
Greetings, all. Ambush Bug here with another AICN HORROR: ZOMBIES & SHARKS column. We’ve got an eclectic mix of indie, documentary, and foreign horror for you this week, and of course a zombie and slasher movie or two. And don’t forget this weekend’s Flashback Weekend if you’re in and around Chicago. It’s always a blast!
On with the horror reviews!
(Click title to go directly to the feature)
Retro-Review: TWILIGHT ZONE SEASON FOUR Episodes 1-5 (1964)
LEGEND OF THE GOATMAN: HORRIFYING MONSTERS, CRYPTIDS & GHOSTS (2013)
THE CORRUPTED (2010)
DO NOT DISTURB (2013)
ZOMBIE MASSACRE (2013)
EDDIE THE SLEEPWALKING CANNIBAL (2012)
BERBERIAN SOUND STUDIO (2012)
Advance Review: JUG FACE (2012)
Advance Review: HOUSE IN THE ALLEY (2012)
And finally…HORROR BIZARRE’s WILLIAM WILSON!

TWILIGHT ZONE SEASON FOUR (1963)
Episodes 1-5Retro-reviewed by Ambush Bug
I could be wrong, but I believe Season Four of TWILIGHT ZONE is when the series began having hour long segments. Again, I might be wrong here, but the episodes in this disk set seem to all be of this length, or at least the ones I’ve seen so far. I’ll be checking out all of these episodes of the fourth season over the next few weeks, but I do feel the move to an hour long format takes away a bit from the compact storytelling we often associate with THE TWILIGHT ZONE which drops the THE in this season for some reason.

Directed by Perry Lafferty
Written by Charles Beaumont
Starring George Grizzard, Gail Kobe, Katherine Squire
I can’t say I was bowled over by this first episode of the fourth season, as the story follows a man who discovers life and even himself is not all that he knows and understands. It starts out with a curious encounter in a subway with a weird old lady, then quickly juts our everyman George Grizzard back to a fairy tale existence. Though the revelation should have been somewhat shocking, it lacks the punch because the man discovers he may not be human halfway through, and the rest of the story feels like an overlong explanation. While I liked the elements going into the first half of this hour long episode, I think where it goes in the latter half lacks the oomph I’m used to when I’m getting my TZ fix.

Directed by Perry Lafferty
Written by Rod Serling
Starring Mike Kellin, Simon Oakland, David Sheiner, John Considine
Rod Serling wrote “The Thirty Fathom Grave”, and it recaptures some of the tension of his earlier seasons of TWILIGHT ZONE. This one focuses on a strange noise heard in the middle of the ocean and a crew aboard a navy ship who is investigating it. There’s some nice mystery, as well as some ominous and downright frightening scenes as everything unspools. Without giving away the twist, I really like this haunted seas tale about battles gone wrong in the past. Mike Kellin is awesome as the guilt-ridden sailor and PSYCHO’s Simon Oakland is amazing as his superior on the ship trying to get to the bottom of it all. Nice suspenseful stuff!

Directed by Perry Lafferty
Written by Charles Beaumont
Starring Ed Nelson, Natalie Trundy, David Opatoshu, Dabbs Greer, Jacques Aubuchon
Ed Nelson stars as a man who accidentally takes a wrong turn on the way to Albuquerque and happens into a small town called Peaceful Valley that turns out to be anything but. Like all good TWILIGHT ZONE episodes, everything is sideways and off until the pieces fit together and then things make sense, albeit in a crazy way. Nelson plays Redfield, a man now trapped in Peaceful Valley, which has all the basics and some pretty advanced technology which cheats death, makes things disappear, and does all sorts of tech a normal small town should not have. I love the hokey sci-fi concepts at play in this episode. Anyone who’s seen a TZ episode already knows where this is going, but it makes for a compelling episode about a crude society stumbling into a more advanced one. A metaphor for the older generation’s struggle with a new one? Sure, it is. And it’s also a pretty great episode.

Directed by Stuart Rosenberg
Written by Rod Serling
Starring Dennis Hopper, Ludwig Donath, Curt Conway
The best of this first quartet of episodes by far is “He’s Alive”. Starring Dennis Hopper, the episode deals with a controversial topic that is as timely when it aired as it is today. Hopper plays a leader of a hate group pointing its clawed fingers at not only the Jewish, but also African Americans, Catholics, and pretty much anyone else different than them. The episode is surprisingly risqué as Hopper’s speeches pull no punches and spouts some pretty horrid rhetoric. Though the revelation of the identity of the man who gives Hopper his inspiration is a bit heavy handed, it still is not your typical episode and unlike a lot of the others I’ve watched at an hour long length, this one makes every minute count and feels more like a mini-movie than a half hour twist. Hopper is amazing here as the conflicted hate monger who, behind closed doors is close friends with a Jewish man, but on the stage turns into a monster fueled by the summer heat, an angry crowd, and inner demons. In terms of script, Rod Serling delivers one of his best here.

Directed by Stuart Rosenberg
Written by Richard Matheson
Starring Ann Jillian, Frank Overton, Barbara Baxley, Irene Dailey, Oscar Beregi
In concept, Richard Matheson’s “Mute” is one of those films which one might think would be inspiration for some of Stephen King’s work such as CARRIE or FIRESTARTER and even David Cronenberg’s SCANNERS or THE DEAD ZONE (another King psychic film) with his exploration into the world of experimental telepathy. No reasoning on how the group of scientists mastered the art of speaking with their minds is given, rather the focus is on an experiment of raising a child solely through telepathy is explored. It’s a cool concept, but one that feels somewhat over-saccharinated with a love conquers all theme. Still there are some fun performances here by Frank Overton and Barbara Baxley as a couple suffering from a loss of a child and finding salvation in the form of an apparently mute orphan girl. The girl is played by a young Ann Jillian and she acts the hell out of this episode. It’s a strong concept and one worthy of exploration, but an episode that feels somewhat off kilter by today’s standards due to the fact that Baxley feels a bit too overwrought by grief and desperate to replace her dead daughter with a new one. Rewarding her with the child in the end just doesn’t feel like the right decision, but it does wrap everything up in a pretty little bow.
Tune in next week as we check out Episodes 6-10 of Season Four of…
…THE TWILIGHT ZONE!

LEGEND OF THE GOATMAN: HORRIFYING MONSTERS, CRYPTIDS & GHOSTS (2013)
Directed by William BurkeWritten by William Burke
Reviewed by Ambush Bug
This is another one of those semi-documentaries—a lo-fi IN SEARCH OF where no matter when and where you set the camera down, sure enough, after a few minutes, some amazing never-before-seen footage waltzes across the panel. LEGEND OF THE GOATMAN: HORRIFYING MONSTERS, CRYPTIDS & GHOSTS consists of several short segments focusing on one particular urban legend at a time, some more interesting than others.

The final installment, entitled “The Screaming Doppelganger”, actually was pretty interesting and was told in a manner that made me feel the heebies creepin’ up on my jeebies. It’s the tale of a bunch of eyewitnesses who see a woman frozen in a silent scream along a bike path and later find the same woman dead in the nearby woods wearing the exact same, but opposite colored, clothing and hair. Who knows if this is an actual urban legend or just a spooky story told in an effective manner; all I know is that last fifteen minutes of this hour long doc were actually pretty terrifying. As with last week’s Reality Entertainment endeavor AMERICAN SASQUATCH HUNTERS: BIGFOOT IN AMERICA, the doc has one or two moments making the whole thing worthwhile, but any crypto-heads out there who have watched as many docs about strange phenomena as I have will not find a lot worth screaming about in LEGEND OF THE GOATMAN: HORRIFYING MONSTERS, CRYPTIDS & GHOSTS.

THE CORRUPTED (2010)
Directed by Knighten Richman, John KlappsteinWritten by Knighten Richman, John Klappstein
Starring Anuj Saraswat, Caleb Fischer, Ashley Tallas, Sylvia Soo, Keltie Squires, Jeremy Hook, Danny Paul, Christine Gauthier, Sam Barone, Michael Wheeler, Christian Richman, Shaun Tisdale, Kym Masters, Olivia Sashuk, Jon Phippard, Don Chartrand, Cory Walsh
Find out more about this film on Facebook here
Reviewed by Ambush Bug
Those who don’t mind a low budget are going to find themselves as surprised as I was at THE CORRUPTED, which could be categorized as Lovecraft meets CABIN IN THE WOODS. The story follows your typical group of kids who go out to a cabin by a lake for vacation, only to run afoul of some kind of diabolical forces which lurk in the waters and on the shores.

I think what appealed the most to me here is the script by Knighten Richman & John Klappstein (who also directed the film). These guys dole out the creepy in increasing doses from the beginning, starting with a man strumming a guitar on the beach and being approached by a woman from the shadows and ending with a congregation of horrors on the same beach. The road from beginning to end is expertly paced and made interesting all the way through. Most of these “cabin in the woods” stories begin with a startle, then cut to forty minutes of amateur acting for us to get to know the characters, and then finally in the last forty minutes shit starts happening. THE CORRUPTED’s script breaks this template by having the weird shit happen all the way through with bugs crawling out of ears, monstrous hillbillies, and mouths full of tentacles.

THE CORRUPTED is filled with tentacular goodness. It delves into the Lovecraftian mythos without obviously doing so, making it much more creepy than your typical adaptation by the horror meister. The direction and script, and especially all of that tentacle horror, helped me not linger on the amateur acting. All in all, if you’re looking for low budget scares, THE CORRUPTED has them.

DO NOT DISTURB (2013)
aka TERMINALDirected by B.C. Furtney
Written by B.C. Furtney
Starring Stephen Geoffreys, Tiffany Shepis, Corey Haim, Ezra Buzzington, James Grabowski, Anthony Colliano, Robert DiDonato
Reviewed by Ambush Bug
This is one weird little mongrel of a movie. First and foremost, you’ll see that Corey Haim is in the film. The actor passed away in March of 2010, but everywhere I looked to try to find out about this long-shelved movie attests that it was made in 2013. Unless some bizarre space/time-bending filmmaking technique has been made, something is off. In the end, it doesn’t matter, though I’m not sure DO NOT DISTURB will be noted as one of Haim’s best performances.

The thing with DO NOT DISTURB that makes it interesting is that you don’t know if actor Stephen Geoffreys doesn’t give a shit about anything in the film or that he’s just good at playing a character that doesn’t give a shit. Geoffreys kind of floats through the story as a jaded man beaten down by the bullshit Hollywood machine which works writers like a punching bag and leaves them for dead. That’s the state Geoffrey’s Don is in at the beginning, and as we are shown what led him there, you kind of don’t blame the guy for snapping. Still, there’s a weird reality/story meld going on with this one that makes me wonder if this was perfect casting or just no fucks given.

The story itself meanders a bit, and I must admit I was bored by the time the last act comes around. But despite the story and Haim’s walk on, this feels like a gritty 70’s MANIAC style psycho film, and I’ve got to respect that. Geoffrey’s mopey version of a half-assed Dexter is pretty good, and it’s funny seeing him try to cover his tracks, and seeing this new side of Shepis makes me want to root for her to get roles like this in the future. DO NOT DISTURB may have some dust on it from being on the shelf for so long, but some decent and quizzical performances make it one of those films that should be seen if only for its odd nature.

ZOMBIE MASSACRE (2013)
aka APOCALYPSE ZDirected by Luca Boni, Marco Ristori
Written by Luca Boni, Marco Ristori
Starring Christian Boeving, Mike Mitchell, Tara Cardinal, Ivy Corbin, Carl Wharton, Jon Campling, Daniel Vivian, Nathalia Henao, Gerry Shanahan, Alex Lucchesi, & Uwe Boll as the President of the United States
Find out more about this film here and on Facebook here
Reviewed by Ambush Bug
Last week I ripped pretty hard into THE DEMENTED for being an uninspired zombie film that swipes aspects from better films and mashes them together with little skill or creativity. In some ways, the same can be said for the Uwe Boll-produced ZOMBIE MASSACRE, but in the end, I wound up liking this film for its fun attitude, its fantastic effects, and some of the decisions the filmmakers made along the way.

Basically, ZOMBIE MASSACRE is THE EXPENDABLES with zombies. A group of mercenaries who are the best of the best are brought together to plant a bomb in the middle of the chemical plant and be rid of this mess before it spreads any further. Now of course, Sly, Arnie, Bruno, and Chuck were busy on other projects, so we don’t get the action stars of yesteryear teamed up together to fight the undead, as fun as that may sound. Instead, we kind of get copies of those types of characters fighting the undead, and because this is an unapologetic mix of 80’s action and undead horror, it actually works as a fun film.

Not to be taken seriously, but still a hell of a lot of fun, ZOMBIE MASSACRE succeeds where most new zombie films fail in that it delivers awesome effects, supplies some inventive action, and never takes itself too seriously. Go in not expecting Romero-style metaphor or WALKING DEAD-quality acting, and you’ll have a decent time with this one.

EDDIE THE SLEEPWALKING CANNIBAL (2012)
Directed by Boris RodriguezWritten by Boris Rodriguez, Jonathan Rannells, Alex Epstein
Starring Thure Lindhardt, Georgina Reilly, Dylan Smith, Alain Goulem, Paul Braunstein, Stephen McHattie, Peter Michael Dillon, Alexis Maitland
Find out more about this film here and on Facebook here!
Reviewed by Ambush Bug
It’s been said that there is nothing more frightening to an artist than a blank canvas--that moment when every possibility one can imagine or, worse yet, no ideas are there for the artist to choose from. It is in this moment that the creative soul is challenged and sometimes threatened. It’s no doubt that inspiration or lack thereof has been the basis of many a horror film.


Scanning across the gorgeous Canadian wilderness and topped with a melodically pleasing classical score, EDDIE THE SLEEPWALKING CANNIBAL may have a goofy name, but the story takes its gore and art seriously while commenting on how dog eat dog, or maybe that’s Eddie eat dog, the world of art truly is.

BERBERIAN SOUND STUDIO (2012)
Directed by Peter StricklandWritten by Peter Strickland
Starring Toby Jones, Susanna Cappellaro, Antonio Mancino, Eugenia Caruso, Cosimo Fusco, Jozef Cseres, Chiara D'Anna, Katalin Ladik, Salvatore Li Causi, Antonio Mancino Fatma Mohamed, Jean-Michel Van Schouwburg, Tonia Sotiropoulou and Pál Tóth
Find out more about this film on Facebook here
Reviewed by Ambush Bug
I had heard a lot about BERBERIAN SOUND STUDIO as to how it was sort of a dud of a film. I can understand why folks came to that conclusion with the film, as it is a very slow moving movie. At the same time, I couldn’t help but be fascinated by the film in terms of pulling the curtain back on an element of film which rarely gets the spotlight—sound design.

Across the board, the acting in this film is top notch. Given a film to star in (though granted Jones is often the star in all films he appears in, whether he gets top billing or not), Jones shines as Gilderoy, the technician who undergoes a transformation at the sights and sounds he witnesses in this foreign land. It’s interesting to see this metamorphosis play out, and as Jones’ dreams and the film playing in front of his sound booth play out, the final moments of this film are some of the most surreal and most effective in terms of seeing a man start out as one thing then bloom (or in this case wither) into something all together different. The other players here are fabulous, from Tonia Sotiropoulou as the talent hired to provide the screams and find a kindred spirit in Gilderoy to Antonio Mancino, who plays Santini, the overzealous director who demands that Gilderoy immerse himself in the horrors that are playing out.

The attention to how sound is brought to films beats out any quibble I might have with the pacing of this film. I do agree that the film lags in bits, but Jones’ fantastic performance as a man struggling with a crisis of conscience and the attention to the often underappreciated job of sound technician makes up for any and all of BERBERIAN SOUND STUDIO’s faults.

JUG FACE (2013)
Directed by Chad Crawford KinkleWritten by Chad Crawford Kinkle
Starring Sean Bridgers, Lauren Ashley Carter, Larry Fessenden, Katie Groshong, Alex Maizus, Daniel Manche, Sean Young
Find out more about this film here!
Reviewed by Ambush Bug
Now playing in select theaters across the country is JUG FACE, and if you’re a fan of this column, you’re definitely going to know this is my type of horror as it is produced by THE WOMAN director Lucky McKee, stars two of that film’s stars, and even has a soundtrack by the same musician, Shawn Spillane. Though this is an entirely different film in tone and story, one can’t help but feel the magic captured in THE WOMAN in this new film JUG FACE.

Oozing with everything from hillbilly culture to Chthulhuian cultism, director Chad Crawford Kinkle plays out an intricate plot of love, betrayal, and a pit monster. The talented actors who make up the cast make everything engaging. Every one of the actors gives it their all, and Carter shows star chops carrying most of the film with her petite frame but powerful performance. Sean Bridgers, who was so good at being bad in THE WOMAN, is equally talented here as the slightly delayed psychic link to the beast in the pit, and Fessenden and Young play overprotective parents and religious zealots, making them dislikable and likable all at once. Every character is developed well, which made the story easy to dice into.

Some will be disappointed, as the beast in the pit is not revealed, most likely due to budgetary constraints. Also, the film seems to loose steam in the last act as the emotional whirlwind that goes on in the first hour seems to die down and the final scenes are spent dealing with the revelations and ramifications of Ada and Dewai’s actions.

JUG FACE in no way is tied to THE WOMAN, though it does seem to have a lot of the folks in front of and behind the camera involved in it. Still, I couldn’t help but feel as if these two films are linked in some way as they both deal with unconventional and ugly family rules, mores, and customs and how those things can become twisted manacles around the ankles of those who have the unfortunate luck of being born into it. JUG FACE has some fantastic acting and offers up an interesting view on the hillbilly culture. It’s also quite bloody to appease my appetite for that type of thing. Though not as controversial as THE WOMAN, it does get pretty intense, and if you’re a fan of McKee and Ketchum’s film, you’re bound to find things to like with JUG FACE as well.

HOUSE IN THE ALLEY (2012)
Directed by Le-Van KietWritten by Le-Van Kiet
Starring Thanh Van Ngo, Son Bao Tran, Van Hai Bui
Find out more about this film here
Reviewed by Ambush Bug
Being touted as the first true horror film out of Vietnam, HOUSE IN THE ALLEY deals with both some horrific themes, as well as women’s issues in the same sense as such classic horror films as ROSEMARY’S BABY and even more recently THE ORPHANAGE, THE DESCENT, GRACE, and INSIDE. In HOUSE IN THE ALLEY, the focus is on postpartum depression and losing a child--not uncharted territory in the realm of horror, but seen through an international lens, it all feels brand new.

For the most part, HOUSE IN THE ALLEY is a ghost story about a young spirit haunting a couple after losing a child. It’s got all the trappings of a ghost story—bumps in the night, the sounds of bare feet running across the floor, ghostly images of children in the periphery. Thao is haunted too, not acting like herself and devolving into a more animalistic state. Thanh, being the loving husband that he is, sticks with Thao through the thick of it, a testament to his character as I would have been out the door as soon as I saw my first pale white ghost.

There’s a lot of rich theme regarding womanhood and what the Vietnamese culture sees it as in this film. More so than any horror movie, that can scare a lot of folks who are not used to thinking about women’s rights. Here, in HOUSE IN THE ALLEY, Le-Van Kiet explores that metaphor of the strength of womanhood and the role of it in the family structure with a tender touch, yet doesn’t flinch when it comes to scares.
And finally…our fifth installment of the Norwegian horror short series HORROR BIZARRE is called WILLIAM WILSON. It’s a little tale of woe as an old man believes he is a doppelganger! Enjoy the Norwegian weirdness.
See ya next week, folks!




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