Greetings, all. Ambush Bug here with another AICN HORROR: ZOMBIES & SHARKS column. There are quite a few big budget films out there this year in theaters worth noting (SINISTER, PARANORMAL ACTIVITY 4, SILENT HILL: REVELATION – which I will review in tomorrow’s AICN HORROR column), but the below films are being released on either a smaller scale or through Video On Demand and deserve an audience as well. So enjoy this extra Halloween horrors column and return tomorrow for a whole ‘nother batch of films for review.
(Click title to go directly to the feature)
BIGFOOT: THE LOST COAST TAPES (2012)
GUT (2011)
DUST UP (2012)
SLEEP TIGHT (2011)
THE AMERICAN SCREAM (2012)
And finally…Halloween Lights Gangnam Style!

BIGFOOT: THE LOST COAST TAPES (2012)
Directed by Corey GrantWritten by Bryan O'Cain and Brian Kelsey
Starring Drew Rausch, Ashley Wood, Rich McDonald, Frank Ashmore and Noah Weisberg
Find out more about this film here!
Reviewed by Ambush Bug
Having seen my fair share of bigfoot films for review in this column, it’s difficult to come up with a new premise for the subgenre that pulls one in. Though BIGFOOT: THE LOST COAST TAPES has its rough edges, I do have to give it credit for coming up with a winning premise, and sometimes that’s just enough to get a recommendation out of me.

I also loved the ending, which takes somewhat of an unexpected turn. Though the poster suggests that there may be another threat in the woods other than bigfoot, I wasn’t sure what that meant. The ending does make sense in the continuity of the story and once again distinguishes this film from the slew of other bigfoot films that go the typical monster in the woods route. I won’t reveal it here, but the ending worked for me.

If you’re a fan of found footage films and the bigfoot genre, you’re going to not want to miss this one. It has all of the same pitfalls most found footage films have, namely there is no reason the camera should keep rolling or fall into the exact perfect spot to capture what needs to be captured to make it an actual story that makes sense. Still, despite all of that, I thought there was a lot to like about this new offering in the bigfoot genre, and being a fan and a believer, I’m glad for this new cinematic Sasquatchonian renaissance that’s been happening as of late.

GUT (2011)
Directed by EliasWritten by Anna Ganster & Elias
Starring Jason Vail, Nicholas Wilder, Sarah Schoofs, & Angie Bullaro
Find out more about the film here on Facebook
Reviewed by Ambush Bug
This subtle film will definitely creep up on you. GUT is about a pair of childhood friends and the strain that friendship must face upon growing up. Tom is kind of sleepwalking through life and is in need of a change. His equally adolescent adult friend Dan is concerned that the freewheeling friend he once new is becoming too much like an adult. Dan tries everything to get Tom to continue his extended adolescence, but Tom’s wife and child force him to go in the other direction. Still, Tom is unhappy. When Dan shows Tom a digital film he received in the mail depicting what looks like a woman being killed by a man with a large knife, both Dan and Tom are fascinated by this film and both of their lives begin to unravel because of this unhealthy fixation.

On the other hand, I found the resolution in this film to be somewhat misleading. I found myself wanting it to go into another, craftier direction than what actually transpires. I guess the way the two main characters fixate on the film somewhat unhealthily lead me to believe that more was going on under the surface and that possibly these two characters had more to do with the murder on tape than they were letting on. As is, GUT is a nice straight up thriller, but I couldn’t help but want a little more substance in the resolution.
GUT - trailer from Gut Productions, LLC on Vimeo.

DUST UP (2012)
Directed by Ward RobertsWritten by Ward Roberts
Starring Aaron Gaffey, Devin Barry, Amber Benson, Travis Betz, Jeremiah W. Birkett
Find out more about this film here!
Reviewed by Ambush Bug
Though it might be a bit out of place reviewed here on AICN HORROR, there is definitely horrific and pitch black humor throughout the insane dosey-do that is DUST UP. Following basically the same narrative as DRIVE, but seen through a completely cracked lens depicting an upside down world of hilariously unique characters, DUST UP is both derivative and one of a kind all at once.



Reminiscent of everything from BILLY JACK to BLAZING SADDLES to PULP FICTION, there are all kinds of gloriously ghoulish and greatly gross turns that happen in the film from meth withdrawal to cannibalism to sodomy; no line is too brash to cross. So if you’re easily offended (first off, what the hellballs are you doin’ here?) you might want to go elsewhere, but if you’re looking for grossout humor, some greatly perverse comedic performances, and all forms of laugh of the “that’s just wrong” kind, DUST UP has all that and more!

SLEEP TIGHT (2011)
aka MIENTRAS DUERMES, FLATMATEDirected by Jaume Balagueró
Written by Alberto Marini
Starring Luis Tosar, Marta Clara, Alberto San Juan, Pep Tosar,Petra Martínez, Iris Almeida
Find out more about this film here!Reviewed by Ambush Bug
Some directors do great action pictures. Others specialize in drama, but it takes an extremely talented director to do numerous genres well. Though thrillers may be inbred cousins with horror, in the three films I’ve seen from director Jaume Balagueró, I’m going to go out on a limb and say that we’ve got an extremely versatile director at work here. With [REC], Balagueró proved himself to be innovative and gutsy as he brought back the found footage trend and made it cool again. Though some might say [REC 2] was repetitive, I think it did the impossible in retaining what made the first film amazing and expanded on it in ways we all wished most sequels could. After showing us that he can do “in your face” horror well, Balagueró has decided to reel it back and go for the more subtle route and like [REC] and [REC 2], he’s made something special.

The film opens with Cesar waking up early, getting showered and dressed, and kissing what looks to be his wife goodbye before starting his job as the doorman of an apartment building. Soon Clara (Marta Clara) awakes, groggy, but ready for the day. As Cesar goes about his banal routine at the front desk, she gets ready as well. When she is pleasant to Cesar, but not familiar with him, things start to take a dark turn until you realize that Clara has no idea Cesar is sleeping in the same bed as her after chloroforming her in the night.
Every single woman’s nightmare is brought to light with SLEEP TIGHT as we follow Cesar as he stalks and watches Clara’s every move. Unlike the recent and tepidly bland Hammer film THE RESIDENT where Jeffrey Dean Morgan creeps on Hillary Swank from an intricate tunnel system through the walls, SLEEP TIGHT goes the simpler route and places this creeper under the bed where all good monsters hide. Cesar’s tendency to reside under Clara’s bed leads to some absolutely white knuckle moments of pure uncut tension as you can’t help but hope but root for Cesar to get caught. The fact that Balagueró is able to make us feel for this creepy bastard is alone a testament to his skill at a master manipulator behind the camera.

Numerous times in SLEEP TIGHT I felt my heart beating in my chest as Balagueró temps and teases with his camera, taking us to uncomfortable places with his perverse characters and forcing us to identify with them. As action packed as the original [REC] was, SLEEP TIGHT is tension filled and unrelenting. If you’re worried you wouldn’t be able to find horror on the more subtle side this Halloween, you can rest easy with SLEEP TIGHT.

THE AMERICAN SCREAM (2012)
Directed by Michael Paul StephensonStarring Matthew Brodeur, Victor Bariteau, Manny Souza, Lori Souza, Richard Brodeur
Find out more about this film here!
Reviewed by Ambush Bug
I’m sure we all know someone like the folks depicted in this fascinating new documentary, THE AMERICAN SCREAM. They are the eccentric folks down the way who go a little too all out for Christmas or Easter or, say, Halloween with the decorations and the costumes. Some call this crazy, others overly festive. Still, it makes for a fascinating subject for a documentary and director Michael Paul Stephenson takes full advantage of his colorful cast and their elaborately horrific Halloween yardscapes.


But it’s not all candy corn and pumpkins. The darker side of this hobby is also illuminated as we see Victor pushing himself to the point of collapse to obsessively make up for missed Halloweens as a child. Manny’s heart attack forces him to take things easy and not get as obsessive as his neighbor Victor. And as Richard Brodeur gets older, it’s heartbreaking to see him bend over backwards to make the haunted house meet his son’s expectations, despite the fact that his aging body is holding him back. I especially had a hard time watching Victor push himself and his family to fill a hole they most likely never will fill as his family is denied a decent-sized home and other simple luxuries because of his obsession.

Inciting a range of emotions one usually doesn’t get from your typical scary movie, this documentary is the perfect all ages film to watch with the whole family to celebrate the awesomeness that is Halloween. Though a few four letter words are dropped as the tension starts to rise as All Hallow’s Eve looms closer, the film oozes a deep love for all things October. Even those who don’t enjoy horror won’t be able to help but be endeared to the triumph and tragedy that THE AMERICAN SCREAM exudes from every frame.
And finally…speaking of decorating one’s house for Halloween, see how long you can watch this without running away in utter terror! Behold Halloween Lights Gangnam Style!
See ya tomorrow, folks!




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