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Logo by Kristian Horn
What the &#$% is ZOMBIES & SHARKS?

Greetings, all. Ambush Bug here with another AICN HORROR: ZOMBIES & SHARKS column. But first, here are a few news bits you might be interested in sinking your eye teeth into.

First we have a poster to share. I’ll be reviewing this one very soon. But until then, check out this awesome poster for Fatal Pictures’ FAMILIAR, which will be touring the festival circuit this fall. I can’t wait to check this one out. Looks Cronenberg-ific! Click on the image to make it grow in gory goodness!

Here’s another poster for an upcoming review. REPORT 51 looks to be a horrific blend of found footage and sci fi. Can’t wait to check out this one. It’s currently in post production.

Take a look at the trailer below.

Finally, we have a still to give you chills from SIX DEGREES OF HELL; another film in post production and one I’ll be covering here on AICN HORROR very soon. If that image doesn’t give you the creeps, I don’t know what will.

And now, let’s get on with the new horrors!

(Click title to go directly to the feature)
Advance Review: HOLLOW (2010)
Advance Review: THE CORRIDOR (2011)
In theaters today: FINAL DESTINATION 5 (2011)

And finally…

Advance Review: HOLLOW (2010)

Directed by Michael Axelgaard
Written by Matthew Holt
Starring Emily Plumtree, Sam Stockman, Jessica Ellerby, Matt Stokoe, Simon Roberts
Debuted at FanTasia International Film Festival. Find out more info on the film, when it will be released, and where you can see it here.
Reviewed by Ambush Bug

”Found footage” films are my guilty pleasure. I know folks may be getting sick of the genre, but I get sucked in every time. I love the way the handheld camera literally places me in the film and since I am a moviegoer who strives on being able to be transported to another time and place, the genre gets me every time. HOLLOW is a new film making its way around festivals this year and if you have a chance to catch it, please do so because it is an engrossing and effective little found footage gem.

The film follows two young couples with a complex relationship. The success of this film rides on the relationship between these two couples, which become more complicated and enmeshed as the film goes on. One couple, played by Emily Plumtree (Emma) and Matt Stokoe, are set to be married. The other is a more strained relationship with James played by Sam Stockman harboring a crush on Emma. The four venture into Dunwich to visit Emma's childhood home, a trip she is not all too excited about. The film starts off as most found footage flicks do--with a lot of day-to-day stuff of couples having fun, trips in the car, casual conversation, and a lot of shaky camera work. Things get ominous very quickly, though, when they pass a tree that Emma claims is haunted. Legend has it that couples have hanged themselves from the tree’s branches and that it’s haunted by a hooded figure. The tree is spooky as hell, yet the couple find themselves drawn to it throughout the film, ending in a climax that takes place in a car in the dark that is absolutely terrifying.

As with most found footage films, the limitations to what we see cause the most unease. The poor lighting and unfocused camera only intensify the frights. The couples do a convincing job acting as if they are not acting here, though at the end they do make a couple of dumb decisions to move the plot along. And though it is somewhat predictable how these couples are going to end up given the history of the haunted tree, director Axelgaard and writer Holt make the journey there a haunting one with scores of scary imagery and atmosphere to enjoy. Comparisons to THE BLAIR WITCH are inevitable, but this is more akin to the feel of THE WICKER MAN (the original) than anything else. AS I said, I’m a sucker for found footage films, so this was right up my alley, but if you’re looking for a clean resolution and a steady cam, this might not be for you.

Hollow Trailer from Fantasia Festival on Vimeo.


Directed by James Rabbitts
Written by James Rabbitts
Starring Tabrett Bethell, Freya Stafford and Andy Whitfield
Available on DVD this week!
Reviewed by Ambush Bug

I have to admit, I wasn’t expecting much going into this film. I hadn’t heard anything about it and the cover of the DVD, reminiscent of INSIDE, didn’t seem like it was very inspired. So color me shocked when I witnessed a really engrossing thriller unfold before me with not only a gripping premise, but fantastic performances to boot. THE CLINIC is one of those under-the-radar films you’re sure to stumble across on cable and wonder why you hadn’t heard of it before. Well, consider yourself warned because THE CLINIC is a film in need of being seen.

Cameron (SPARTACUS’ Andy Whitfield) and Beth (Tabrett Bethell) look to be a perfect couple, about to be married and expecting their first baby. When their car is run off the road by a frantic trucker, they decide to call it a night and find the nearest motel. When Cameron decides to go out for a midnight snack, he returns to find his wife missing. Beth wakes up in a tub of ice with a scar on her belly and her baby missing. One would think, given Whitfield’s star status from SPARTACUS, he’d be given the brunt of the action, but it’s Beth who has the most interesting arc here as she desperately searches for her baby. Encountering a pair of other mothers with similar scars, Beth finds her baby along with the others locked in cages. What unfolds is a twisted reality contest. Each baby has a colored tag. Sewn inside of each mother is a tag matching the one on one of the babies’ foot. And there’s a mother out there who is willing to slice open the rest of the mothers to find out which baby is hers.

The premise is simply badass, right?

With a mother stalking the rest, all of the mothers’ maternal instincts kick in to fight for their babies lives. What I thought would be a by the numbers medical thriller turned out to be so much more. I won’t reveal anything else, but THE CLINIC pulls no punches and offers up characters you actually care for. Writer/director James Babbitts shows skill with the camera with gritty scenes of action along with surreal and unsettling fever dreams of the mother of a baby in a pool of blood. Not to be missed, THE CLINIC is so much more than one would expect.

Advance Review: THE CORRIDOR (2011)

Directed by Evan Kelly
Written by Josh MacDonald
Starring Matthew Amyotte, Nigel Bennett, Stephen Chambers, David Patrick Flemming, James Gilbert, Glen Matthews

Find out when and where to see this film on THE CORRIDOR website!
Reviewed by Ambush Bug

There are a lot of films out there today dissecting what it means to be a man in this day and age. From buddy comedies like STEPBROTHERS to dramatic feats of cinema like FIGHT CLUB, modern man has been cast as nothing more than a grown up child—gorging themselves on life’s treasures and throwing tantrums and acting out when life serves up lemons. THE CORRIDOR looks at similar themes as a quintet of college friends get together ten years after one of them has a mental breakdown. For much of the movie, the film focuses on the initial event and the power of the relationships these men share despite the fact that they haven’t seen each other in years. Then for the latter half of the film, the focus is on completely and utterly annihilating those relationships. Though it’s obviously filmed on the budgetary low, it’s this attention to the rise and fall of this relationship between these men that makes THE CORRIDOR one of the most terrifying new films of the year.

A trip to a cabin in the woods seems like a good idea for these five guys. It’s a chance to shoot the shit, play football, watch football, ride snow mobiles, complain about the wife and kids, and pound brewskis. Director Evan Kelly is patient with tossing out the weirdness right off the bat and instead focuses on the strengths and insecurities of these guys, but not in a way that makes it obvious that these insecurities will be played upon later in the film. And these guys are a pretty likable bunch, making it easy to forget this is a horror film, but when the crew stumble across a strange energy field in the middle of the woods, the viewer is quickly reminded that this is a horror film.

The horrifying last portion of THE CORRIDOR mixes modern pop psychology with the darkest of humor as these men are reduced to monsters tearing each other apart. The film not only scares but makes you think about the fragility and maybe the futility of male relations by showing man at its most animalistic. Not the feel good film of the year, for sure, but THE CORRIDOR definitely is a small indie film that packs a wallop with an ending that is both heartfelt and melancholy all at once. THE CORRIDOR is making its way around the festival circuit. Find out when and where to see this film on THE CORRIDOR website!


Directed by Andrew Cymek
Written by Andrew Cymek
Starring William B. Davis, John Rhys-Davies, Brigitte Kingsley, Andrew Cymek, Mercedes McNab, Boyd Banks, Jason Reso, Landy Cannon
Available on DVD now! Find out more info on the film’s website!
Reviewed by Ambush Bug

Man, I would have loved MEDIUM RAW: NIGHT OF THE WOLF in middle school. In fact, I think I wrote a script once taking place in an asylum back in the day (I’m sure there are those out there who would testify to the same). The thing is, looking back on that dream script now after growing up and having actually worked for four years in an inpatient psych ward in a hospital known for extreme cases, the comic booky scenarios and psychoses I thought were so dark and edgy were actually so off base they’re offensive to read now. The reason why it was so bad? I didn’t do a shred of research, just pulled a bunch of crazy stuff from all of the comic books and movies I’d seen and put them into one story. MEDIUM RAW: NIGHT OF THE WOLF reads somewhat similar with every inmate being able to be summed up in a catchy ominous one sentence descriptor: foot fetishist, psychotic who hates the color red, god complex guy. I’d call it comic booky, but seeing as my other gig at AICN here is to cover comics, I don’t want to put down that genre by comparison.

The main problem in MEDIUM RAW is that it represents what a lot of people think is comic booky and what people think is what a mental institution is like without reading a comic or stepping one foot in an institution. The one note bad guys…the one note everybody in this film; the warden with issues of his own, the driven cop, the naïve nurse, the child brought into a hospital for extremely mentally ill patients (ok, that last one is just plain stupid)—with little or no explanation or depth, these madmen are seen as just that, not people suffering from mental disorders. It’s psychological fetishism where the patients are their psychoses in the broadest sense of the word.

Lack of authenticity aside, MEDIUM RAW is a somewhat slickly directed and produced piece of fluff. There are a lot of decently shot and lit scenes as the maniacs shamble through the halls and though the dialog is about as predictable as it is bad (I found myself mouthing the lines before the actors even said them and if you’ve seen enough films, I’ll bet you will too), it all looks professionally done. As I said above, there’s not a lot of logic in this one. Apparently, it’s ok to bring a child into a hospital for society’s worst madmen. The inanity of this plot point will make you slap your head so hard you may have the benefit of being knocked unconscious until the credits roll. MEDIUM RAW: NIGHT OF THE WOLF is basically a night in Arkham Asylum without the Batman, and unfortunately, without the sophisticated comic book storytelling that is abundant in that medium these days.

In theaters today!


Directed by Steven Quale
Written by Eric Heisserer & Jeffrey Reddick
Starring Nicholas D'Agosto, Emma Bell, Arlen Escarpeta, Ellen Wroe, Jacqueline MacInnes Wood, P.J. Byrne, Arlen Escarpeta, David Koechner & Tony Todd
Starts today in theaters!
Reviewed by Ambush Bug

Before I jump into this, I must admit, I’m not a huge fan of the FINAL DESTINATION franchise. I understand the appeal of the Rube Goldbergian scenarios. I loved seeing them in those TOM & JERRY cartoons as a kid. But after a discussion with @$$Hole co-editor Sleazy G after watching the film last night, I started understanding why the films are so popular. See, SAW and FINAL DESTINATION are the FRIDAY THE 13th’s and A NIGHTMARE ON ELM STREET’s of this generation of young movie goers. I remember fanatically going having to see the latest F13 or NIGHTMARE every time they hit theaters, which back then was an annual thing just as FINAL DESTINATION and SAW have become. As much as I scoff as the popularity of those films, a part of me feels that by doing so I’m giving in to my inner old man and not understanding that, as vapid and one note as these movies are, there is an entertaining factor at play here.

With this understanding, I have to say I came out of FINAL DESTINATION 5 last night thoroughly entertained. Do we go to see rich character development played by Oscar worthy actors? Hellz no. We go because the kills are fun and cartoony. And you know what? The kills WERE fun and cartoony. Every kill was as complex as they come, but also had a factor of gallows black humor that made it a blast to experience, especially in 3-D, as chunks and body parts are tossed in your face at a rapid pace.

The plot of the story is paper thin and simply a different scenario in which a kid predicts the death by catastrophe (this time it’s a bridge collapse) then one by one, the survivors are killed off because as the series only returning character played by Tony Todd states, “Death cannot be cheated.” There’s also a subplot where the lead kid wants to be a gourmet chef and must decide whether to stay in the states with his girlfriend or go to France on an internship—blah, blah, blah. None of that shit matters though. FINAL DESTINATION 5 is just shit getting fucked up in graphic, complicated and anus puckering ways. Though he doesn’t get too deep or spend much time letting the audience get to know these characters, director Steven Quale takes full advantage of the 3rd Dimension and fills this movie with one wince inducing moment after another—be it a nail into a bare foot or a laser to an eyeball.

But who’s looking for character and subtext in a FINAL DESTINATION film? It’s a visual smorgasbord of easily digestible food. You can like your heady, Cronenbergian, foreign horror all you want. I love those films too. But that doesn’t mean that there isn’t room for lowest common denominator, in your face schlock too. FINAL DESTINATION 5 slops around in the red stuff like a fat kid in a mud puddle. Even the opening credits, which is basically just five minutes of shit comin’ at you, most of the time on fire (I swear, there was a barbed wired log on fire slamming in your face for no reason whatsoever) goes for the cheap in your face thrill that was the reason 3D films were made in the first place. So even though it will never stack up to the thrill I had every Friday the 13th when a new Jason flick was released, I understand the appeal of films like FINAL DESTINATION 5 and recommend you go see it this weekend.

And finally…here’s a little ditty from my pals Kirby Krackle called ZOMBIE APOCALYPSE! Enjoy!

See ya, next week, folks!

Ambush Bug is Mark L. Miller, original @$$Hole / wordslinger / reviewer / co-editor of AICN Comics for over nine years. Mark is also a regular writer for FAMOUS MONSTERS OF FILMLAND and will be releasing FAMOUS MONSTERS first ever comic book miniseries LUNA in October (co-written by Martin Fisher with art by Tim Rees) order code: AUG111067 from Diamond! Support a Bug by checking out his comics (click on the covers to purchase)!

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Going to be in Chicago this weekend? Chicago’s got two conventions of note worth checking out! FLASHBACK WEEKEND CHICAGO HORROR CONVENTION will be at CROWNE PLAZA CHICAGO O’HARE, 5440 N. River Road, ROSEMONT, IL 60018! Join Robert Englund, Malcolm MacDowell, Sid Haig, Lance Henricksen and more to see all of the sights, frights, stars, and nightmares there are to see at this Chicago’s premiere horror convention this Friday-Sunday! Be sure to click on the image to the left for ticket info, a full schedule of events, and more goodies!

And if it’s comic books and stars you’re looking for, WIZARD WORLD CHICAGO 2011 is going on just a few blocks away at the DONALD E. STEPHENS CONVENTION CENTER, ROSEMONT, IL 60018 this Thursday – Sunday! Bruce Campbell, Patrick Stewart, Felicia Day, Vivica A. Fox, and many more stars are set to be there this weekend! Be sure to click on the image to the right for scheduling and ticket info! Ambush Bug and the Chicago @$$Holes will be bopping between these two conventions all weekend. No self respecting genre fan would miss these two events. See you there!
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