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Fritz Lang’s COMPLETE METROPOLIS Coming To U.S. Cinemas Starting This Month, Then To Blu-ray In November!!!!

I am – Hercules!! Amazing, glorious news!! That new 25-minutes-longer version of Fritz Lang’s “Metropolis” we’ve all be hearing about -- the one believed lost forever until two summers ago -- is coming to Graumann’s Chinese in Hollywood April 25, then rolling out to “all major markets throughout the US and Canada” beginning in May, according to a press release issued Monday! Earlier reports put the theatrical release in summer and the home edition in December. But look!

Kino International Releases the new restoration of Fritz Lang's Masterpiece THE COMPLETE METROPOLIS

New York, April 5, 2010 - Kino International is proud to announce the North American release of the new restoration of Fritz Lang's 1927 science fiction masterpiece METROPOLIS, now with 25 minutes of lost footage and the original Gottfried Huppertz score. This new 147-minute version, being released as THE COMPLETE METROPOLIS, premiered on February 12 at the Berlin Film Festival and will have its first US showing on April 25 at Grauman's Chinese Theater in Hollywood, as part of the TCM Classic Film Festival.

The film's national theatrical release will commence on May 7, with a NY premiere at Film Forum, and on April 14, at Laemle's Royal Theater in Los Angeles - followed by runs in all major markets throughout the US and Canada. The DVD and Blu-ray release is set for November of this year. Seldom has the rediscovery of a cache of lost footage ignited such widespread curiosity as did the announcement, in July 2008, that an essentially complete copy of Fritz Lang's METROPOLIS had been found.

CUTS AND MAJOR RESTORATIONS: When it was first screened in Berlin on January 10, 1927, the sci-fi epic ran an estimated 153 minutes. After its premiere engagement, in an effort to maximize the film's commercial potential, the film's distributors (Ufa in Germany, Paramount in the U.S.) drastically shortened METROPOLIS, which had been a major disappointment at the German box office. By the time it debuted in the states latter that year, the film ran approximately 90 minutes (exact running times are difficult to determine because silent films were not always projected at a standardized speed).

METROPOLIS went on to become one of the cornerstones of science fiction cinema foreshadowing BLADE RUNNER and THE MATRIX to name just a few recent examples. Testament to its enduring popularity, the film has undergone numerous restorations in the intervening decades. In 1984, the film was reissued with additional footage, color tints, and a pop rock score (but with many of its intertitles removed) by music producer Giorgio Moroder. A more archival restoration was completed in 1987, under the direction of Enno Patalas of the Munich Film Archive, in which missing scenes were represented with title cards and still photographs. More recently, the 2001 restoration combined footage from four archives and ran at a triumphant 124 minutes. It was widely believed that this would be the most complete version of Lang's film that contemporary audiences could ever hope to see. But, in the summer of 2008, the curator of the Buenos Aires Museo del Cine discovered a 16mm dupe negative that was considerably longer than any existing print. It included not merely a few additional snippets, but 25 minutes of "lost" footage, about a fifth of the film, that had not been seen since its Berlin debut. The discovery of such a significant amount of material called for yet another restoration.

This was executed by Anke Wilkening of the Murnau Stiftung (Foundation), the German institution that is the caretaker of virtually all pre 1945 German films, Martin Koerber Film Department Curator of the Deutche Kinemateque and on the music side, by Frank Stoebel. The result of their work was first seen by the public on February 12 at the 1600 seat Friederichstrasse Palaste, accompanied by a 60-piece orchestra playing the original 1927 score by Huppertz. The public and critical response was ecstatic. Regarding the quality of the added footage Ms. Wilkening has said: "The work on the restoration teaches us once more that no restoration is ever definitive," says Wilkening, "Even if we are allowed for the first time to come as close to the first release as ever before, the new version will still remain an approach. The rediscovered sections which change the film's composition, will at the same time always be recognizable through their damages as those parts that had been lost for 80 years."

Further information on THE COMPLETE METROPOLIS and annotations of all recovered scenes - as well as images, clips and theatrical playdates - will be uploaded to the new Metropolis website, which goes live on April 15. The site will be hosted at
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