END OF DAYS v.2 review
Published at: Nov. 23, 1999, 5:05 a.m. CST by headgeek
Well folks, this was a fascinating evening at the
movies.
I went for the third time to see END OF DAYS, not
because it’s the type of movie worth seeing 3 times in
quick succession, but rather... I was curious to watch
the movie with a full blown audience.
You see, both times I saw the film was in ‘friendly to
the movie’ situations. The directors, producers,
family and friends of the film all in attendence. As a
result you can expect to feel ‘more love’ than usual in
the house.
But the main thing is... you are watching the film with
only your own impressions and not the communal
experience of watching the film with a regular
audience.
Now, I still think this is a good Arnold film, but
frankly... I’ve got a feeling that it is going to have a
major second week plunge.
The film has it’s problems. There’s a couple of lines
that Arnold delivers poorly, mainly the, “You’re a
choirboy next to me!” one. The visage of satan as
created by Stan Winston sucks, albeit this is only on
screen for under 25 seconds or so... thankfully. And a
bit of a GHOST moment that I could have done
without, BUT... that’s about it for me.
The rest of it, I really get one hell of kick out of. And
throughout most of it, the audience did too. By the
time the film ended, there was a scattering of about a
half dozen people clapping, then stopping when the
audience didn’t join in. Followed by a very loud
“BOO” from one person. And another saying,
“THAT’S THE WORST FUCKING MOVIE I
HAVE EVER SEEN!” This person has perhaps seen
10 movies I suppose.
I decided to play quiet mouse boy and listen to what
people were saying. The main negatives that I was
hearing wasn’t about cinematography or editing or
performances or writing or any of that.
It had to do with making the Catholic Church out to
be saviors. It had to do with the religious doctrine in
the movie. All of the ‘mumbo-jumbo’.
I heard one person say, “When are they going to stop
shoving this religious shit down our throats, nobody
believes this crap anymore.”
The friends I had sitting on either side of me
conceded that it was a good Arnold film, but then
asked me how I could swallow that religious shit.
Hmmm....
I looked at them. And then said, “Did you hate
RAIDERS OF THE LOST ARK because of the
heavy religious ending? How about INDIANA
JONES AND THE TEMPLE OF DOOM, does the
portrayal of faith in Shiva disturb you? How about
JASON AND THE ARGONAUTS? Does the
depiction of Mt Olympus with Zeus and Hera and
Hermes disturb and make the film unwatchable?”
There was a cross look on their face followed by,
“But that’s mythology.”
Ahem. Folks... I’m not a deeply religious man. I
haven’t been back to church since the service for my
mother. Not because I’m angry, not because God
‘screwed me’. Not because I had doubts in faith or
anything along those lines. I stopped going because I
needed to get my life in order and felt the need to
concentrate my energies in the direction I was taking
in life.
Do I believe Moses parted the Red Sea? Can’t say,
wasn’t there... didn’t see it. That pillar of salt thing...
once again... wasn’t around. Walking on water?
Wasn’t there... didn’t see it. I also didn’t see Jason
fighting the Hydra or Perseus beheading Medusa.
Does it mean they didn’t happen? I can’t say.
But someone wrote about it. When it comes to
religious matters in film, I gather it in as I do all
dramatic filmmaking. It’s all bullshit. Rick did not
let Ilsa on the plane with that dude. There was no
plane. Scarlet never had another day, at least not on
film, that crappy mini-series never existed in my eyes.
Even the stuff based on TRUE STORIES
documented in HISTORY. If it’s film... I accept the
fact that it is not reality.
I don’t believe it was Peter Hyams or Arnold’s or
Andrew Marlowe’s intention to convert their
audience into a fleet of Catholics. I think they set out
to tell a story using elements of the ‘Satan mythology’
to create an action filled story to make some good
money and entertain an audience.
So.... I give them that. Ok... for this two hours...
Satan exists. He has to boink this girl in the last hour
of the last day of 1999 and it has to be East Coast
Time apparently due to some Gregorian Monks back
at the dawn of these visions. Ok... I can give the
filmmakers that much.
Just like, I can give Paul Verhoeven the ability to let
Arnold’s eyes bulge out of their sockets on the
surface of Mars while an ancient alien air-making
technology creates a perfect human oxygen-rich
environment that allows his eyes to re-enter his head
with apparently no adverse physiological reactions to
him.
I can also give James Cameron the room to let Arnold
be a robot that somehow has organic living tissue
surrounding a metal endo-skeleton thereby allowing it
to be transported back through time to kill a waitress
who may one day give birth to a punk kid that might
grow up to lead a post-apocaliptic revolt that might
very well give the human race a chance at living
again.
All three of these things are... NOT BELIEVABLE to
a sensible person... BUT... for the sake of having a
good time in the theater... I allow it.
I never need a filmmaker to explain why Arnold has
an accent and nobody in the film ever makes
exception of it or makes fun of it... or asks him what
the hell he just said. It’s ok... I think... Of course
they know what he said, they’ve read the script. They
know his lines.
This isn’t Arnold’s best film. It isn’t my favorite
Peter Hyams film. But it is, for me at least, a good
movie with significantly less problems for me than I
had with THE WORLD IS NOT ENOUGH.
If you hate THE EXORCIST, STIGMATA, THE
OMEN, ROSEMARY’S BABY, etc... because you
really dislike all that ‘religious bullshit.’ If you feel
Arnold Schwarzenegger is the worst actor ever
created and a complete waste of your time, then
perhaps you ought to see TOY STORY 2 or SLEEPY
HOLLOW this Thanksgiving.
But... if you can put that behind you... Accept the
basic premise of the film... well then you might very
well enjoy yourself.
I find it amazing the vigor with which folks that are
anti-religious take films like this. My one friend
sitting next to me said, “Yeah, but what really scares
me is all the people out there that will take this film
and what it says seriously.”
AHEM...
Excuse me, but if you believe anyone is going to take
this film SERIOUSLY and believe that this New
Year’s Eve there exists an 18 year old virgin in New
York that Satan’s got to fuck in order to rule the
world, then... take a chill pill dude. I am willing to
go out on a limb here and say that there will may be
only 2 people in the entire world that will see this
movie prior to the year 2000 that might actually
believe this as being true, and both are out-patients of
some rehab clinic somewhere. There is a disclaimer
at the end of the film. It does say that none of this is
true.
That means... Satan’s not true. Catholic Church stuff
is not true.... and overall this is a work of FICTION.
F-I-C-T-I-O-N. Meaning... Not real.
As I’ve said in the past about this film, it’s not as
good as CONAN THE BARBARIAN,
TERMINATOR 1 & 2, TOTAL RECALL,
PREDATOR and TRUE LIES... but it comes in right
after those. I prefer it to ERASER, RUNNING
MAN, COMMANDO, RAW DEAL, RED HEAT,
THE JAYNE MANSFIELD STORY, TWINS,
JINGLE ALL THE WAY, JUNIOR, CONAN THE
DESTROYER, RED SONJA, etc... Which I guess
puts it in between the top and middle thirds of his
career.
Some of you might hate this one, and I’m sure to be
knocked around by some in TALK BACK pretty
fiercely. But... What the hell, who wants to live
forever?