THE MESSENGER: THE STORY OF JOAN OF ARC review
Published at: Nov. 11, 1999, 6:09 a.m. CST by headgeek
Alrighty... onto the second review of the night. This
time I'm writing while sprawled out on the eleventh
row of an American West flight out of Phoenix
flapping it's wings to get me back to my lovely bed
and home.
While I'm up here all close to God and such... I
figured this would be a great location to begin
discussing THE MESSENGER: THE STORY OF
JOAN OF ARC.
Now right up front I'm going to tell you... I love this
movie. But... Alot of critics seem to be ready to tear
it to pieces. Taking potshots at the 'spacy' look on
Milla Jovovich's face. That odd other gaze in her
eyes.
But frankly... This movie really does remind me quite
a bit of the feeling I had while watching THE THIN
RED LINE.
How so?
Well... This isn't a movie that is really made for
100% of the audience. Not to mean that one side or
another is superior... only it's a different aesthetic
taste. Sort of like... there are some people that really
like the way POP ROCKS feel in your mouth, while
others begin gagging and spitting them out.
This is that type of movie.
Like THE THIN RED LINE... it's about a normal
person in the midst of battle. But even to a higher
degree.
A girl, an uneducated girl.
Imagine... You are in high school. God comes to you
and says that you are to lead the American forces to
destroy the evil of Saddam Hussein.. but you must do
it. God doesn't take NO for an answer... He makes
really strong arguments.
So... You have to make your way to the President of
the United States and convince him to send you and
his men and women of the military on a holy crusade
to wipe out this 'scourge'.
Uh huh...
Well... pop quiz hot shot... What do you do?
How do you convince those that do not believe?
How do you make your point to them, if God didn't
grant you the power to levitated the Statue of Liberty
by motioning your pinky finger. I mean... What.. do
you have them attempt to shoot you... knowing that
God will somehow save you, or would he interpret
that as a suicide attempt and doom your soul to
purgatory forever?
Alright... Now let's say you've convinced the
President. But God doesn't want you in some tent
somewhere... he wants you on the front lines... Close
contact with the death. Others' blood coats your face
like an avocado face wrap.
You've been a simple person your whole life... and
now you care the responsibility of life and death...
you lead people to death and victory at the cost of
lives... thousands of lives. A field of barbarism...
How does this serve God's will?
'He moves in mysterious ways.'
Yeah... I know, I've seen END OF DAYS... God has
a great publicist.
Folks... Milla is this simple girl. She wanted to
gather flowers... become a nun... live a simple life.
She didn't even know how to read.
Then she finds herself in these battles...
Communicating with voices or visages inside her
mind. A faith in the bestower of her message.
That 'spacy' look? That's uncertainty... a girl lost in
the midst of blood and body parts.
Can you imagine having these visions? At 18? This
sort of responsibility?
Not me... I don't want it. It'd drive me crazy... And it
very nearly drives Joan crazy as well. Like Scorsese's
THE LAST TEMPTATION OF CHRIST, this is a
human portrayal of one of God's messengers. These
are flawed beings... and all the more beautiful for it.
The battles are the type you flinch during. The
aftermath the sort your jaw drops to. But
predominantly... this movie is about getting to the last
act which quite honestly I found compelling as any bit
of film I've seen all year long.
Dustin Hoffman is no inquisitor... not in my eyes
anyways... Hoffman is her reason... her version of
God... The face he takes. Perhaps she misinterpreted
some of her visions... spoke a bit of blasphemy... and
perhaps God wanted a martyr. She needed
absolution, but she was unsure of what sins she
committed. Here Hoffman plays the Inner Doubts we
have after thinking we have made the right choices in
life. That demon upon your shoulder that questions
your intentions at every moment of silence.
After many more viewings and a couple of years I'll
talk about where in the scope of Besson's career I feel
this film falls... but right now... I love this film.
This isn't an easy movie... You'll have to think,
interpret what you are seeing. You may have doubts,
you might question Joan herself.
But my God this is a beautiful movie. The production
design, score, costumery, cinematography... all
magnificent.
The acting is, for me, every bit as strong as
BRAVEHEART if not even on par with Branagh's
HENRY V.
Stay open minded and I hope you enjoy it as much as
I did.