Greetings, all. Ambush Bug here with another AICN HORROR: ZOMBIES & SHARKS column. Why ZOMBIES & SHARKS? Well, those are the two things that I’ve had the most nightmares about. It’s the reason I rarely swim in the ocean. It’s the reason I have an escape plan from my apartment just in case of a zombie apocalypse. Now if you’ve ever had those fears or fears like them, inspired mainly by nights upon nights of watching films of the frightening kind, this is the place for you. So look for AICN HORROR: ZOMBIES & SHARKS every Friday for the foreseeable future, horror hounds, where we’ll be covering horror in all forms; retro, indie, mainstream, old and new.
Welcome to day two of our AICN HORRROR: New Horror Catch-up. If you missed yesterday’s column, click here to check it out. Go ahead…we’ll wait.
OK, now that you’ve checked our yesterday’s horrors, you’ll be all ready for more. But first, here are two tidbits of horror news you might enjoy!
One of AICN HORROR’s first films to review was the indie horror anthology SLICES OF LIFE and it’s finally getting released on DVD, & BluRay on June 7th. Check out this special exclusive clip below then go check out this fun indie horror film ( available for purchase here).
THE CORRIDOR will be reviewed here soon on AICN HORROR, but you can see this film about a male bonding weekend from hell at the Dances with Films Festival on June 7th at 9:30PM at Laemele’s Sunset 5 (8000 Sunset Blvd) with the Director, Writer and Producer in attendance. Find out more info on the film festival here. And check out the trailer for THE CORRIDOR below.
And now, scroll down and enjoy more new terrors, folks.
(Click title to go directly to the feature)
Q&@ with the folks behind YELLOWBRICKROAD!
YELLOWBRICKROAD (2011) Review NINJAS VS VAMPIRES (2011)
SECONDS APART (2011)
HUSK (2011)
CROPSEY (2009)
And finally…Zombie A Go-Go!
@’s by YELLOWBRICKROAD’s
Jesse Holland, Andy Mitton, & Cassidy Freeman!
AMBUSH BUG (BUG): YELLOWBRICKROAD is a harrowing journey through darkness and insanity. Tell me where the idea for the film came from? Are you guys hikers yourselves?
JESSE HOLLAND (JH): We are indeed avid hikers, spending many weekend days exploring the canyons of Malibu, and when time permits (which is increasingly less and less) taking extended backpacking trips in the Sierras and Rockies. It is escapism in its truest form, and some inspiration for YELLOWBRICKROAD came from accounts of individuals who escaped permanently. We thought, wouldn't it be scary if an entire town did what Chris McCandless did, as depicted in INTO THE WILD? Don't many of us have that occasional sudden impulse to run away from it all?
We also thought - and this is a semi-spoiler alert - that 30's ballad music emanating from the deep wilderness was just a scary idea, and our favorite kind of scary - the kind that evokes the Uncanny - that which shouldn't be present, but is.
BUG: What was it like filming in the wilderness of New England? Despite the subject matter, it looked like a gorgeous landscape to shoot.
ANDY MITTON (AM): It was a huge challenge, but also a great adventure and tons of fun. We watched THE THING before we left, wanting to get inspired by the ways that the location can become a main character, one that plays off every actor and informs every scene, every performance. We wanted the authenticity of real bugs and real rain and also the added production value of shooting an area of woods that's never been used in a feature before, the northern-most tip of New Hampshire. And it IS gorgeous, but in a way that supports the story without overwhelming it - for instance, we considered shooting in Alaska, but the landscape there is so majestic it can actually be a distraction from the story rather than a clean canvas. We're glad we made the decision to film on location, but I know some of the crew wish we hadn't gone during black fly season.
CASSIDY FREEMAN (CF): It was so special to be able to actually be in the environment in which the story actually took place. We didn't have all the amenities that someone has when they shoot in LA or another city that is equipped with film world things, but that also meant that we could be super focused and really get down to telling a story. It also meant that sometimes we had to make due with what we had, and that is a learning experience in and of itself. Nothing like taking a 4-mile run and jumping in an ice cold lake on your day off...or watching snow fall, depending on the day.
CF: CASSIDY: I went to college with Andy and Jesse and we had all relocated, at different times, to Los Angeles. We all worked together out here creating theatre and performances, and then Andy and Jesse spoke about this script that had a brother and a sister in it. We all kinda scratched our heads and went...hmmm. It really worked out. I was honored to be involved and getting to Executive Produce for the first time was also interesting. I don't think I'm quite seasoned enough to fill you in on the role of a producer, as our producer Eric Hungerford did such a good job of carrying boulders and making them seem like pebbles, but I can say I hope to do more of it. I have much more to learn.
BUG: The opening of the film is especially effective with the audio recording played over still photographs of the missing townsfolk. Can you give me a little insight on the decision to start the film in this way?
JH: We give the audience a slow-burn, character-driven, mounting-dread movie where the shit doesn't really hit the fan until about the 40-minute mark. To offset that, we start the movie off with a few jarring, visceral scares. And of course, it serves the double purpose of providing the necessary exposition to kickstart the movie. Some of those photographs were taken of crew members by our production designer, Joe Varca, and some were stock footage of real wartime slaughter.
BUG: Are there any truths behind the mythology of the film about the missing town? There seem to be shades of Roanoke at play here.
BUG: Cassidy, were you originally intended to star in the movie?
CF: I don't think I was...you'd have to ask Andy about that one, but I think the idea for me to be in it came when we realized what a great opportunity it would be for Clark and I to actually play brother and sister in a film.
AM: Truth be told, even though Cassidy was a longtime friend and we were also in a band together, she was also on SMALLVILLE and getting famous and it was a smaller role than we thought her talents deserved. But then when we heard she was interested and might also Executive Produce, it all locked perfectly into place.
BUG: What went into picking the other roles in the film?
JH: One advantage we had going in was that we knew talented stage and film actors who we already had a level of trust with, so we decided to save the money on a casting director and handle it ourselves. We were able to reunite with friends, colleagues, and former classmates in the case of Sam Elmore, Tara Giordano, and Alex Draper. Andy had directed Michael Laurino in several plays in Los Angeles and he was in talks to play Teddy since the earliest days of the script. Then there were those we hadn't worked with but immediately fit right into our sensibility and our little family - Anessa Ramsey we saw in THE SIGNAL and loved, Laura Heisler had serious NYC Theater cred, and Lee Wilkof is a well-known and brilliant character actor who we were so lucky to have with us for a few days.
AM: Yes, it was extremely difficult because there's almost a paradox in what you're going for - on one hand you want the audience to feel that the sequence of events is logical and earned, and on other hand you want to SURPRISE them, that's really what you want most of all. So you want to show a progression and build tension, but you don't want to give away your surprise. There's a very thin line between “I didn't believe that shit when it happened and it sucked” and “I never saw that shit coming and it ruled.”
BUG: Tell me a little bit about the use of sound in YELLOWBRICKROAD. It was a very important and unsettling factor in the film.
AM: Yes, in tackling the slow-burn horror story, we knew atmosphere was key. The first line of our screenplay is a note to the reader, telling them that everything in the soundtrack is natural sound - there's never any score. We knew even then that if we were patient with the dry, natural sound and allowed it to set there and start to simmer, that when we began to introduce the music, we would really feel the full weight of the uncanny discovery. In the end, we actually DID end up putting in a few small pieces of scored music, a classical piano bit that plays twice, but all in all we stayed true to that vision. The real magic happened when I collaborated with Dan Brennan at Soundtrack NY. Dan also happens to be my seventh grade lab partner and one of my oldest friends, so we got to turn knobs together and test the boundaries of what a little patience in the front half of your movie allows you to get away with in the back half.
BUG: Cassidy, what was it like acting with your brother (Clark Freeman) in the film? That fight between you two seemed pretty real at first…
CF: It was a dream to work with Clark. I'm blessed to have two bothers that are also very dear friends and fellow artists, so to be able to share that relationship with work and bring it to the screen was amazing. Clark and I have had our fights, and getting to that point with him is probably easier than it would be with a stranger, but we've always found a way to love each other without inflicting too much bodily harm...in real life, that is.
BUG: For what looked like a pretty low budget, you guys were able to pull off a slick looking film. What was your secret to making such an effective horror film on the cheap?
BUG: Have you guys always had an affinity for horror?
AM: Jesse and I are huge horror fans. Back in college, we used to write short horror one act plays and put them up in the black box theater. It was good training, cause scaring people in live theater is really hard because you don't have editing or any of the usual movie tricks. However, when you spray the blood, it actually lands on them sometimes, so…there's that.
CF: I've never been a huge horror fan, but if I get to work with people I love, I'll dive into a genre I'm not familiar with, and learn. I watched a lot of horror films in preparation, and had many, many nightmares.
BUG: What horror films inspired you upon embarking on making this film?
JH: Primarily THE SHINING, but also the 70s greats CARRIE, ROSEMARY'S BABY, and DELIVERANCE. Our favorite movie of all time is THE EXORCIST. Hopefully, YELLOWBRICKROAD takes a touch of what's good about the films of the past while still feeling like it's happening right now, before your eyes, in the present.
BUG: Thanks so much for taking the time to talk about YELLOWBRICKROAD. Can you let folks know how and when they can see it?
AM: Sure, we're lucky enough to be playing in 25 cities throughout the month of June in select AMC Theaters. Showtimes are Wednesdays at 10pm and Fridays at midnight and you can check out Bloody Disgusting Selects website to find the theater nearest you.
We should mention in closing that getting covered by Ain’t It Cool was a dream of ours, being longtime readers ourselves, so it's a huge honor for us.
BUG: Thank you and best of luck with YELLOWBRICKROAD!
YELLOWBRICKROAD (2010)
Directed by Jesse Holland & Andy MittonWritten by Andy Mitton & Jesse Holland
Starring Michael Laurino, Cassidy Freeman, Clark Freeman, Anessa Ramsey, Lee Wilkof, Alex Draper, Laura Heisler, & Tara Giordano
Find out more info on the film here.
Reviewed by Ambush Bug
YELLOWBRICKROAD is a wilderness-horror film about a group of researchers investigating the disappearance of an entire town in New England in 1940. The film starts out ominously with aged photos of the abandoned town with a voice over of an audio interview conducted with the lone survivor. Though most of it is inaudible, it does prove to be an ominous opener to a very spooky film.
NINJAS VS VAMPIRES (2011)
Directed by Justin TimpaneWritten by Justin Timpane
Starring Jay Saunders, Daniel Ross, Cory Okouchi, Devon Marie Burt, Karla Okouchi, Kurt Skarstedt, Melissa McConnell, Paul Sieber, Daniel Mascarello, & Liz Christmas
Find out more on NINJAS VS VAMPIRES Website
Reviewed by Ambush Bug
SECONDS APART (2011)
Directed by Antonio NegretWritten by George Richards
Starring Edmund Entin, Gary Entin, Orlando Jones, & Samantha Droke
Reviewed by Ambush Bug
I reviewed this film a while back when it was in limited release as part of the After Dark Originals series. It’s been released on DVD & BluRay so I figured I’d report the review since you all have a better chance of catching it this time around.
Think DEAD RINGERS meets HEATHERS with a peppering of THE FURY and you’ve got this little After Dark Original down to a tee. Highlighting the simple eeriness of twins themselves, SECONDS APART is a surprisingly effective little horror film. The twins, Edmund and Gary Entin, are pretty fantastic as the leads with their soulless eyes and identical movements. There’s just something creepy about people moving in tandem, looking and moving in the same manner. It’s been the subject of many a horror film through the years.
HUSK (2011)
Directed by Brett SimmonsWritten by Brett SimmonsStarring Wes Chatham, C.J. Thomason, Devon Graye, Tammin SursokReviewed by Ambush BugI reviewed this film a while back when it was in limited release as part of the After Dark Originals series. It’s been released on DVD & BluRay so I figured I’d report the review since you all have a better chance of catching it this time around.
Had there been a camera been on me while I watched this film (and the voice in my fillings often says there always is), you would have seen my wrinkled brow smoothen as I realized that HUSK is probably one of the best straight up horror films I’ve seen in quite a while. The writing is pretty fantastic. The concepts are original and scary. And the cast of annoying youngsters…well…actually they weren’t that annoying. I found myself rooting for these kids to make it out of this cornfield alive and that’s saying something with the cliché being that the kids in these films are always annoying.
I don’t want to ruin a moment of HUSK for anyone. It is filled with grisly gore and genuine scares. HUSK also features a cast of actors who are likable and Simmons has created a horror so intense that you will find yourself doing the impossible…rooting for the kids to survive. If there is one criticism it has to do with the climax of the film where the kids try to take out the threat themselves rather than just get the hell out of the cornfield. I know if I had to face the grisly horrors of HUSK, I would leave first and plan on destroying the threat forever from far far away from any cornfield.
HUSK is part of the After Dark Originals Horror Fest 2011. I don’t care how you see it, just see HUSK. It ranks right up there with DARK NIGHT OF THE SCARECROW as one of the best scarecrow horror films. I can’t wait to see what Brett Simmons has in store next.
CROPSEY (2009)
Directed by Joshua Zeman & Barbara BrancaccioWritten by Joshua Zeman
Reviewed by Ambush Bug
It’s been labeled as a real life BLAIR WITCH PROJECT, which isn’t particularly accurate, but CROPSEY does induce chills, mainly because it is a documentary and not an actual horror film. There’s something comfortable watching a horror film, knowing that, even if it is labeled a found footage film, you know, in the back of your mind, that it’s not real. You don’t have that feeling with CROPSEY which is what makes it such a riveting and suspenseful film.
And finally…how about a “Zombie A Go-Go!” by Captain Clegg & the Night Creatures!?!?!
Enjoy!
See ya, next week, folks!
Ambush Bug is Mark L. Miller, original @$$Hole / wordslinger / reviewer / co-editor of AICN Comics for over nine years. Support a Bug by checking out his comics (click on the covers to purchase)!
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