
Greetings, all. Ambush Bug here with another AICN HORROR: ZOMBIES & SHARKS column. I’ve got more horror reviews for you this week, but before that, as always…there’s this!
Excited about FREE COMIC BOOK DAY tomorrow? I sure am! I’m going to be signing copies of THE JUNGLE BOOK, GRIMM FAIRY TALES, LUNA: ORDER OF THE WEREWOLF, NANNY & HANK, and some of my other books at AlleyCat Comics all day, so if you’re in Chicago and want to chat and check out some cool comics, stop on by. Find out more about AlleyCat and Free Comic Book Day here!
I’ll be reviewing HAYRIDE next week on AICN HORROR, but until then, below is an exclusive AICN HORROR clip to the new slasher horror film from Midnight Releasing. Here’s the official plot synopsis: Steven Summers returns home to southern Alabama from college with his girlfriend Amanda to attend his uncle's annual Haunted Hayride. Unaware that an escaped killer is on the loose, Steven will soon face the real life embodiment of PITCHFORK, a character his uncle created for the Hayride and Steven's childhood tormentor. Steven will soon realize that not all childhood fears are imagined when the legend of Pitchfork suddenly becomes dangerously real... Sounds like all kinds of slashy fun. Here’s the clip.
FANTASM is a new horror documentary focusing on horror conventions, and it got a new trailer this week. Here’s the official synopsis: FANTASM analyzes the tight-knit community that attends horror conventions in an exploration of how the genre brings fans together. "Fantasm was filmed over six conventions, and I felt myself growing closer and closer to the genre that we all love so much," says Kuchta. "It means a lot to be able to share that love with people, and that's what Fantasm is all about." Can’t wait to check this film out. I love horror conventions, and agree that there’s a specific fun vibe to them that compares to no other. Enjoy this new trailer for the film below.
I reviewed THE GARDEN OF HEDON (reviewed here) a while back, and now the film is doing its own Kickstarter campaign. They are working to raise funding to make the movie free to download on the internet as a way to counter torrents and illegal downloads, which I think it a pretty awesome cause to get behind. Find out more about the film and this Kickstarter here! And check out the video below.
Finally, here’s something you don’t see every day. My buddy Steven C. Miller, director of SILENT NIGHT (reviewed here) and THE AGGRESSION SCALE (reviewed here) and the upcoming UNDER THE BED sent me a Pitch Trailer he’s shopping around to markets to gather support for his new project, which he tells me is “basically ‘Walking Dead’ meets ‘Mad Max’ meets ‘Fight Club’.” It’s called TERMINUS, and if it’s half as exciting as this trailer he spliced together from existing films, it’ll be damn awesome. What do you guys think?
Terminus Pitch Trailer from Steven C Miller on Vimeo.
On with the horror reviews!
(Click title to go directly to the feature)
A NIGHTMARE ON ELM STREET COLLECTION Retro-review: A NIGHTMARE ON ELM STREET 6: FREDDY’S DEAD (1991)
Retro-Review: THE VAMPIRE LOVERS (1970)
Retro-Review: NIGHT OF THE HUNTED (1980)
THE CLOTH (2012)
THE WICKED (2013)
ELFIE HOPKINS: CANNIBAL HUNTER (2012)
Advance Review: FRESH MEAT (2012)
And finally…


A NIGHTMARE ON ELM STREET 6: FREDDY’S DEAD – THE FINAL NIGHTMARE (1991)
Directed by Rachel TalalayWritten by Rachel Talalay, Michael De Luca
Starring Robert Englund, Lisa Zane, Shon Greenblatt, Lezlie Deane, Ricky Dean Logan, Breckin Meyer, Yaphet Kotto, Tom Arnold, Roseanne Barr, Johnny Depp, Alice Cooper, Cassandra Rachel Friel, David Dunard
Retro-reviewed by Ambush Bug
Plain and simple, FREDDY’S DEAD is by far the worst of the NIGHTMARE ON ELM STREET series. There are tons of reasons why, but above all, it’s just that by the time A NIGHTMARE ON ELM STREET PART 6 came around, Freddy had simply worn out his welcome. By this time, filmgoers saw the monster of their nightmares turn into a cartoon version of himself. No longer was Freddy’s main purpose to frighten. He was there to make us laugh, but because of horrible writing, the one liners were more painful than his finger knives ever could be. By making Freddy more digestible for the masses, they defanged him and by the time the title FREDDY’S DEAD: THE FINAL NIGHTMARE was announced for this 6th NIGHTMARE film, I remember breathing a sigh of relief that they could finally retire something that had run out of stream about two movies ago.

FREDDY’S DEAD doesn’t even try to resurrect Freddy. He just appears as if he never left. This time around, we are told that Springfield, Ohio (which I think is the first time Springfield has been assigned to a state—true story, when I first saw this in the theater, I thought they made 50 versions of FREDDY’S DEAD with Freddy’s home town located in the state the movie it was being seen, turns out I was wrong and the town just happened to be in my state of birth) has run out of teenagers and there’s only one left. Freddy tosses him out of town to gather more kids and though he had amnesia, he’s able to bring back a whopping three more kids for Freddy! Whoo-hoo! The amnesiac John Doe (Shon Greenblat) also brings back therapist Maggie Burroughs (Lisa Zane) who has been having reoccurring nightmares as well.

The best parts of the film are the parts of the film I disagree with, namely the flashback sequences as we see Freddy growing up troubled. Englund is able to act without the makeup here which proves the guy does have vicious acting chops when he wants to. It’s no wonder the NIGHTMARE series lasted so long with him being the consistent thread of talent throughout. There’s a moment where a burn makeup-less Englund is forced to shift from madman to sympathetic soul and he does so with so much grace and believability that it makes you want to forgive him for all the bad one liners.

By this time in the series, all gimmicks had been played out, so they made the climax of the film in 3D where the viewer would slide on the 3D glasses when the final girl does in the film. Contrived? You bet your sweet ass and director Rachel Talalay makes sure you know its 3D by shoving everything and anything in your face with the subtlety one would expect to come from a sixth installment of a failing horror series. Watching it in 2D highlights the lameness of the 3D all the more.
The one thing’s for certain, this film made it clear that we all were ready for a break from Freddy. Though there still are a few films to cover in the NIGHTMARE series, this one marked the end of an era and while this film ended rather abruptly and anti-climactically as the final way to kill Freddy after all this time turned out to be stabbing him with his own glove and shoving a stick of dynamite into his chest, it did have a very cool montage sequence set to an Iggy Pop song which is infinitely better than Whodini and the Fat Boys musical contributions to the series.
The BluRay offers up some behind the scenes interviews which basically apologize for this installment of the series as everyone is in agreement that by film 6, Freddy was out of steam. It’s kind of sad hearing these commentaries and almost makes me want to like FREDDY’S DEAD more…almost.

THE VAMPIRE LOVERS (1970)
Directed by Roy Ward BakerWritten by Sheridan Le Fanu (original story “Carmilla”), Harry Fine, Tudor Gates, Michael Style
Starring Ingrid Pitt, George Cole, Kate O'Mara, Peter Cushing, Ferdy Mayne, Douglas Wilmer, Madeline Smith, Dawn Addams, Jon Finch, Pippa Steel, Kirsten Lindholm, Janet Key, Harvey Hall, John Forbes-Robertson
Retro-reviewed by Ambush Bug
If you’re looking for the perfect vampire film, full of crosses and fangs and pierced necks and garlic and damsels with heaving bosoms and all of that--you know, the classic ideation of the vampire story--you should look no further than THE VAMPIRE LOVERS. This Hammer film from 1970 encapsulates everything that makes vampires cool and then some.

Thematically, this film is basically a bunch of heterosexual guys running around trying to save their women from being stolen by a lesbian. The term lesbian is not used in the film, but that’s the main threat here in this film’s eyes. Carmilla dines deeply, not in the necks of her female victims but their breasts, and many a scene is dedicated to these seductions. But while this is a theme one cannot help but recognize, the film doesn’t really beat it into us or serve as some kind of social message. The metaphor is simply there for those who want to entertain it and if you don’t want to, it’s a damn well-paced finely acted film in its own right.

The real stars of the film are the beautiful women. Pitt is amazing as the seductress, tempting one second and fearsome the next when the fangs are out. Smith’s Emma is like a porcelain doll with her eyes two times natural size, and other assets large and gorgeous as well. Hammer was known for its sexy ladies, but this film had the rest of the films beat by far in that category.

You just can’t go wrong with THE VAMPIRE LOVERS. If you’re looking for something to titillate, this movie will do that. If you’re looking for classical scares, it has that too. It also has strong performances, amazing gothic mood, and a nail-biter of a story. THE VAMPIRE LOVERS Blu even has Ingrid Pitt reading the original “Carmilla” story, which makes for a fascinating bonus. Highly, highly recommended.

NIGHT OF THE HUNTED (1980)
aka LA NUIT DES TRAQUEESDirected by Jean Rollin
Written by Jean Rollin
Starring Brigitte Lahaie, Vincent Gardère, Dominique Journet, Bernard Papineau, Rachel Mhas, Cathy Stewart, Natalie Perrey, Christiane Farina, Élodie Delage, Jean Hérel
Retro-reviewed by Ambush Bug
Though not as great as THE GRAPES OF DEATH (which I reviewed here last week), NIGHT OF THE HUNTED, the second Jean Rollin film to be released this month from Kino Lorber/Redemption, is another winner in my book. Much more subtle than the obvious Romero riff Rollin was trying in THE GRAPES OF DEATH, Rollin fills NIGHT OF THE HUNTED with all kinds of twisted ideas and imagery that are hard to shake.

The film opens with a woman Elizabeth (the stunning Brigitte Lahaie, who also starred in THE GRAPES OF DEATH) walking aimlessly down a road. She is picked up by a driver and he takes her back to his place, not noticing another woman cowering in the shadows completely naked. The man makes love to Elizabeth, of course, since this is the end of the Swingin’ Seventies and that’s the thing you did in those days with women you pick up by the side of the road. But in the conversation after the almost five minute lovemaking sequence, the guy realizes that he might have picked up a loon.

This leads to some very interesting twists and turns as the woman is taken back to The Tower, which she escaped from, and reintroduced to the facility as if she had never been there before. She finds that there are other inmates suffering from the same ailment, and later we find that this forgetfulness is the result of an environmental accident. But while some of the inmates cling to one another for support, others prove to be less stable, like the one who sticks scissors into her eyes in a truly horrific scene.

As Elizabeth makes it out of The Tower once again toward the end, she quickly forgets why she is doing so. The image of her listlessly walking in her nightgown once again is an extremely sad one, reflecting the seclusion of mental illness. Rollin is often known to stare his lens a little too long at the naked female form and has been known to objectify his female stars quite a bit in his films. Here this stare carries with it a melancholy that transcends past the beautiful form Rollin usually shows, making NIGHT OF THE HUNTER one of the most thematically deep Rollin films I’ve ever seen.

THE CLOTH (2012)
Directed by Justin PriceWritten by Justin Price
Starring Danny Trejo, Eric Roberts, Perla Rodríguez, Rachele Brooke Smith, Justin Price, Robert Miano, Lassiter Holmes, Kyler Willett, Cameron White, Steven Brand, Khu, Mako Veronica, Dan Roman
Find out more about this film on Facebook here!
Reviewed by Ambush Bug
Uncork’d Entertainment is unleashing a slew of new films for mass consumption and over the next few weeks, I’ll be looking at these new releases. Click here for the website to find out when and where you can see these films. First on the menu is the exorcism flick THE CLOTH.

There’s a BLADE feel to these action scenes as some nifty CGI makes for some pretty cool weaponry which transforms and morphs into machines of mass destruction when wielded by the demon slayers. A lot of cool design work and thought went into this weaponry, and it shows as it definitely is a highlight of the film to see these toys come to CG life.

But some fancy CG work and other instances of cool action film moments save THE CLOTH from being unwatchable. I can’t say that you’re going to love the film, but you’ll enjoy the brief time Trejo appears, despite the fact that he’s reading from a script that probably needed one more rewrite. As is, some cool tech and CG make THE CLOTH digestible.

THE WICKED (2013)
Directed by Peter WintherWritten by Michael Vickerman
Starring Devon Werkheiser, Nicole Forester, Caitlin Carmichael, Diana Hopper, Cassie Keller, Justin Deeley, Jackelyn Gauci, Jess Adams, Jamie Kaler, Chase Maser, Celeste Risko, Carlos Faison, Robert Young
Find out more about this film on Facebook here!
Reviewed by Ambush Bug
Wowzers, this was a snoozer. I try to look for the positives in most films out there with the full knowledge that every film is someone’s baby. But not all babies are great, and as with THE WICKED some of them prove to be pretty disappointing.

THE WICKED is just like every other monster in the woods story where a bunch of kids go to the woods, piss off some kind of monster, and then die one by one in sometimes creative, but in this case pretty lame, ways. Here the witch likes to wrap children in bubble wrap and tissue paper and paste apples to their mouths before running them feet first through a meat grinder. Apparently this witch then makes a hearty stew out of ground Chuck and ground Alice and ground Trudy or whatever their names are in order to regain her youth. It’s a twist on classic tales--not a bad one, just somewhat uninventive since she does this over and over with multiple people in the film.

The look of the Wicked is actually not bad. The witch goes through a metamorphosis after every broth downing and gets more and more human. There’s also some decent bits of gore and an open which had potential to be scare, but showed too little. In the end, THE WICKED is a flick I expect to see show up on SyFy (if it hasn’t already) and in that acknowledgement, you should know how that translates to how good it is.

ELFIE HOPKINS: CANNIBAL HUNTER (2012)
Directed by Ryan AndrewsWritten by Ryan Andrews, Riyad Barmania
Starring Jaime Winstone, Aneurin Barnard, Rupert Evans, Ray Winstone, Kimberley Nixon, Kate Magowan, Steven Mackintosh, Will Payne, Julian Lewis Jones, Richard Harrington, Amanda Drew, Gwyneth Keyworth, Claire Cage, Alastair Cumming, Sule Rimi
Find out more about this film on Facebook here!
Reviewed by Ambush Bug
Sometimes factors from various different areas converge and it’s a trainwreck, like when a…like when a train wrecks into another train…sue me, I’m tired and they can’t all be great.
Other times, the stars align and though it should be a trainwreck, when the factors converge, something like ELFIE HOPKINS: CANNIBAL HUNTER is produced. And that, my friends, is a good thing.

Since it’s in the title I don’t think I’m spoiling anything, but the Gammons turn out to be cannibals. Now, I know the original film title was just ELFIE HOPKINS without the CANNIBAL HUNTER tagged on, and I kind of prefer that since the film keeps that secret pretty close to its chest until the second half of the film. Sure it’s suggested something is afoot, but cannibalism isn’t even hinted at until later, when Rupert Evans shines as the patriarch of the ravenous family. There’s a scene when he’s fighting back his cannibalistic urges that is both disturbing and downright hilarious. This film does a good job of straddling the sick and the funny expertly.

Then there are the scenes of just plain weirdness as the bizarre Gammon siblings converse with one another about their favorite Teenage Mutant Ninja Turtle. The fact that they are sitting at a table and eating one of the neighbors while this conversation is going on it a prime example of the pitch black humor at play in this whole film.
Filled with gorgeous set designs such as a kite graveyard in the middle of the forest filled with dancing streamers across the twisted trees and the unusual garb of the Gammon family who ooze quirk, ELFIE HOPKINS: CANNIBAL HUNTER is a delightfully twisted film full of genre-bending surprises. Though some may find the lead character annoying, I found Jamie Winstone’s performance to be endearing. Plus the cameo by her poppa Ray Winstone is as hilarious as it is classic. This is a great surprise of a film.

FRESH MEAT (2012)
Directed by Danny MulheronWritten by Brad Abraham, Joseph O'Brien, Briar Grace Smith
Starring Temuera Morrison, Hanna Tevita, Kate Elliott, Nicola Kawana, Jack Sergent-Shadbolt, Leand Macadaan, Ralph Hilaga, Kahn West, Will Robertson, James Ashcroft, Richard Knowles, Andrew Foster, Phil Grieve, Thomas Rimmer
Find out more about this film here and on Facebook here
Reviewed by Ambush Bug
While zombie films are becoming passé these days, it seems a lot of films are cutting out that whole death thing in their monsters yet leaving those icky cannibalistic tendencies. All of the appetite with less of the rotting, cannibalism isn’t new to horror, but it does seem like cannibal films are on the rise these days. And I think this is a good thing since I, myself have grown weary of the walking dead.

“You just can’t go home again.” I believe is the saying. If you’ve ever moved out of your home to a new place and then returned to that home only to feel as if, no matter how hard you try, you just don’t fit in anymore, you’ll recognize the core feelings at play in FRESH MEAT. Newcomer Hanna Tevita plays Rina, who the intro tells us is going to boarding school, participates in cheerleading, and most importantly to the plot, likes girls. When Rina comes home on holiday, her parents Hemi (ONCE WERE WARRIORS and Jango Fett, Temuera Morrison) and Margaret (Nicola Kawana) seem to be unchanged. Margaret hosts her cable cooking show, while Hemi tries to get his multiple books published. But as Hanna gets comfortable she begins to notice things have changed. It becomes painfully obvious when she finds a human hand in the refrigerator. Then the criminals show up. So while we begin with a tense family comedy about a family who has turned to cannibalism while their daughter is away at boarding school, this film becomes a home invasion film as a prison breakout gone wrong ends up on the family’s doorstep. The comedy comes with us knowing that though these crooks are vicious, they have no idea how bloodthirsty the family they are holding hostage really are. Soon tides turn back and forth with Hanna caught in the middle trying to decide who is worse; the crooks or the cannibals.

FRESH MEAT is one of my favorite films I’ve seen so far this year, exquisitely walking the fine line between horror and comedy and succeeding with honors at both. Though there’s not a lot of gore, it’s suggested and what it lacks in grue, it makes up in guffaws. Recently premiering at the Tribeca Film Festival, FRESH MEAT is currently available on Video on Demand and if you like to laugh at your horror, it’s not to be missed.
And finally…here’s a kooky little homage to Cronenberg from director Christopher G. Moore. Horror, this week, comes in bursts with…BURSTERS!
Bursters from Christopher Moore on Vimeo.
See ya next week, folks!




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