
@’s by DENVER’s Jimmy Palmiotti!!!

I recently got the chance to interview Jimmy Palmiotti, head honcho of PaperFilms and one of the biggest names in the comics biz, about his latest project: the original graphic novel Denver, which he will be funding through the crowd-sourcing platform, Kickstarter. Besides the book, which sounds truly intriguing, Jimmy and I also wind up discussing the future of the industry, his place in it, and the folks he likes to collaborate with.
Enjoy!

JIMMY PALMIOTTI (JP): There are a number of reasons, but the first one that pops into my head is making the connection with the people that support our work. When you work for bigger companies, you know your product is selling, but unless you are able to appear at a convention everywhere in the world, you really never get to know these people. Between social media and the Kickstarters, not only do we get to know our audience, we get to fine-tune the kind of material they are looking to support. What is also cool is getting the return supporter and with Kickstarter you can see who keeps coming back for more and we try to return the favor in different ways.
MA: Do you foresee Kickstarter reshaping the industry in the coming years?

MA: How did the idea for this particular kind of post-apocalyptic tale come about?

MA: Have you been to Denver?
JP: I have a couple of times and it's a beautiful city with some wonderful people. Working in Comics takes me all over the world, which is one of the cool perks. I have not spent more than a few days in Denver, but hopefully that will change soon. If the apocalypse happens sooner than planned, I will be there in a heartbeat. The visual fun of writing this book and basing the last city on Denver is building on top of what was once there. We reference places in the city in the book, but the time frame this is set in, most of what was, is way under the water and the new city is built on top of it.

JP: MAX is a regular guy that happens to be a border patrol officer that makes sure nothing undesirable washes up into the city. He works with two partners, lives with his daughter and new wife and is a stand up guy that gets thrown into the worst kind of situation when his wife is kidnapped and he is forced to do things against his very nature. He is our hero.
MA: What can you tell us about the threat Max faces?
JP: Max is blackmailed into looking the other way when illegal things are happening around him. The threat closest to him is the threat on his loved ones. The bigger picture is because of this, things are happening all around the city and lives are at stake. Max has a lot of hard decisions to deal with at the same time.

JP: I think a lot of it is that we understand each other’s strengths and build on them. We also have very different ways at looking at things. The two different perspectives help our writing. Collaborating with someone like your self is never a good idea. We also are best friends and talk a lot about other things than work.
MA: I understand that you came across artist Pier Brito's work during a portfolio review at the New York Comic Con. Are conventions often a source of new collaborators for you?

MA: Rumor has it you've also recruited A-list artist Amanda Conner to provide a variant cover and print for the Kickstarter. How did you convince her to contribute to this project?
JP: Amanda is my wife, so that really helps. She also believes and supports every crazy thing I do. She also happens to be one of the best comic book storytellers in the business and having her connected to anything I work on brings the material to another level. I do tend to bribe her now and again with vacations, fancy dinners and such, but we both benefit from that. Writing Harley Quinn for DC together is just another cool way of working with her, something I hope we can do forever. One day we will be doing a Kickstarter together, when I can afford her.

JP: I write listening to soundtracks and Justin and I were talking about how cool it would be to have one scored to a graphic novel. I had met Hans a few times at the Long Beach Comic Con, and we got along great and he sent me a lot of his music he does for films. We just put two and two together and we hit Hans with the brainstorm and once he read the book and saw the art, he got to work. Hans and I spoke a lot about the sound we were looking for by giving his some music we liked and he nailed what we were “hearing” for the book. We also added a song by Carrie and Libby Johnson, of 22 Brides to the soundtrack that is just amazing.
Listen to a track from the soundtrack below.

JP: We have a couple of stretch goals planned if we hit the goal. These involve digital rewards, a sketchbook section and some other art as part of the incentives.
MA: What does the original graphic novel format offer you as a storyteller that you wouldn't get from working on a serialized book?
JP: I like the idea that you can read a complete story in one sitting and the story is told. Not every story needs to go on and on. I love the format of the graphic novel and I guess it's a more of a European type of delivery. I am not saying there cannot be a Denver 2, but I think by the end of the story, you don't have loose ends, and that I like. I look at graphic novels as films and regular monthly comics as smaller tv shows.

JP: By keeping a calendar by my side, by not messing around on the internet all day and by understanding that I have clients with deadlines that expect me to be professional. For my own work, I give myself deadlines as well. I am driven by the fact that I absolutely realize that one day, I will be gone…and it's in my hands what I do until then. This keeps me driven. I feel like I have a lot of stories to tell and once I am gone, they will no longer exist. I know that might sound nutty to some, but it is part of what drives me.
MA: Any other upcoming projects you'd like to mention?

MA: MA: Thanks Jimmy! Since I conducted this interview, I'm happy to report that the Denver Kickstarter met its original funding goal in a mere 6 days, thanks to an enthusiastic showing of support from fans! PaperFilms has now announced stretch goals (ie; incentives to take the project even farther) including a sketchbook section by Pier Brito (if the campaign reaches $38,000); random sketches by Pier Brito ($40,000) and a print of the Amanda Conner special limited edition cover ($50,000). To date, the campaign has 885 backers with more than $32,000 pledged.

Additionally, digital downloads of the five graphic novels Paperfilms has published via Kickstarter (QUEEN CRAB, FORAGER, WEAPON OF GOD, RETROVIRUS and SEX AND VIOLENCE) are available for $6.99 each here.
And everyone be sure to check out the Denver Kickstarter.
Matt Adler is a writer/journalist, currently writing for AICN among other outlets. He’s been reading comics for 20 years, writing about them for 7, and spends way, way, too much time thinking about them, which means he really has no choice but to figure out how to make a living out of them. He welcomes all feedback.
Proofs, co-edits & common sense provided by Sleazy G