How do we fix what is wrong with the rating’s board... The MPAA?
This has been an issue that has been building and building up to a boil for quite some time now, and something has to be done about it.
Right now in this country we do not have a viable adult rating for the Motion Picture Industry. As a result many stories that are simply ‘Adult’ can not have a fair shot at release.
Sure we do have the NC-17 rating. In principle it is a workable concept, but the way it was enacted. The way Newspapers, Television and the Theaters themselves treat it... Well, it might as well be pornography.
I’ve been asking around the industry, trying to get some answers. Grasping at straws of wisdom hoping to turn a bit of it to gold. Not to line my pockets, but to put forth an idea that could help solve this problem.
One filmmaker (a notable writer/director) actually said to me that he wished that something like the old Hays Office was here again. That way he would know exactly where he stood. What he could and could not show... Definitively.
My God. I couldn’t believe I was hearing this. I flashed to PLEASANTVILLE where an exasperated accused artist asks of the judge which colors he could paint with, what was forbidden and what was allowed. That all he wanted was to be able to paint without worry.
Have we really subjected our artists to this sort of hopelessness?
That’s not what the MPAA was built for.
So, what was the MPAA created for? Why did Jack Valenti set out upon this enterprise? Well, let’s give Jack the floor....
"It was plain that the old system of self-regulation, begun with the formation of the MPAA in 1922, had broken down. What few threads there were holding together the structure created by Will Hays, one of my two predecessors, had now snapped. From the very first day of my own succession to the MPAA President's office, I had sniffed the Production Code constructed by the Hays Office. There was about this stern, forbidding catalogue of 'Dos and Don'ts' the odious smell of censorship. I determined to junk it at the first opportune moment." -- Jack Valenti
Well Jack.... It is now plain that the current system of anonymous regulation beginning with your term as President of the MPAA has broken down. The secret catalogue of ‘Dos and Don’ts’ that the secret society that you preside over uses to judge films has the odious smell of censorship. I feel determined to advocate for the Film Industry to junk it at the first opportune moment.
Jack claims that the MPAA is not about approving or disapproving film content, but rather the primary task of the MPAA is to give advance cautionary warnings to parents. To help them in their decision about the moviegoing of their children.
That’s all lovely and all, but why then did the MPAA work hand in hand with Warner Brothers on EYES WIDE SHUT and point out exactly what was WRONG with this scene and that one. Offering up advice as to how it could be made.... Acceptable.
You know... Michelangelo really should have placed a figleaf over his “David’s” genitalia. With a few strokes of a paintbrush... a click or two of a mouse, we can now cover up offensive material. Perhaps we could take a chisel and turn “DAVID” into a eunuch. That way we could admire, the majority of the original artist’s work. All the non-offensive areas anyway.
Alright, I’ve been complaining thus far but I haven’t really come up with anything to fix things as they stand.
I decided to write Roger Ebert and ask him for advice. Afterall, Roger was the most vocal critic at the presentation of EYES WIDE SHUT the other night on the Warner Lot.
Here is Roger’s complete answer:
“I think, and have long said, that if we are to have the MPAA system at all, it needs a WORKABLE adult category. NC-17 has now clearly been rendered unusable, just as X was, because it is identified with pornography. There needs to be an A (for adult) category BETWEEN the R and the NC-17.
NC-17 should be renamed X, a useful category that everybody understands. It would stand for porno, pornographic violence, etc. ‘A’ would be for adults only and would include such films as the uncut "EWS" and "Natural Born Killers." Theaters, newspapers and broadcast outlets that currently ban NC-17 would ban X (or NC-17) but would show A, especially since they could still get points for saying they didn't accept X.
As things now stand, the U.S. is the only major moviegoing nation with no workable adult classification! Every single movie made by a major Hollywood studio can be seen by anyone of any age (with an "adult guardian," of course).
Best,
R”
