
@’s by Writer/Artist Alan Robert!!!

AMBUSH BUG: So let’s talk about CRAWL TO ME. It’s being released in trade here. Was it released this week?
ALAN ROBERT (AR): On January 4th.

AR: Oh, thanks.
BUG: Yeah, it really kind of blows you away at the end. Plus you’ve had an exciting announcement this week; do you want to start off with that?
AR: Well yeah, we had some pretty mind-blowing news that the graphic novel actually sold out in less than a week and we’ve been in talks with a director who has been really interested in adapting the project. He’s probably best known for being the director of photography for the SAW movies and his name is David A. Armstrong.
BUG: Great.
AR: And he’s really passionate about the project and really into the nature of the content on a personal level.
BUG: Cool. So for those people who haven’t read the book, what can you tell them about it? I know it’s one of those stories where you don’t want to reveal too much, because it might ruin the surprises, but what are you using to pitch people with this story?

BUG: I really did like the ending, and I don’t want to reveal any of it to the readers or anything. I think in my review of the series I didn’t reveal anything either, because I think it is something that once it’s kind of explained and everything it does make a lot of sense, but it’s a really cool way of doing it. What’s been reader reaction to your book from those who read it in the single issues?
AR: Very similar to yours. You know, people were really curious how I was going to wrap it up, especially being that it was only a four issue miniseries. I really was dropping clues the whole time that kind of make sense in the end, but even half way through the last issue there’s no inkling of the finale, on the real hard hitting impact of the ending. So I think I gave a good rollercoaster ride.

AR: I’ve always been interested in psychology and also just some of the subject matter that’s involved with the story. The villain, let’s say, Edgar, in the book there’s research that went into his character and also there’s a lot of true crime research into just some of the… It’s hard to dance around the ending.
[Both laugh]
AR: It’s hard to get too detailed into that answer, but you know a lot of the elements that are in the book are actually based on real life events…it’s kind of hard to say without revealing too much.
BUG: (laughs) We can leave it at that, that’s fine. So one of the things that really also stands out about this series is the artwork. I’m really interested…you do the writing, the artwork…besides the cover by Menton3 you do everything here. How long does it take you to make an entire miniseries like that with all of those duties?

BUG: It seems like you’re cutting out the middleman. The script does seem like more of a communication tool between the writer and the artist, and without that separation it seems like that would be a lot. Is that easier for you? Have you worked with an artist before? What are your feelings on that?


AR: I taught myself starting in 2000. I got really into Photoshop and things like that and still am learning everyday. The more you use it the more you learn, you know? You discover new tricks, and especially dealing with these comics, I’ve learned so much about the boundaries you can push with these programs.
BUG: Artistic-wise, what were some influences on you?
AR: Well, I mean I grew up on Mike Zeck, mostly. He was my all-time hero growing up when I was into comics, and you know I just loved THE PUNISHER series and the work he did in SPIDER MAN with Kraven The Hunter and all of that. So he’s probably my biggest influence, but as far as actual style recently, like in the last ten years, probably Ralph Steadman, Ben Templesmith, Ashley Wood, and people like that.
BUG: Definitely. Zeck was a fantastic artist. Yeah, so let’s talk a little bit about WIRE HANGERS. That one’s being made into a movie as well, is that correct?
AR: Yeah, we are in the process of actually filming a trailer for that right now.

AR: Yeah, we really want it to have that graphic novel film quality like SIN CITY where it’s the graphic novel come to life vs. a movie adaptation of the work. We really want to bring all of those textures from the book into the film creating those dark palette atmospheres with all of the grittiness that’s in the book. That’s really super important.
BUG: So I had one more question. So are you going to be handling CRAWL TO ME in the same style that you guys are doing WIRE HANGERS where you’re going to try to translate it onto film rather than adapt it into a movie format?
AR: Actually I think it’s going to be very different. Since it’s more of a contained setting, it’s an isolated house setting and a small cast, I think we are going to try and do most of it practical as opposed to WIRE HANGERS where we are shooting actors against green screen and enhancing that with CGI, so it’s going to have a very different feel and we are really hoping to get some big scares.
BUG: It seems like you are taking a really active part in the filmmaking, which I don’t see as much. It’s usually the Hollywood types that take over those things. How have you been able to maintain your presence there to make sure it’s translated right?

BUG: Also I just wanted to ask are you still going to be doing the Life of Agony stuff? Is that kind of over with for you? What’s going on with that aspect of your work?
AR: Well, we did some touring last year and now everyone’s pretty much busy doing their own separate projects. We don’t have anything scheduled as of yet, but we haven’t closed the door officially on it.
BUG: Well, is there anything else that you want to tell the people at Ain’t It Cool about both WIRE HANGERS and CRAWL TO ME?
AR: They could check out the official websites for both of them; it’s crawltomecomic.com or wirehangerscomic.com and at alanrobert.com or follow me on Twitter for any updates @arobert.

AR: They are talking about scheduling that now, but if people are interested they should definitely contact their retailers and demand it.
BUG: Great; well, you know, thanks a lot. I love both books and it really is very cool to talk to somebody who I think is one of the cooler voices in horror comics today.
AR: Well I appreciate your support, you know that.
BUG: Thanks a lot. WIRE HANGERS and CRAWL TO ME are published at IDW Publishing. Be sure to check them out if you’re into great comic book horror!
Ambush Bug is Mark L. Miller, original @$$Hole / wordslinger / reviewer / co-editor of AICN Comics for over nine years. Mark has just announced his new comic book miniseries GRIMM FAIRY TALES PRESENTS THE JUNGLE BOOK from Zenescope Entertainment. He is also a regular writer for FAMOUS MONSTERS OF FILMLAND and has just released FAMOUS MONSTERS first ever comic book miniseries LUNA (co-written by Martin Fisher with art by Tim Rees) You can order it here! Support a Bug by checking out his comics (click on the covers to purchase)!



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Proofs, co-edits & common sense provided by Sleazy G