Hey, everyone. "Moriarty" here with some Rumblings From The Lab.
Instead, it’s a review for a film that I think I’m seeing soon. If I’m not mistaken, this is a First Run Films release, and I think I’m supposed to be screening it. I have to double-check. Even if I’m wrong, I’m interested in the film after reading this review. See if you agree...
Hello Gang,
Finally had some time to check a movie or so at the Vancouver Film Festival, and I'd have to say I started on a little pleasant treat called "The Pornographer". Starring the new wave icon Jean-Pierre Leaud, best known from Last Tango in Paris, as Jacques an aging porn director whose forced back into "the game" to pay off his debts.
Now many out there are thinking porns been done, PTA is god, etc etc. This film is the complete flip side of Boogie Nights. First of all, you actually see the action, but more importantly it deals with the financial and personal woes on a more human and less glossy level.
Jacques wants to make the greatest art film ever, but is hampered by the ever present producers just wanting the money shot and fake, loud orgasms. Watching Jacques "directing" his cast of high school graduates just wanting to make a buck, and trying to make them have passion for their work are hilarious. Although you do see some "action", the real joy is watching the "actors" playing out the porn dialogue("Can you fellas help me, my horse is loose", while the horse stands still in the background). Another highlight is when Jacques just cracks and follows a woman, sneaks into her house, reads one of her books while she's on the phone and then just shows up in her kitchen and calmly announces that he apologizes, but he's gone extemeley insane.
Strong sub plots exist as well, besides the porn aspect. Jacqes getting reaquainted with his estranged son, Joseph, is touching, as well as watching Joseph falling in love with his college love, the exotic Monique holds it own through out the movie.
There are problems with the movie. Some scenes seem to be straight out of "How to Make A Foreign Film 101". & the director seems to enjoy hopping into scenes extremely early and making us wait for the payout.
This film isn't perfect, but nice. If you have a chance to see this movie just go see it for the subtle grace that is Jean-Pierre Leaud's performance.
Thank You,
Mr Kid:0
Maybe it’s just that after AMELIE and BROTHERHOOD OF THE WOLF, I’m in a French sort of mood. We’ll see...
"Moriarty" out.
