
Greetings, all. Ambush Bug here with another AICN HORROR: ZOMBIES & SHARKS column. Let’s leap right into the horror reviews with both feet, shall we?

Below is the trailer and you can find out more about how to get your grubby hands on it here!
Now, for realsy, on with the horror reviews!
(Click title to go directly to the feature)
Retro-review: ALL NIGHT HORROR MARATHON 4 PACK: THE GODSEND (1980)
EMBRACE OF THE VAMPIRE (2013)
JUG FACE (2013)
SAVAGED (2013)
THE COLONY (2013)
LAUREN IS MISSING (2013)
Advance Review: THE SACRAMENT (2013)
And finally…Todd E. Freeman’s M IS FOR MARRIAGE!

ALL NIGHT HORROR MARATHON 4 PACK
THE GODSEND (1980)
aka HORROR-BABYDirected by Gabrielle Beaumont
Written by Olaf Pooley (screenplay), Bernard Taylor (novel)
Starring Malcolm Stoddard, Cyd Hayman, Angela Pleasence, Patrick Barr, Wilhelmina Green, Angela Deamer, Lee Gregory, Piers Eady
Retro-reviewed by Ambush Bug
As I chug through this four pack from The Scream Factory, glomming four dissimilar horror films together in one cheaply priced pack, I am now half way through and I’ve yet to find one I can actually recommend. The four films include THE OUTING, THE GODSEND, THE VAGRANT, and WHAT’S THE MATTER WITH HELEN? Last week, I checked out THE OUTING (full review here) and was not impressed. Over the course of the next few weeks, I’ll be watching them all.

Though I had fun watching THE GODSEND, the alarming way the a family of four flits through their lives and adopting this obviously devil-spawned kid made me think that they actually deserved the horrors that befall them. When a freaky eyed pregnant stranger (played by Angela Pleasence, who looks scarily too much like her father Donald) shows up on their doorstep looking for shelter in the rain, the parents of a large family kindly take them in. She goes into labor and then disappears the next morning, leaving the child behind for the family to adopt. Soon their own kids start dying, mostly due to the fact that the parents leave their children alone entirely too much, and the culprit seems to be this innocent looking girl (at least to anyone with half a brain, which doesn’t include the idiot parents).

THE GODSEND is one of those films that is made to shock and appall, but does neither because they fail to make the characters investment worthy. Sure no one wants horrible things to happen to characters in films. You want to root for the good guys to survive and triumph, but when they are as stupid as the parents are in this film, it’s almost impossible to do so, leaving this film to be hollow and forgettable because of the shallow attempts at melodrama and poor execution.
Hopefully the next two films are good, because so far (considering this film and THE OUTING), half of this 4 pack are ripe rotten stinkers.
Sorry, I could only find the French trailer of the film below.

EMBRACE OF THE VAMPIRE (2013)
Directed by Carl BessaiWritten by Andrew C. Erin, Sheldon Roper, David Sanderson
Starring Sharon Hinnendael, Kaniehtiio Horn, C.C. Sheffield, Chelsey Reist, Victor Webster, Robert Moloney, Ryan Kennedy, Keegan Connor Tracy, Olivia Cheng
Find out more about this film on Facebook here
Reviewed by Ambush Bug
The original EMBRACE OF THE VAMPIRE is known best for two things, and that’s Alyssa Milano’s breasts which were bared in the film for the first time. Other than that, and maybe the Charlotte Lewis nudity as well, the film was a lame attempt at making soft core porn and adding vampires to the mix. Shuffling to a future time slot on Skinemax is the remake of EMBRACE OF THE VAMPIRE and for the most part, the film is better than it should be and is one of those rare instances where the remake is better than the original.

Sharon Hinnendael plays Charlotte, the new girl on campus, there on a scholarship for fencing, interested in literary studies and working in a coffee shop and playing the role of the sheltered outcast. While she makes quite a splash on her first day, raising the eyebrows of her fencing coach and her professors, during a night of hazing by the rest of the girls on the fencing team Charlotte is forced to drink alcohol for the first time and it seems that’s all that was necessary to awaken a curse than has been passed down through generations. Experiencing nightmares involving fangs, loosened teeth, and gallons of blood, Charlotte seems to be turning into something she only sees in her lectures at school, a vampire (or something like a vampire, at least).

EMBRACE OF THE VAMPIRE is TWILIGHT with a bit more bite. Though there’s a lot of focus on the angst and a lot of scenes of our young heroine pondering the heap of responsibilities she is facing upon arriving to college, the gratuitous nudity and gore makes up for it, making me think that, had TWILIGHT gone this route, it might not be so despised by horror fans (then again, it would have alienated the tweens who flocked to it). As is, this is your better than average romanticized vampire flick that may sustain your interest when it pops up on cable soon.

JUG FACE (2013)
Directed by Chad Crawford KinkleWritten by Chad Crawford Kinkle
Starring Sean Bridgers, Lauren Ashley Carter, Larry Fessenden, Katie Groshong, Alex Maizus, Daniel Manche, Sean Young
Find out more about this film here!
Reviewed by Ambush Bug
Now playing in select theaters across the country is JUG FACE, and if you’re a fan of this column, you’re definitely going to know this is my type of horror as it is produced by THE WOMAN director Lucky McKee, stars two of that film’s stars, and even has a soundtrack by the same musician, Sean Spillane. Though this is an entirely different film in tone and story, one can’t help but feel the magic captured in THE WOMAN in this new film JUG FACE.

Oozing with everything from hillbilly culture to Chthulhuian cultism, director Chad Crawford Kinkle plays out an intricate plot of love, betrayal, and a pit monster. The talented actors who make up the cast make everything engaging. Every one of the actors gives it their all, and Carter shows star chops carrying most of the film with her petite frame but powerful performance. Sean Bridgers, who was so good at being bad in THE WOMAN, is equally talented here as the slightly delayed psychic link to the beast in the pit, and Fessenden and Young play overprotective parents and religious zealots, making them dislikable and likable all at once. Every character is developed well, which made the story easy to dice into.

Some will be disappointed, as the beast in the pit is not revealed, most likely due to budgetary constraints. Also, the film seems to loose steam in the last act as the emotional whirlwind that goes on in the first hour seems to die down and the final scenes are spent dealing with the revelations and ramifications of Ada and Dewai’s actions.

JUG FACE in no way is tied to THE WOMAN, though it does seem to have a lot of the folks in front of and behind the camera involved in it. Still, I couldn’t help but feel as if these two films are linked in some way as they both deal with unconventional and ugly family rules, mores, and customs and how those things can become twisted manacles around the ankles of those who have the unfortunate luck of being born into it. JUG FACE has some fantastic acting and offers up an interesting view on the hillbilly culture. It’s also quite bloody to appease my appetite for that type of thing. Though not as controversial as THE WOMAN, it does get pretty intense towards the end, and if you’re a fan of McKee and Ketchum’s film, you’re bound to find things to like with JUG FACE as well.

SAVAGED (2013)
Directed by Michael S. OjedaWritten by Michael S. Ojeda
Starring Amanda Adrienne, Tom Ardavany, Ronnie Gene Blevins, Brionne Davis, Ed Fletcher, Jason Gurvitz, Dan Kiefer, Daniel Knight, John Charles Meyer, Kyle Morris, Rodney Rowland
Find out more about this film here and on Facebook here
Reviewed by Ambush Bug

Though most films of this sort go too far when it comes to the horrors of rape and murder such as LAST HOUSE ON THE LEFT, I SPIT ON YOUR GRAVE, and I FART IN YOUR MOUTH (I made that last one up), SAVAGED shows the despicable scene and moves on pretty quickly to the revenge portion, making the film a bit more digestible than most films of its kind. Amanda Adrienne plays Zoe, a deaf white girl who happens across a hunting party that run down and kills a Native American man. Not wanting to leave a witness, the group kidnaps the girl, rapes her in a cabin, and then buries her in the desert. But soon, Zoe rises from the grave possessed by a vengeful Native American spirit bent on taking out the killers one by one in gruesome, albeit clichéd Native American manners.

The only criticism I have for SAVAGED is that it does follow the revenge film path a bit too closely. Hell, if Zoe were dressed in black leather, this would be an effective CROW sequel. With a cast of skuzzy rapist/murderers on the chopping block, this film is easy to predict. But though it’s a well tread path taken by everyone from Charles Bronson to Brandon Lee, the brutal effects and solid performances make SAVAGED a revenge flick worth checking out.

THE COLONY (2013)
Directed by Jeff RenfroeWritten by Jeff Renfroe, Svet Rouskov, Patrick Tarr, Pascal Trottier
Starring Kevin Zegers, Laurence Fishburne, Bill Paxton, Charlotte Sullivan, Dru Viergever, Atticus Dean Mitchell, John Tench, Lisa Berry, Lucius Hoyos, Kimberly-Sue Murray, Michael Mando, John Healy
Find out more about this film here and on Facebook here
Reviewed by Ambush Bug

Kevin Zegers, Lawrence Fishburne and Bill Paxton are bringing their A-game to this film. Zegers usually plays the wide-eyed newb, but here he gets to share some hefty conflict with both Fishburne (the leader of a colony of survivors hunkered down in a bunker after the world is covered by ice and snow) and Paxton (a voice of dissent in the group who prefers killing anyone who shows signs of sickness out of fear of contagion) and the young actor surprisingly holds his own. Fishburne is good here, but this isn’t a role he is well accustomed to, with his performance as the wise and strong leader of the group. Paxton’s part is not given a lot to do other than disagree with the way of things. His motivation is left off camera as to where his germophobia comes from, which ultimately leaves the character somewhat one note.


I didn’t hate THE COLONY, as I very much like all of the actors involved. Rather, I feel the story and especially the action was uninspired and not worthy of the caliber of acting that showed up to make the film. In the end, THE COLONY is a good time, but you’re likely to forget about it soon after the credits roll.

LAUREN IS MISSING (2013)
Directed by Michael HarringWritten by Kirsten Barber
Starring Maya Lawson, Erin Jorgensen, Kirsten Barber, Roger Hamel, Tyler Bromley
Find out more about this film here and on Facebook here
Reviewed by Ambush Bug
Quirky is the best way to describe LAUREN IS MISSING, an indie gem that is touring the festival circuit at the moment and hopefully will find its way into your eye sockets some time soon. With a small yet talented cast, this film is bound to freak some people out and charm others. I felt a little of both after watching it.

LAUREN IS MISSING is one of those films which takes you on a journey through the perspective of one person. And this person is slightly off kilter. As it is explained at the beginning when Mia attempts to get her old job back at the video store, Mia is one of those cracked eggs. She’s seen as toxic at the store, and they are happy as clams to keep her off of the schedule indefinitely. We also see Mia doing some pretty peculiar things, like firing at those who pass by her window with a toy gun and refrigerating the squirrel she hit on her scooter. So, right off the bat, this is one of those films that feels like you can’t trust what’s going on because the protagonist is nuts.

Filled with little moments of fun that make you feel like you are looking in on someone’s diary (like the scene where Mia and Millie look through Lauren’s diary she left behind), LAUREN IS MISSING doesn’t really get horrific until the final moments as it skews into a surreal lullaby, but the trip to the end is one filled with plenty of precious moments spent with a fascinating, yet batshit, protagonist.

THE SACRAMENT (2013)
Directed by Ti WestWritten by Ti West
Starring AJ Bowen, Joe Swanberg, Amy Seimetz, Gene Jones, Kate Lyn Sheil, Kentucker Audley
Find out more about this film here and on Facebook here
Reviewed by Ambush Bug
I had a chance to check out Ti West’s new film THE SACRAMENT which played this weekend at the Chicago International Film Festival. The director continues to impress me with his patient hand at storytelling as well as his decisions to not repeat himself. THE SACRAMENT is very unlike his previous films in tone, subject matter and style and by far his biggest budget yet, all of which makes for the director’s best film to date.

I don’t want to reveal too much more of the plot mainly because it is a very simple one as the original goal to get Caroline home from the parish changes rapidly to everyone and doing anything just to get out alive. This being a horror film, I don’t think it’s a spoiler to reveal that the commune is not on the up and up. The beauty of this film is in the way West doles out the suspicious activity in tiny, growing beats first with some strange things happening here and there and ending in a full scale Armageddon. The fears that Caroline is in a cult is there throughout with West spending the better part of the first half of the film trying to convince us otherwise.

The standout role though goes to Gene Jones who most will remember from the “Friendo” scene in NO COUNTRY FOR OLD MEN. Jones plays the commune leader dubbed Father by the parishioners. Every second of the time he is on camera he commands the scene. The film builds to an interview between Sam and Father which is held in front of every member of the commune. During these moments, Father is probably the most terrifying character you’re going to see in a film this year. His kind Southern drawl and tendency to quote the bible to give reason to everything is both convincing and menacing all at once. Bowen and Jones are amazing in this scene with the role of manipulator and manipulated changing hands throughout. Bowen shows range he hasn’t before in this scene and Jones’ verse-coated threats are mesmerizing.

Those bits aside, the final moments of the film are as shocking and horrifying as you’re going to get. West’s slow buildup only works if the payoff is worth it and as all hell breaks loose in the final moments, I found that the wait was most definitely worth it. Like West’s previous films, this isn’t a film that’s going to give you a jump scare every five minutes. What THE SACRAMENT does is invite you in and gets you comfortable before it shows its claws and because of that, it left an undeniable mark on my psyche that I will be haunting by brain for days to come. It’s a fantastic film with performances that will be seen as classics some day and a tone that will trap you unsuspectingly.
Sorry, no trailer yet for this one yet.
And finally…here’s another contestants for the M slot in the new ABC’S OF DEATH 2 from CELL COUNT’s Todd E. Freeman’s M IS FOR MARRIAGE. Enjoy!
See ya next week, folks!




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