of man to the impenetrable ascent or descent in the social class system. Or it could be just a story of a freak in the woods who likes to scrog dead ladies. Either way, it’s horror to me and well worth seeing for Scott Haze’s mesmerizing lead performance and Franco’s unconventional eye and method of storytelling.
And finally…if you’re hungry this Halloween, there’s a new restaurant in town that you might be interested in. Here’s a mock commercial for CTHULHU’S PIZZA KITCHEN! MMMMMMM! Love those tentacles!
See ya next week, folks!


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