
@’s by DRUNKEN MANSTER 'zine's
Kiyoshi Nakazawa!!!

I ran into him at his booth at Comic Con and asked him for an interview. I wanted to see if I could delve into the mind of a ‘zine creator, especially at a time when everyone seems to be proclaiming that print is dead. So check out Mr. Nakazawa’s answers. Print may be dead to some people but Kiyoshi’s love for it is still very much alive…
SUPERHERO: So tell us a bit about yourself. Where are you from? How should the readers know you? What’s your favorite flavor of ice cream?

SUPERHERO: So, just what is a ‘zine? Some people may actually not know!

SUPERHERO: Why a ‘zine? Why not just a blog or a website? Don’t you know that print is dead?


SUPERHERO: But how do you balance the basic monetary cost of doing a print 'zine vs. doing a website or blog? Wouldn't a web alternative just be cheaper for you to produce and keep you more current?

SUPERHERO: Let’s talk about DRUNKEN MASTER…what is it? What can someone expect when they pick up an issue of DM?

SUPERHERO: When did you start DRUNKEN MASTER? What was it that inspired you to start DRUNKEN MASTER?

SUPERHERO: So do you think a 'zine or mini-comic is still a good way for creators to get their work out there to the masses?
KN: Absolutely! I think one of the best! Again, I know websites save paper but there is something really cool about meeting someone, making a new friend, and then physically handing or mailing them a copy of your zine. A little more personable then telling them to remember your URL or giving them a business card with your web info. If you want to appeal to comic book fans a printed zine is good because people recognize the format and that's one hurdle you just jumped so that people will be receptive to your work. You can hand write personal notes to people in printed zines and if you want to impress a cute girl you can do a sketch for her inside the zine. In the end, of course, you need good content and that's the bottom line no matter which medium you choose to use to get your stuff out there.

KN: Each issue has a basic template. The main comics feature - Prize, the smaller comics features that include reprinting Won Ton Not Now that's run first in Razorcake zine, music reviews of what I'm listening to while making the issue and an interview. There is also a certain amount of tomfoolery that might include photos of cauliflower ears, self defense articles that may or may not work and maybe some found material that gets put on display. I guess yeah, I fly by the seat of my pants. Pretty much anything goes.
SUPERHERO: We were introduced to one another because of our mutual interest in comics…do you still read comics? If so, what are you reading? What comic artists (or just all around artists) are your favorites? Do you remember what got you interested in comics?

SUPERHERO: Do you read other ‘zines? If so, which ones?
KN: There are so many good zines out there being made! Luster Kaboom always makes amazing comic zines, his latest being A COMIC BOMB, Mark Todd and Esther Pearl Watson made some hilarious new ones called Nubbin & Nutz and BLOOD LADY COMMANDOS!, anything made by Lisa Hanawalt is usually brilliant at minimum, Doppleganger by Tom Neely, Kung Fu Grip, Awesome Hospital, Nineteen Eighty Five, Razorcake and whatever I get traded at conventions.

KN: Ha ha! There used to be a whole underground culture of zine trading that used the postal service. I know it's still around but not like it used to be. I get most of my zines at conventions only because that is when I make myself available to the community. Cool comic stores and book stores usually have a zine section, but it's just usually small and easy to miss if you're not looking for it. Magazines that are a bit off the beaten path, like GIANT ROBOT or RAZORCAKE, often have zine reviews. Zine reviews usually include contact and ordering info. These days people use the internet to post and read reviews about zines. Some of the more popular web sites are Fact Sheet 5 and Zine world; interestingly they used to be printed books before the whole internet revolution.

KN: I like raising my kids. I like MMA, exploring bars, rock, punk and metal. I like a lot of different music actually. I can't think of any particular genre of music that I can't find something interesting about. Some bands I like off the top of my head are Fugazi, The Immortal Lee County Killers, Murder City Devils, AC/DC, Social Distortion, James Intveld, Darren Stout, Johnny Cash, Acid Mothers Temple, Thug Murder, Ulver, Mastodon, Iron Maiden, Motorhead, Dillinger Four, Toys That Kill, Hex Dispensers, Young Offenders, Sid Brown, The Clash, Black Sabbath, David Lee Roth era Van Halen, Eric B. and Rakim, Run DMC, The Fat Boys, Wu Tang Clan, Wild Billy Childish, U.S. Bombs, The Shangri-Las, The Wiggles (I have kids), The Cramps, Bolt Thrower, The Monks, La Gritona, Demander, The Jon Spencer Blues Explosion, Toxic Holocaust, 400 Blows, John Gold, Detroit Cobras, Venom, X-Ray Specs, Lucinda Williams and on and on...

SUPERHERO: What was the best album you've listened to in the last six months? The best movie? The best comic?
KN: Last six months? That's so hard to say depending on what I'm doing at the time. Maybe, uuuhhh,the Hex Dispensers album “Winchester Mystery House”. Best movie mmmm Kamikaze Girls. Best comic hhrrrmm 2001 Nights by Yukinobu Hoshino.

KN: I only do West Coast conventions so it's hard for me to say for sure. San Diego Comic Con seems to have changed a lot since I first started exhibiting there. It seems more about Hollywood, glitz, glamour and movie celebrities. TV networks and movie promotions seem to spend a lot of money to capture everyone's attention. The clientele also seems to have changed. I remember it used to be such a great geek getaway. Now a lot of the people just don't seem to be interested in zines especially if it isn't being made into a major motion picture or have some sort cross promotional merchandise tie in. In total honesty a lot of people come to my table and just ask if my stuff is free and when I reply it's for sale they walk away. These are the people whose names will not be written in the Book of Eternal Life. I still like APE and I hear there are other so cal conventions coming up that are supposed to be good. I look forward to checking them out when I can.
SUPERHERO: So what appearances will you specifically be making this year?

SUPERHERO: Any big future plans for DRUNKEN MASTER? Or just in general? How long do you plan to continue the ‘zine?
KN: I love to make zines. I love to make comics. If I'm not making these sorts of things for someone professionally then I will be making them for myself. No end in sight, I guess. If I have any big plans for the near future it's to finish the serialized comic PRIZE that I began years ago in issue 7 and wrap it up by issue 13 then I would like to have it all collected in a trade paperback book. If there is anyone interested in taking care of publishing such an awesome win win project please let me know. Another general goal I have for DM zine is to get better distribution. Does Diamond even carry zines? I wish I could get it in more stores and shops. People need this!

KN: In southern California you can get DM zine at stores like Meltdown, Golden Apple, House of Secrets, Secret Headquarters, Comics Factory and Skylight Books. Of course, my zines are always available on my etsy store.
SUPERHERO: So there you go! Hopefully this interview will get some people out there interested in machining their own ‘zines! Maybe print isn’t dead yet! But even if it is…get over to Kiyoshi’s Etsy store and get yourself a copy of the latest DRUNKEN MASTER ‘zine! If you’re a fan of unique things you’ll be glad you did!
Proofs, co-edits & common sense provided by Sleazy G
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