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Light House Shines reviews LOST SOULS

LHS reviews LOST SOULS here, and that's a film that we've been hearing some wonderful word on. Beginning back with Moriarty's look at the supernatural films from Hollywood this year, and continuing through ol Light House Shine's review here. Man... I can't wait to let my skin crawl...

I am just so lucky, as I get to see all these really different and for the most part really good New Line films. Months before their official release date. That normally I wouldn't be able to see, as New Line just doesn't mass test their stuff as much as some other companies do. Which is both a good and a bad thing, bad for me, but Okay for them I guess. As I imagine that said unheavily tested films would have to rely more on the director or writer's original vision, rather than the demented yearning of the majority at large. As truly sometimes the majority does not rule, especially when it comes to matters of taste or good film making!. Which definitely applies in the case of Lost Souls, as this truly was a fine film in numerous ways.


Especially since Lost Souls is the first film in a very long time, more so the first horror film, that truly tries to present the audience with a (singular) unique vision. Both in terms of look and feel, as this film definitely conveyed a really great, dark, gritty tone to it that only helped but enhance the overall (Gothic/horrific) qualities of the film as a whole. As the entire film was shot in very low or dark light, mostly in shadowy greys and hues of sky blue ( Though not so dark it was depressing, like in 7even). Which I really loved, especially during the opening exorcism scene. Where we get to see a pixieish Maya Larkin (a much more adult and satisfyingly grim seeming Winona Ryder) being exorcised by Father Lareaux (Nicely if not all too briefly played by John Hurt, who always does a nice job whenever he is on screen). Which is how she became to be associated with the Catholic Church and a small band of priests, sanctioned by the Church to perform exorcisms on those deemed to be "officially" possessed by the Catholic Church. All of which was taken very seriously by the film and the subsequent cast, which really made a difference. As I liked the serious, but not too serious tone that the film aspired to and actually achieved on an almost constant basis. A rarity in films nowadays, which is a shame. As such (on screen) behavior usually make a film much more enjoyable, if you are not laughing your way through the material ( Especially if it was not meant to be funny in the first place).


As Lost Souls is anything but silly or childish, as the film tells the surprisingly suspenseful tale of the prophecized coming of Satan among man. A vital bit of information discovered by accident during a botched exorcism of a severely possessed (and evil) mental patient, who apparently only killed because he was doing Satan's bidding ( Though that's not what the world at large believes). That Maya and her subsequent band of exorcists use to prevent the (1st?) coming of Satan, by attempting to decipher the cryptic notes done by the unfortunately (still) possessed man. Which Maya ultimately realizes reveals the name of the person that Satan has chosen to be his earthly vessel, one Peter Kelson ( A nice enough Ben Chaplin, who sounds a bit odd with an American accent). A noted criminal journalist, who neither believes in God nor the Devil, due to a traumatic childhood where he apparently lost all his faith in everything, especially human nature (they never tell you for sure, but his parents apparently died a somewhat horrific and untimely death). Who believes in it even less after he is confronted by Maya and her cohorts, as they attempt to convince him that he will be taken over by Satan at some future date and time. Which make for some truly creepy scenes, as Peter Kelson discovers that things are not what they seem and the people around him are not who he thought they were. Especially since paranoia is always a great scene motivator in any film, as long as it is done right, and in Lost Souls it most certainly was.


Now I really do not want to spoil the ending of this film, though I will say that it is not some big drag out fight between good and evil. As luckily the film had the maturity and the good sense overall to not pander to such an audience. As this film is thankfully a lot more subtle than that, by taken the high road as it were to film making. By making the audience actually work for it's own conclusions, as well as, I assume, purposely not revealing everything about anyone or anything completely. As there are a lot of things in the film that do require some thought, which is not always the case in most of the films that Hollywood has put out. So to actually think about a film hours after you have seen it, as well as be able to have a fairly involved conversation about it no less, is rather a pleasurable thing if not refreshing. Regardless of ones religious backgrounds, as ultimately this is not simply a film about God and Satan, as that would be way too clear cut. As Lost Souls is about the decisions we make or are faced with in our every day lives and the consequence of said decisions and ultimately the price we pay as a result of those decisions. Once again with some really fine acting and cinematography thrown in, all of which really makes this horror/thriller a lot better the majority of films in similar genres.

Sincerely,

Light House Shines

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