Greetings, all. Ambush Bug here with another special AICN HORROR: ZOMBIES & SHARKS column. This time I had a chance to talk with the director of the THE COLLAPSED, Justin McConnell. McConnell’s independent end of the world flick was released last week on DVD & BluRay. I had a chance to chat with Justin last week about the film. Here’s what Justin had to say about THE COLLAPSED…
JUSTIN MCCONNELL (JM): The film is about a family of four caught about a week after everything started going to hell, in an (at first) vague apocalyptic scenario. Most infrastructure is still standing, but the city they reside in has become a very unsafe place to be, so they make the plan to head to their rural hometown, where a fifth family member may still be alive. The film follows their journey through a short period of time, telling a very personally focused story, and tightening the screws as the film goes on. There's an element at play, beyond the devastation and threat from other survivors, that brings it to what I think is unique territory. It's very much patterned to be a slow-burn thriller, so it's a film for the somewhat patient. The blood flows, but it's a more subtle story than the in-your-face approach often taken. The title is kind of a double-entendre; it's about the collapse of a family unit as much as it is the collapse of society, so the extra 'd' personalizes it, references the characters.
BUG: There are a lot of end of the world stories being made today. Why do you think that is, and what does that say about our society that films of this nature are being made and so many are interested in this genre of film?

BUG: I'm always interested in the story behind how independent features come together. What is the "behind the scenes" story of how THE COLLAPSED came together?

BUG: What was it like filming in a wooded environment for most of the film? Can you talk about the toughest part of this film for you to shoot?
JM: Logistics in forest shooting are always a little difficult, mstly because you have to bring your own shelter and power. However, we searched until we found the right location that would help the shoot run more smoothly. We ended up settling on a big 100-acre horse ranch about 90 minutes north of Toronto. A very short distance from the farmhouse we had access to a ton of different forest looks, different kinds of trees, open fields, you name it. So although the film looks like they trekked a long way, most of the shooting was done within a fairly close radius of a central part of this ranch. Other days were tougher, as some of the locations were a lot further away, as much as 5 hours roundtrip. We didn't have our crew camp each day -cost would have been too high - so a lot of driving.

BUG: The actors in the film are all pretty good. How did you pull the cast together, and what were you looking for in the main father character?
JM: The film was entirely non-union, but there's still some decent talent in Toronto on the independent level. We did 3 days of auditions and took the best people we could. Though there were two things in our minds - not just the best talent, but they also had to sort of look like a family. In the end I'm happy with the cast we chose, but it's difficult on such a low budget. You need actors that will be committed to the part for the decidedly low pay, and at a certain point you just have to say 'alright, this is the cast' and hope everything works out. As for the father, Scott Weaver, we were looking for someone that had that 'old-world' manliness to him. Someone that looked like a bit of a natural leader and could convincingly come across as a man with survival knowledge. We found an actor from Seattle named John Fantasia (he's actually an Italian from Australia who has been living in the US for some time - for those wondering about the accent), who auditioned through emailed video, and he was simply the best actor we saw. He flew into Toronto for a month or so, and frankly elevated the film. A lot wouldn't work as well without him.

JM: The most difficult thing has actually been after the film was finished, and the general reception of it. The response has been decidedly mixed, but I knew going into this that I was making a 50/50 film - the type of thing that people either love/like or hate/dislike. One of the main reasons for some of the scorn it's garnered is because the story is so small, so contained, and so tied up in identifying with the family, in caring if they live or die. Therefore, those that don't like the characters won't like the film. If someone can't look past indie-level performances and budgets, they tend to dislike the film. If someone isn't used to, or doesn't enjoy, slow-burn, they won't like the film, and so on. On the other side of the coin, however, the film has as many strong supporters as it does detractors, mostly because they see beyond all that and recognize the unique approach we've taken to the story, and especially to apocalyptic stories. We set out to make an end-of-the-world flick and wanted to avoid the usual - zombies, cannibals, etc. - and for better or worse, it's paid off. There's definitely things about the film I wish I could do differently, but at a certain point you have to say 'this is the film' and move on to the next thing.

BUG: Were there any particular films you watched to prepare yourself for this film? For reference for those who haven't seen the film, if the audience likes (fill in the name of the film here), they will probably dig THE COLLAPSED?
JM: A lifetime of films. There's DNA from all the horror I grew up on in there, without anything implicitly having attention called to it--aside from the POV shots in the trailer, which obviously owe a debt to THE EVIL DEAD. I also took a cue from Von Trier's ANTICHRIST in how we shot the forest, trying to make it almost a character itself. As for other films that THE COLLAPSED is similar to in tone...difficult question. PANIC IN THE YEAR ZERO, THE WALKING DEAD, JACOB’S LADDER....there's probably a long list but I'm drawing a bit of a blank at the moment.

JM: Everything I could within the industry that paid, helped me learn, and built my career. I specialized in post-production, and early on got a job doing commercials for record labels like Warner & Universal (through a 3rd party company). Simultaneously Kevin and I started producing music videos for indie bands, as well as live concerts and DVDs. I shot a documentary feature that came out in 2008 called WORKING CLASS ROCK STAR, and through all that worked as an editor/post-supervisor on everything you can think of - TV, commercials, corporate videos - whatever put food on the table. Narrative film has always been a big priority, though, as I shot a feature film and a few shorts in high school, and continued to produce shorts over the last 10 years or so. It was one of our shorts, ENDING THE ETERNAL, that we took and reworked/expanded into THE ETERNAL, which in turn expanded into the 'universe' we're working in.
BUG: What else are you working on at the moment?
JM: At this exact moment I'm finishing post on a messed-up new feature documentary called SKULL WORLD, which I think people are going to have a lot of fun with. THE ETERNAL has come back to the forefront, and we hope to get that shot later this year or early next year. In the meantime, we're gearing up for a horror/comedy web series and a new short film.

JM: The obvious one is to support indie film. This isn't a big committee-driven product, it's a film made by enthusiastic fans of the genre that pooled their own pocket money. The film, of course, has its flaws. I'm not going to be one of those egotistical directors that thinks I can do no wrong and that I shit gold (do you have any idea how painful that would be?). But I am proud of the film and know that we did the best we could with the resources we had available. And lots of people at this point have enjoyed it, so who knows - maybe you will too. It's up to the individual to find that out, and the only way to do that is take a chance, go in with an open mind, and see if it works for you. Love it or hate it, it's worth a look. Enjoy!
BUG: Thanks for taking the time to answer these questions.
JM: Thanks, man.
BUG: THE COLLAPSED is available now on DVD/BluRay/download now! Check out my review for the film below.
THE COLLAPSED (2011)
Directed by Justin McConnellWritten by Justin McConnell (screenplay) & Kevin Hutchinson (co-story)
Starring John Fantasia, Steve Vieria, Anna Ross, & Lise Moule
Official Site can be found here.
Reviewed by Ambush Bug
End of the world scenarios are a dime a dozen in film these days. Be it zombies or robots or plagues or alien invasions, it doesn’t matter. What matters in these films is the dissolution of society as we know it. The fragile framework of culture topples and man is reduced to beast. These films let us know that after all of the technology and evolution, the difference between civilized man and rampaging caveman is not as great as we would like to believe. THE COLLAPSED referred to in the title of this film is as much about the collapse of the modern family as it is about the collapse of society. It is also a film that is extremely effective in almost every way.
See ya Friday, folks!




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